Professor Charles Bodman Rae

Elder Professor of Music

Elder Conservatorium of Music

Faculty of Arts, Business, Law and Economics

Eligible to supervise Masters and PhD - email supervisor to discuss availability.

Career
Publications
Supervision
Professional Activities
Contact

Appointments

Date	Position	Institution name
2001 - ongoing	Sir Thomas Elder Professor of Music	Elder Conservatorium of Music, University of Adelaide
1997 - 2001	Dean/Director of Studies	Royal Northern College of Music

Awards and Achievements

Date	Type	Title	Institution Name	Country	Amount
2015	Distinction	Higher Doctorate of Music	The University of Leeds	United Kingdom	-
2013	Award	Lutoslawski Centenary Medal	Polish Ministry of Culture and National Heritage	Poland	-
2005	Award	Classical Music Award	Australasian Performing Rights Association	Australia	-
2005	Award	Lutoslawski Medal	Polish Ministry of Culture and National Heritage	Poland	-
1999	Fellowship	Honorary Fellow of Leeds College of Music	Leeds College of Music	United Kingdom	-

Language Competencies

Language Competency
French Can read, write, speak and understand spoken
German Can read, speak and understand spoken
Polish Can read, write, speak and understand spoken

Language	Competency
French	Can read, write, speak and understand spoken
German	Can read, speak and understand spoken
Polish	Can read, write, speak and understand spoken

Education

Institution name	Country	Title
The University of Cambridge	United Kingdom	BA(Hons)
The University of Cambridge	United Kingdom	MA
Royal College of Music	United Kingdom	ARCM (Piano Performance)
The University of Leeds	United Kingdom	PhD
The University of Adelaide	Australia	DMus
The University of Leeds	United Kingdom	DMus

Postgraduate Training

Date	Title	Institution	Country
1981 - 1983	Visiting Composer (postgraduate scholar)	Fryderyk Chopin University of Music, Warsaw	Poland
1977 - 1978	Bachelor of Music (MusB) Composition Section	The University of Cambridge	United Kingdom

Journals

Year	Citation
2010	Bodman Rae, J. (2010). 'Une nouvelle version orchestrale du Prelude op.45 [de Chopin]: essai d'explicitation des richesses cachees de l'original pour piano. Analyse Musicale, December, 22-33.

Book Chapters

Year	Citation
2023	Bodman Rae, J. (2023). Messiaen and Australia : The Composer as Lyrebird,. In R. Sholl (Ed.), Messiaen in Context (pp. 76-84). Cambridge: Cambridge University Press. DOI
2021	Bodman Rae, J. (2021). Messiaen and Australia: the Composer as Lyrebird. In R. Sholl (Ed.), Messiaen in Context (first edition ed., pp. 243-254). Cambridge UK: Cambridge University Press.
2019	Bodman Rae, J. C. (2019). Chopin and the Ninth: a Comparison of the Original with a New Orchestral Version of the Prelude op.45. In I. Poniatowska, & Z. Chechlinska (Eds.), Chopin 1810-2010: Ideas, Interpretations, Influence (Volume 2) (Vol. Volume Two, pp. 235-250). Warsaw, Poland: Fryderyk Chopin Institute, Warsaw.
2014	Bodman Rae, J. (2014). The Lutoslawski Legacy. In S. Latek, & M. Trochimczyk (Eds.), Lutoslawski: Music and Legacy (pp. 59-69). Montreal, Canada: Polish Institute of Arts and Sciences in Canada.
2013	Bodman Rae, J. (2013). Pozycja Witolda Lutosławskiego W świecie. In G. Michalski, & M. Schirmer (Eds.), Witold Lutosławski: Portret Rodzinny (pp. 127-132). Poland: Muzeum Przyrody w Drozdowie.
2013	Bodman Rae, J. (2013). The Polish musical psyche: from the Second republic into the Third. In E. Mantzourani (Ed.), Polish Music Since 1945 (1 ed., pp. 15-27). Kraków: Jagiellonian University Press.
2003	Bodman Rae, J. (2003). The role of the major-minor chord in Panufnik's compositional technique. In Jadwiga Paja Stach (Ed.), Andrej Panufnik's music and its reception (pp. 136-149). ul. Westerplatte 10, 31-033 Krakow, Poland: Musica Iagellonica.
2001	Bodman Rae, J. (2001). Bell. In New Grove Dictionary of Music and Musicians (pp. 168-182). London: Macmillan.
2001	Bodman Rae, J. (2001). Lutoslawski, Witold Roman. In New Grove Dictionary of Music and Musicians (pp. 381-389). London: Macmillan.
2001	Bodman Rae, J. (2001). Lutoslawski's Sound World: A World of Contrasts. In Zbigniew Skowron (Ed.), Lutoslawski Studies (pp. 16-35). Great Clarendon St, Oxford, OX2 6DP, UK: Oxford University Press.

Conference Papers

Year	Citation
2017	Bodman Rae, J. C. (2017). Chopin and the Ninth: comparison of the original with a new orchestral version of the Prelude op.45. In I. Poniatowska, & Z. Chechlinska (Eds.), Proceedings of the Third International Chopin Congress: Chopin 1810-2010 Ideas - Intepretations - Influence, as published in Chopin 1810-2010: Chopin and the University of Warsaw. A musical genius among artists and scholars, Volume 2 Vol. 2 (pp. 235-249). Warsaw, Poland: NIFC (Narodowy Institut Fryderyka Chopina).
2002	Bodman Rae, J. (2002). Keynote address: Research issues in music and music education. In J. Rosevear, & D. Callaghan (Eds.), Research matters: Linking outcomes with practice - Proceedings of the 24th Annual Conference (pp. 6-15). Melbourne, Australia: AARME.

Year

Citation

2017

Bodman Rae, J. C. (2017). Chopin and the Ninth: comparison of the original with a new orchestral version of the Prelude op.45. In I. Poniatowska, & Z. Chechlinska (Eds.), Proceedings of the Third International Chopin Congress: Chopin 1810-2010 Ideas - Intepretations - Influence, as published in Chopin 1810-2010: Chopin and the University of Warsaw. A musical genius among artists and scholars, Volume 2 Vol. 2 (pp. 235-249). Warsaw, Poland: NIFC (Narodowy Institut Fryderyka Chopina).

2002

Bodman Rae, J. (2002). Keynote address: Research issues in music and music education. In J. Rosevear, & D. Callaghan (Eds.), Research matters: Linking outcomes with practice - Proceedings of the 24th Annual Conference (pp. 6-15). Melbourne, Australia: AARME.

Live Performance of Creative Works

Year	Citation
2016	Bodman Rae, J., & Dollman, L. (2016). Australian Premiere of Nocturne in C minor opus 48 no.1 by Fryderyk Chopin orchestrated by Charles Bodman Rae (No. Of Pieces: 8 minutes) [Work for symphonic orchestra]. Sydney: Australian Music Centre, Sydney.
2014	Smith, S. (2014). Things Are Become New (No. Of Pieces: 11 minutes 45 seconds) [Performance]. Sydney: ABC Classic FM.
2014	Pax, J. (2014). Two Figures (No. Of Pieces: 10 minutes 39 seconds) [Performance]. Sydney: ABC Classic FM.
2012	Bodman Rae, J. (2012). World Premiere of Glossolalia by Erkki Veltheim (No. Of Pieces: Unknown) [Performance]. Elder Hall, Adelaide: Soundstream Collective.
2011	Bodman Rae, J. (2011). World Premiere of Prague Procession, for symphony orchestra, by Melisande Wright (No. Of Pieces: Unknown) [Performance]. Elder Hall, Adelaide: Elder Conservatorium Symphony Orchestra.
2011	Bodman Rae, J. (2011). World Premiere of Wind and Waters, for soprano and orchestra, by Ian Andrew (No. Of Pieces: Unknown) [Performance]. Elder Hall, Adelaide: Elder Conservatorium Symphony Orchestra.
2011	Bodman Rae, J. (2011). World Premiere of Tidal Lock, for symphonic orchestra, by Nicholas Denison (No. Of Pieces: Unknown) [Performance]. Elder Hall, Adelaide: Elder Conservatorium Symphony Orchestra.
2011	Bodman Rae, J. (2011). World Premiere of Excursion, for symphonic orchestra, by Daniel Schricker (No. Of Pieces: Unknown) [Performance]. Adelaide: Elder Conservatorium Symphony Orchestra.
2005	Bodman Rae, J., Haines, C., Horwood, E., Southwood, C., Duggan, P., Bourgault du Coudray, G., . . . Wilkie, S. (2005). Tristramn Cary: Rhyme of the Flying Bomb, and Steam Music (No. Of Pieces: 28 minutes) [Performance]. Elder Hall, Adelaide, South Australia.
2004	Bodman Rae, J., Stavely, R., Bourgault du Coudray, G., & Stevenson, L. (2004). Australian premiere of Donaxis Quartet by Charles Bodman Rae (No. Of Pieces: 20 minutes) [Performance]. Elder Hall, Adelaide..
2002	Bodman Rae, J. (2002). Australian premiere of Jede Irdische Venus by Charles Bodman Rae (No. Of Pieces: 15 minutes) [Performance]. Elder Hall Adelaide - for the Adelaide Festival of Arts.
2002	Bodman Rae, J., & Ammer, S. (2002). Australian premiere of Fulgura Frango, by Charles Bodman Rae (No. Of Pieces: 5 minutes) [Performance].

Original Creative Works

Year	Citation
2021	Authors: Bodman Rae J. Title: Partita Elegiaca. Description: N/A. Extent: 10 minutes.
2018	Authors: Bodman Rae J, Cheng G. Title: Steven Stucky: in memoriam. Track 7 on the CD 'Garlands for Steven Stucky' (Gloria Cheng, piano). Description: N/A. Extent: 3 minutes.
2017	Authors: Bodman Rae JC. Title: Steven Stucky: in memoriam. For solo piano. Description: N/A. Extent: 3 minutes.
2014	Authors: Bodman Rae J. Title: Ghosts of Galicia II, for violin, clarinet, cello, and piano. Description: N/A. Extent: 22 minutes.
2013	Authors: Bodman Rae J. Title: European Premiere of Concerto for Viola and Orchestra, by Charles Bodman Rae. Description: The 32-minute Bodman Rae Viola Concerto is, at the international level, one of the most substantial and significant contributions to the viola repertory in recent years. It was commissioned by the International Viola Society for the 35th International Viola Congress. The European premiere, conducted by the composer on 12 April 2013, was broadcast nationally by Polish Radio 2 and introduced the work to a new, European audience.. Extent: 32-minute performance.
2013	Authors: Bodman Rae J. Title: Postludia Cadenza: after the Lutoslawski Piano Concerto. Description: N/A. Extent: 5 pages - duration 3 minutes 30 seconds.
2013	Authors: Bodman Rae J. Title: Ballade op.23, for symphonic orchestra. Description: N/A. Extent: 73 page score, 10 minute duration.
2012	Authors: Bodman Rae J. Title: Ceol Mor I. Description: N/A. Extent: 18 page score, circa 12 minutes duration.
2012	Authors: Bodman Rae J. Title: Ceol Mor II. Description: N/A. Extent: 9 page score, circa 10 minutes duration.
2012	Authors: Bodman Rae J. Title: Ghosts of Galicia. Description: N/A. Extent: 17 page score, circa 15 minutes duration.
2012	Authors: Bodman Rae J. Title: Golden Ring. Description: N/A. Extent: 18 page score, circa 10 minutes duration.
2012	Authors: Bodman Rae J. Title: Etiuda op.10.6, for string orchestra. Description: N/A. Extent: 7 page score, 4 and half minutes duration.
2012	Authors: Bodman Rae J. Title: Etude op.10.6, for string quintet. Description: N/A. Extent: 8 page score, 4 and half minutes duration.
2010	Authors: Bodman Rae J. Title: Nocturne op.48.1 for symphonic orchestra. Description: Instruments : 3 flutes (3rd doubling piccolo), 2 oboes, cor anglais, 2 clarinets in B flat, bass clarinet in B flat, 2 bassoons, contrabassoon; 4 horns in F, 2 trumpets in C, 3 trombones, tuba; timpani; harp; and strings. Extent : 28 p. / 7 mins 39 secs. World premiere 30 October 2010. PNRSO Concert Hall, Katowice, Poland. Performed by : Polish National Radio Symphony Orchestra, conducted by Jacek Kaspszyk. Broadcast live by Polish Radio 2 on 30 October 2010 Written for and dedicated to Jacek Kaspszyk and the Polish National Radio Symphony Orchestra to celebrate the 200th anniversary of Chopin's birth.. Extent: 28 p. / 7 mins 39 secs..
2010	Authors: Bodman Rae J. Title: Prelude op.45, for symphonic orchestra. Description: Type of work : Composition for symphonic orchestra Extent : 28 p. / 7 mins. 51 secs.. Extent: 28 p. / 7 mins. 51 secs..
2010	Authors: Bodman Rae J. Title: Partita Dalriada. Description: Extent : 33pages/ 15 minutes. Extent: 33pages/ 15 minutes.
2009	Authors: Bodman Rae J. Title: Toccata Agogica. Description: Instruments : Solo flute Premiere 3 October 2009, Elder Hall, Adelaide, Australia Extent : 8pp. / 5 mins. Commissioned by Elizabeth Koch OAM as the official test piece for the 2009 Australian Flute Festival Competition. Performers : All finalists of the 2009 Australian Flute Competition: Krzysztof Kaczka, Jessica Jiang, and others.. Extent: 8 pages; 5 minutes.
2007	Authors: Bodman Rae J. Title: Concerto for Viola and Orchestra. Description: First performance given at the 35th International Viola Congress, Elder Hall, Adelaide, on 1 July 2007. Instruments: Solo Viola and Symphonic Orchestra. Extent: 32 mins. Performed by: Jürg Dähler (solo violist) and The Congress Chamber Orchestra, led by Barbara Jane Gilby. Conducted by: Keith Crellin. This work was commissioned by the International Viola Society, through funding provided by the Australia Council for the Arts. Broadcast on ABC Classic FM.. Extent: 87 pages; 32 mins.
2004	Authors: Bodman Rae J. Title: String Quartet no. 2. Description: Performance by Australian String Quartet in Elder Hall as part of the 2004 Adelaide Festival of Arts Beethoven Songline Series Instruments: String Quartet Broadcast live. ABC Classic FM Extent: 32 minutes. Extent: 65 pages; c. 34 mins.
2004	Authors: Bodman Rae J. Title: Donaxis Quartet. Description: Instruments: Oboe, Clarinet, Bassoon and Piano. Extent: 20 minutes Donaxis Quartet (1987) for oboe, clarinet, bassoon and piano. Australian premiere, Elder Hall, Adelaide, on 21 May 2004 Stellar Collective, with Charles Bodman Rae, piano Broadcast on ABC Classic FM on 21 May 2004 Commissioned by Donaxis Ensemble, through funding provided by Yorkshire Arts Association.. Extent: 20 minutes.
2004	Authors: Bodman Rae J. Title: World premiere of 'Ca The Yowes', for chamber ensemble. Description: Extent: 5 minutes This and other works represented through the Australian Music Centre, Sydney Instruments: Chamber ensemble: flute, clarinet, harp, violin, cello. Extent: 5 minutes.
2002	Authors: Bodman Rae J. Title: Fulgura Frango. Description: Extent: 5 minutes Instruments: two pianos The score and recording of this work are represented through the Australian Music Centre, Sydney Adelaide Festival Live Broadcast. ABC Classic FM.. Extent: 5 minutes.
2002	Authors: Bodman Rae J. Title: Jede Irdische Venus. Description: Instrument : Solo piano Extent : 14 minutes 2 seconds The Australian premiere Adelaide Festival performance was broadcast live by ABC Classic FM. The score and recording of this work are represented through the Australian Music Centre, Sydney Commissioned by Polish Composers Union. Extent: 15 minutes.

Recorded/Rendered Creative Works

Year Citation
2018 Authors: Bodman Rae J. Title: Steven Stucky In Memoriam. Description: N/A. Extent: 3 minutes.

Year	Citation
2018	Authors: Bodman Rae J. Title: Steven Stucky In Memoriam. Description: N/A. Extent: 3 minutes.

Curated or Produced Public Exhibition or Events

Year	Citation
2013	Stucky, S., & Bodman Rae, J. (2013). Woven Words: Lutoslawski Centenary 2013 (No. Of Pieces: curated events) [Exhibition]. Warsaw, London: Mickiewicz Institute et al.
2013	Stucky, S., & Bodman Rae, J. (2013). Woven Words: Lutoslawski Centenary 2013 (No. Of Pieces: curated events) [Exhibition]. Warsaw, London: Mickiewicz Institute et al.
2008	Bodman Rae, J. (2008). Centenary concert for Olivier Messiaen (No. Of Pieces: 1 event.) [Exhibition]. Adelaide, SA.
2005	Smart, G., & Bodman Rae, J. (2005). Tristram Cary 80th Birthday Concert (No. Of Pieces: 60 mins) [Exhibition]. Adelaide, South Australia.
2004	Bodman Rae, J. (2004). Beethoven Songlines Series (No. Of Pieces: 11 one hour concerts and 11 live forum sessions) [A series of 11 concerts]. Adelaide Town Hall and Elder Hall Adelaide.

Current Higher Degree by Research Supervision (University of Adelaide)

Date	Role	Research Topic	Program	Degree Type	Student Load	Student Name
2024	Principal Supervisor	From Piano to Orchestra and Orchestra to Piano: The Legacy of Liszt the Transcriber. A performance based study of recorded performances with supporting exegesis.	Master of Philosophy	Master	Full Time	Miss Nicky Poznak
2024	Principal Supervisor	Emanuel Moór's Obstinate Fervency; an Investigation of his Little Known Violin Oeuvre, it's Dedicatees and Place on Today's Musical Stage.	Doctor of Philosophy	Doctorate	Full Time	Mr Simon Howard Monger
2023	Principal Supervisor	The Guiot Legacy: Flute Pedagogy in the Roman years	Doctor of Philosophy	Doctorate	Full Time	Ms Anna Louise Henwood
2023	Co-Supervisor	Curating a Repertoire of Australian Art Song by Women Composers	Doctor of Philosophy	Doctorate	Full Time	Ms Fiona McArdle
2023	Principal Supervisor	Stasis and Flux: An investigation into ways a musician can move between stasis and flux while maintaining a coherent improvised performance using looping pedals	Doctor of Philosophy	Doctorate	Full Time	Mr Adam Page
2023	Co-Supervisor	Melodic and Harmonic Techniques of Combinatory Pitch Sets for the Improvising Guitarist	Master of Philosophy	Master	Full Time	Mr James Muller
2023	Co-Supervisor	The Treatment of Substantial Fugues within Thematically Developmental Forms across Varied Orchestral Contexts: Portfolio of Compositions and Exegesis	Master of Philosophy	Master	Full Time	Mr Hamish Alan Gregory
2023	Principal Supervisor	International Best Practice in the Teaching and Training of Young Composers	Doctor of Philosophy	Doctorate	Full Time	Miss Lauren Angelique McCormick
2022	Co-Supervisor	The Temporal into the Eternal: the compositional system of Nikolai Obukhov	Doctor of Philosophy	Doctorate	Full Time	Ms Courtney Jayde Miller
2022	Principal Supervisor	The sound beyond the noise: a performance-based exploration and contextualisation of the expressive content of Aleksandr Mosolov's piano works	Doctor of Philosophy	Doctorate	Full Time	Mr Simon Pazos Quintana
2022	Principal Supervisor	Towards a Canon of Australian Symphonic Wind Band Music.	Doctor of Philosophy	Doctorate	Full Time	Bryan Wayne Griffiths
2022	Principal Supervisor	Exploring the Sonic Architecture of Nikolai Myaskovsky through selected works	Master of Philosophy	Master	Part Time	Mr Sean Joseph Olsder
2021	Co-Supervisor	The Art of Dissonance: The Dissonance Line and Plagal Harmonic Structures in contrapuntal composition.	Master of Philosophy	Master	Full Time	Mr Kai Gerbi
2021	Co-Supervisor	Implied Polyphony in Improvised Jazz: an exploration and expansion of the improvisational practice of single-line jazz instrumentalists, based on approaches to voice-leading	Doctor of Philosophy	Doctorate	Full Time	Mr William Vinson
2021	Principal Supervisor	A performative investigation into Count Mateusz Wielhorski's contribution to Imperial Russian musical life via contemporaneous works, dedicated compositions and the expansion and innovation of violoncello writing.	Doctor of Philosophy	Doctorate	Full Time	Mr Thomas Frederick Rann
2021	Principal Supervisor	Performance challenges of left-handed bass playing on the jazz organ. A portfolio of recorded performances and exegesis	Master of Philosophy	Master	Part Time	Mr Adam Lutley

Past Higher Degree by Research Supervision (University of Adelaide)

Date	Role	Research Topic	Program	Degree Type	Student Load	Student Name
2021 - 2023	Co-Supervisor	The Concerto Concept: A Compositional Exploration of Conflict and Cooperation	Doctor of Philosophy	Doctorate	Full Time	Mr Connor Roderick Fogarty
2021 - 2024	Principal Supervisor	Pas De Deux with Seven Strings: Reimagining the Seven-String Guitar in Contemporary Duo Formats	Doctor of Philosophy	Doctorate	Full Time	Mr Michael Llewelyn David Bevan
2021 - 2023	Principal Supervisor	Classical Music for the Modern Child: A Compositional Endeavour	Master of Philosophy	Master	Full Time	Miss Lauren Angelique McCormick
2021 - 2022	Principal Supervisor	The Four Domains: New Creative Processes for Intersections Between Jazz Composition and Performance	Doctor of Philosophy	Doctorate	Full Time	Mr Ross McHenry
2021 - 2022	Principal Supervisor	A Creative Exploration of Techniques Employed in Pop/Rock Drum Patterns (1965-1992): A dissertation with supporting audio and video recordings	Doctor of Philosophy	Doctorate	Full Time	Mr Enrico Morena
2021 - 2023	Principal Supervisor	A Personal Exploration of Musical Polystylism: A Creative Portfolio of Compositions and Exegesis	Doctor of Philosophy	Doctorate	Full Time	Mr Aaron Pelle
2020 - 2022	Principal Supervisor	A New Tonality: Synthetic chords and transpositional paths in piano sonatas 1, 2 and 5 by Nikolai A. Roslavets	Master of Philosophy	Master	Full Time	Ms Courtney Jayde Miller
2020 - 2023	Principal Supervisor	Silver Sounds from a Velvet Hand: In Search of Chopin’s Sound World on Period and Contemporary Pianos	Doctor of Philosophy	Doctorate	Full Time	Mr Dylan Thomas Henderson
2019 - 2022	Co-Supervisor	Animateurs in Action: Developing Creative Musical Strategies	Doctor of Philosophy	Doctorate	Full Time	Miss Samantha Kate Raftery
2017 - 2021	Principal Supervisor	‘An Anatomy of Betrayal’: metaphor, method and meaning in the opera Taverner by Peter Maxwell Davies	Doctor of Philosophy	Doctorate	Full Time	Mr Simon John Lord
2017 - 2019	Co-Supervisor	The Infinite Lattice: a Compositional Exploration of Symmetrical Modes, Modes of Limited Transposition and Other Musical Parameters Generated by Low Prime Numbers	Doctor of Philosophy	Doctorate	Full Time	Dr Dylan Joshua Crismani
2017 - 2020	Principal Supervisor	The Paganini Caprices, Their Techniques and Performance Problems: a Study on Twelve Caprices With Supporting Video and Audio Recordings	Doctor of Philosophy	Doctorate	Full Time	Dr Madeline Leah Melrose
2017 - 2020	Principal Supervisor	Bringing Unheard Orchestral Works to Life: Testing the Digital Orchestra	Doctor of Philosophy	Doctorate	Full Time	Mr David Stanhope
2016 - 2019	Co-Supervisor	'Variations on a Theme' as a Means of Musical Storytelling: Portfolio of Compositions and Exegesis	Doctor of Philosophy	Doctorate	Full Time	Dr David John Lang
2016 - 2018	Principal Supervisor	A Creative Application of Traditionalist Aesthetics to the Art of Musical Composition	Master of Philosophy	Master	Full Time	Thomas Jack Devereux
2016 - 2019	Principal Supervisor	Revisiting Irish Ceol Traditions: Composing for Secondary School Strings	Master of Philosophy	Master	Part Time	Miss Samantha Kate Raftery
2016 - 2020	Principal Supervisor	The Piano as Kolokola, Glocken and Cloches: performing and extending the European traditions of bell-inspired piano music.	Doctor of Philosophy	Doctorate	Full Time	Dr Konstantin Shamray
2015 - 2016	Principal Supervisor	Orchestration in the 21st Century: Portfolio of Compositions and Exegesis	Master of Philosophy	Master	Full Time	Mr David Stanhope
2015 - 2016	Principal Supervisor	The First Four Piano Sonatas by Nikolai Myaskovsky: Performing in Context	Master of Philosophy	Master	Full Time	Dr Konstantin Shamray
2015 - 2018	Principal Supervisor	Performing Brahms: Rediscovering expressive devices in the Sonatas for violin and piano	Master of Philosophy	Master	Full Time	Ms Alison Maree Heike
2015 - 2019	Principal Supervisor	Revisiting George Enescu's 1921 Bucharest Recital Series: a performance-based investigation with recordings and exegesis	Doctor of Philosophy	Doctorate	Part Time	Ms Elizabeth Layton
2014 - 2019	Principal Supervisor	International Best Practice in the Teaching of Lyric Diction to Conservatorium-Level Singers	Doctor of Philosophy	Doctorate	Full Time	Ms Penelope Cashman
2014 - 2020	Co-Supervisor	A Creative Exploration of the Compositional Concept of Developing Variation: Portfolio of Compositions and Exegesis	Doctor of Philosophy	Doctorate	Part Time	Daniel John Schricker
2014 - 2016	Principal Supervisor	Percussion Performance: Challenges of the Medium, Technique and Repertoire	Master of Philosophy	Master	Full Time	Mr Ryszard Pusz
2013 - 2018	Co-Supervisor	The Symphonies of Ross Edwards: Genesis and Analysis of Symphonies 1-5 (1991-2005)	Doctor of Philosophy	Doctorate	Part Time	Mrs Virginia Lakeman
2013 - 2017	Principal Supervisor	Creative exploration of eclecticism applied to bowed string instruments with special emphasis on cellos: Portfolio of original compositions and exegesis	Master of Philosophy	Master	Part Time	Mr Stephan Robert Richter
2013 - 2016	Principal Supervisor	Memorization Techniques for Selected Piano Works between 1911 and 1953: Case Studies through Recorded Performances and Exegesis	Master of Philosophy	Master	Full Time	Mrs Macarena Alejandra Zambrano Godoy
2012 - 2014	Principal Supervisor	Applying the Linear Concept of contemporary drumming: a portfolio of recorded performances and exegesis	Master of Philosophy	Master	Full Time	Holly Ellen Thomas
2011 - 2014	Principal Supervisor	Sir Andrzej Panufnik: Migration and Music	Master of Philosophy	Master	Full Time	Blake Parham
2011 - 2016	Principal Supervisor	Singing a New Story: A Composer's Exploration of Textual Synthesis through Composition	Doctor of Philosophy	Doctorate	Full Time	Mr Ian Gregory Andrew
2011 - 2015	Principal Supervisor	Declarative Computer Music Programming: using Prolog to generate rule-based musical counterpoints	Doctor of Philosophy	Doctorate	Full Time	Mr Robert Pawel Wolf
2011 - 2018	Principal Supervisor	A Creative Exploration of Organic Growth Principles: Portfolio of Musical Compositions and Exegesis	Doctor of Philosophy	Doctorate	Full Time	Mr Nicholas James Denison
2011 - 2017	Co-Supervisor	Unlocking the Pedagogical Potential of Alfred Uhl's 48 Etuden Fuer Klarinette: a portfolio of recorded performances and exegesis	Doctor of Philosophy	Doctorate	Full Time	Mr Peter Handsworth
2010 - 2013	Principal Supervisor	A New Modular Approach to the Composition of Film Music	Doctor of Philosophy	Doctorate	Full Time	Mr Bartlomiej Walus
2010 - 2014	Principal Supervisor	The debut recording of Leopold Kozeluch's 50 Solo Keyboard sonatas: portfolio of recorded performances and exegesis	Doctor of Philosophy	Doctorate	Full Time	Mr Kemp Theodore English
2010 - 2013	Principal Supervisor	Exploration of Selected Extended Clarinet Techniques: A Portfolio of Recorded Performances and Exegesis	Master of Music	Master	Full Time	Mrs Amanda Kate Home
2010 - 2016	Principal Supervisor	Orchestral Education Programmes: A Study of Australian and British Models	Doctor of Philosophy	Doctorate	Part Time	Dr Emily Kate Dollman
2010 - 2014	Principal Supervisor	Orchestral Conductor Training: An Evaluative Survey of Current International Practice at the Tertiary Level	Doctor of Philosophy	Doctorate	Full Time	APrf Luke William Dollman
2009 - 2010	Co-Supervisor	Agustin Barrios Mangore: A Study in the Articulation of Cultural Identity	Master of Music	Master	Full Time	Mr Anthony McKenna Ward
2009 - 2015	Co-Supervisor	Sound and Style: a compositional exploration of appropriated source material (Portfolio of Original Compositions and Exegesis)	Doctor of Philosophy	Doctorate	Part Time	Mr Paul-Antoni Bonetti
2009 - 2012	Principal Supervisor	Portfolio of Original Compositions and Exegesis An Investigation of Metrical Contradiction Irregularity and Ambiguity in Music for Secondary Students and Community Purposes	Master of Music	Master	Part Time	Mrs Virginia Lakeman
2009 - 2012	Co-Supervisor	A Performer's Perspective on the Evolution and Realisation of Extended Flute Techniques: A Portfolio of Recorded Performances and Exegesis	Doctor of Philosophy	Doctorate	Full Time	Ms Kathryn Moorhead
2009 - 2012	Principal Supervisor	Techniques for Expressive Nuance in Classical Guitar Performance: Portfolio of Recordings and Exegesis	Master of Music	Master	Full Time	Ms Jody Claire Fisher
2009 - 2013	Principal Supervisor	Berio's Sequenza in Performance and Context: A Contribution to the Australian Bassoon Repertory Synthesizing Extended Techniques into Newly Commissioned Works	Doctor of Philosophy	Doctorate	Full Time	Dr Mark Gaydon
2009 - 2012	Co-Supervisor	Divine Arcadian Technologies: A Cycle of Recorded Electronic Musical Works and Exegesis	Master of Music	Master	Full Time	Mr Scott Lawrence Simon
2009 - 2013	Principal Supervisor	Creating Both Text and Music for Oratorios	Doctor of Philosophy	Doctorate	Full Time	Ms Callie Wood
2009 - 2011	Co-Supervisor	Notated and Implied Piano Pedalling c. 1780 - 1830	Doctor of Philosophy	Doctorate	Full Time	Ms Julie Leanne Haskell
2008 - 2013	Co-Supervisor	Strategies to Enhance the Artistic Quality of Piano Recording	Doctor of Philosophy	Doctorate	Part Time	Mrs Marija Bajalica
2008 - 2011	Co-Supervisor	Portfolio of Compositions and Exegesis: A Personal Interpretation of the Klezmer Tradition	Doctor of Philosophy	Doctorate	Full Time	Ms Melisande Thompson
2008 - 2016	Co-Supervisor	Performing and contextualising the late piano works of Akira Miyoshi: a portfolio of recorded performances and exegesis	Doctor of Philosophy	Doctorate	Part Time	Ms Tomoe Kawabata
2006 - 2010	Co-Supervisor	An Aural Analysis of Bel Canto: Traditions and Interpretations as Preserved through Selected Sound Recordings	Master of Music	Master	Part Time	Miss Airlie Kirkham
2005 - 2013	Co-Supervisor	Best Since Barber: Contextualising The Piano Sonatas Of Robert Muczynski	Doctor of Philosophy	Doctorate	Full Time	Mr Leigh Harrold
2005 - 2009	Co-Supervisor	Portfolio of Compositions and Exegesis: Leitmotifs and their Development	Master of Music	Master	Part Time	Mr Philip Hall
2005 - 2009	Principal Supervisor	A Hidden Treasure: Symphony No1 by Robert Hughes	Doctor of Philosophy	Doctorate	Full Time	Ms Joanna Catherine Drimatis
2005 - 2008	Co-Supervisor	The Language of Enchantment: Childhood and Fairytale in the Music of Maurice Ravel	Doctor of Philosophy	Doctorate	Full Time	Ms Emily Kilpatrick
2005 - 2008	Co-Supervisor	Portfolio of Compositions and Exegesis: Composing for a Choral Spectrum	Master of Music	Master	Part Time	Ms Callie Wood
2004 - 2008	Co-Supervisor	Portfolio of Original Compositions and Exegesis: A Personal Exploration of Modal Processes	Doctor of Philosophy	Doctorate	Full Time	Ms Anne Cawrse
2004 - 2008	Co-Supervisor	Portfolio of Compositions and Exegesis: Conflict and Resolution - Modelling Emergent Ensemble Dynamics	Doctor of Philosophy	Doctorate	Part Time	APrf Luke Harrald
2004 - 2007	Co-Supervisor	Portfolio of Original Compositions	Doctor of Philosophy	Doctorate	Full Time	Mr Wayne Duncan
2003 - 2013	Co-Supervisor	Casting Brass: A Portfolio of Original Compositions and Exegesis	Doctor of Philosophy	Doctorate	Part Time	Mr Mark Smith
2002 - 2013	Principal Supervisor	Exploring form, tonality and thematic development - a personal perspective	Doctor of Philosophy	Doctorate	Full Time	Dr John Polglase
2002 - 2010	Principal Supervisor	The Choral Program of the South Australian Public Primary Schools' Festival of Music: A Study of its Effectiveness	Doctor of Philosophy	Doctorate	Part Time	Mrs Helen Pietsch
2002 - 2010	Principal Supervisor	Tristram Cary: Scenes from a Composer's Life	Master of Music	Master	Part Time	Ms Gabriella Smart
2002 - 2008	Co-Supervisor	Portfolio of Original Compositions	Doctor of Philosophy	Doctorate	Full Time	Mr Quentin Stuart David Grant
2002 - 2008	Principal Supervisor	Engaging Adolescents in High School Music	Doctor of Philosophy	Doctorate	Part Time	Dr Jennifer Rosevear
2002 - 2007	Principal Supervisor	Twistonality: A Personal Exploration	Doctor of Philosophy	Doctorate	Part Time	Dr Diana Weekes
2002 - 2005	Principal Supervisor	Simply Divine: Feminist Aesthetics in Three Music Theatre Works of Elena Kats-Chernin	Doctor of Philosophy	Doctorate	Full Time	Dr Helen Rusak
1999 - 2004	Principal Supervisor	PLACES WHERE THEY SING: ANGLICAN CHURCH MUSIC IN SOUTH AUSTRALIA FROM 1836	Master of Music	Master	Full Time	Mrs Helena Raymond Lauer

Memberships

Date Role Membership Country
2009 - ongoing - Represented Artist, Australian Music Centre Australia
1982 - ongoing Member The Performing Right Society United Kingdom

Date	Role	Membership	Country
2009 - ongoing	-	Represented Artist, Australian Music Centre	Australia
1982 - ongoing	Member	The Performing Right Society	United Kingdom

Position: Elder Professor of Music
Phone: 83133680
Email: charles.bodmanrae@adelaide.edu.au
Fax: 83133665
Campus: North Terrace
Building: Elder Hall, floor Lower Ground
Org Unit: Elder Conservatorium of Music