Dr Dylan Crismani
Lecturer, Music
Elder Conservatorium of Music and School of Performing Arts
College of Creative Arts, Design and Humanities
Eligible to supervise Masters and PhD - email supervisor to discuss availability.
| Date | Type | Title | Institution Name | Country | Amount |
|---|---|---|---|---|---|
| 2021 | Fellowship | Churchill Fellowship | Sir Winston Churchill Memorial Trust | Australia | TBC |
| 2020 | Research Award | Doctoral Research Medal | The University of Adelaide | Australia | - |
| 2019 | Invitation | Premiere of The tale of Kieu | Basel Composition Competition | Switzerland | 1000 CHF |
| Year | Citation |
|---|---|
| 2022 | Crismani, D. J. (2022). THE MICROTONAL STRING ORCHESTRA. Perspectives of New Music, 60(1), 113-151. Scopus1 |
| 2021 | Crismani, D. (2021). The Symmetry of a Tonnetz, Un-transposable Harmonic Modes, and Modes of Synthesised Inversional Symmetry. Xenharmonikon. |
| Year | Citation |
|---|---|
| 2025 | Crismani, D., & Smart, G. (2025). Two improvisations for Four Electric Cristals + Electronics (No. Of Pieces: Four Cristal instruments + Electronics. 15 minutes.) [Live music performance]. Adelaide Contemporary Experimental Gallery.: Adelaide Contemporary Experimental Gallery.. |
| 2023 | Dollman, L., & Rotumah, G. (2023). World Premiere of Creation by Grayson Rotumah with the ASO (No. Of Pieces: 50 minutes) [Musical direction]. Grainger Studio, Adelaide. |
| 2023 | Crismani, D., & Smart, G. (2023). Five Vignettes for Four Electric Cristal Instruments. (No. Of Pieces: 10 minutes) [Original composition and improvisation]. Aldinga Beach, SA. |
| 2023 | Crismani, D., & Smart, G. (2023). Five Vignettes for Four Electric Cristal Instruments. (No. Of Pieces: 10 minutes) [Original composition and improvisation]. Aldinga Beach, SA. |
| 2021 | Sanadzadeh, I., Crismani, D., Brass, C., Pascoe, D., & Collen, S. (2021). Utter: Stories (No. Of Pieces: 65 minutes) [Collaborative dance work]. Adelaide College of the Arts, Light Square SA. |
| 2021 | Sanadzadeh, I., Crismani, D., Brass, C., Pascoe, D., & Collen, S. (2021). Utter: Stories (No. Of Pieces: 65 minutes) [Collaborative dance work]. Adelaide College of the Arts, Light Square SA. |
| Year | Citation |
|---|---|
| 2024 | Authors: Crismani D. Title: Coming Together. Extent: 20 Minutes, Orchestra with two soloists. |
| 2022 | Authors: Crismani D. Title: A Glimmer of Hope. Extent: 9 minutes 19 seconds. |
| 2021 | Authors: Crismani D, Smart G. Title: Shades of Blue. Extent: 21 minutes. |
| 2020 | Authors: Crismani D. Title: Still for microtonal cristal baschet. Extent: 12 minutes. |
| 2019 | Authors: Crismani D. Title: The Tale of Kieu. Extent: 20 minutes. |
| Year | Citation |
|---|---|
| 2025 | Crismani, D., & Rotumah, G. (2025). Curation of three performances at Kaurna Day 2025 (No. Of Pieces: Three performances, full production. 60 minutes duration.) [Curated Event]. Kaurna Day, University of Adelaide, Barr Smith Lawns.: University of Adelaide. |
| 2024 | Dollman, L., Crismani, D., & Rotumah, G. (2024). Coming Together (No. Of Pieces: 6 days) [Exhibition]. Hong Kong City Hall, Tai Kwun Arts. |
| 2023 | Dale, A., Pethrick, D., Harrald, L., Rotumah, G., & Crismani, D. (2023). Let Our Songs Speak For Us (No. Of Pieces: 60 minutes) [Intermedia exhibition incorporating artefacts, photographs, sound & video]. Adelaide: University of Adelaide. |
| 2023 | Crismani, D., Rotumah, G., Yates, H., & Kiwat, J. (2023). On The Terrace (No. Of Pieces: 30 minutes) [Concert series and exhibited works]. SA Museum and Art Gallery of South Australia: Chamber Music Adelaide. |
| 2022 | Crismani, D., Rotumah, G., & Harrald, L. (2022). On The Terrace (No. Of Pieces: 45 minutes) [Curated concert]. Adelaide, SA: Chamber Music Adelaide. |
| 2022 | Crismani, D., Rotumah, G., & Harrald, L. (2022). On The Terrace (No. Of Pieces: 45 minutes) [Curated concert]. Adelaide, SA: Chamber Music Adelaide. |
| 2020 | Crismani, D., & Jesse Henk Nicolaas, B. (2020). Emerge (No. Of Pieces: 60 minutes) [Curation of concert]. Madley rehearsal space, University of Adelaide, SA: Soundstream. |
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2023 | Principal Supervisor | A compositional project, writing 5 pieces, which represent aspects of the psychology of trauma through music form. | Master of Philosophy | Master | Full Time | Mr Kai Gerbi |
| 2023 | Principal Supervisor | The Treatment of Substantial Fugues within Thematically Developmental Forms across Varied Orchestral Contexts: Portfolio of Compositions and Exegesis | Master of Philosophy | Master | Full Time | Mr Hamish Alan Gregory |
| 2023 | Co-Supervisor | Bundjalung Culture, Language, and Song: portfolio of compositions and exegesis | Doctor of Philosophy | Doctorate | Part Time | Mr Grayson Rotumah |
| 2023 | Principal Supervisor | The Design and Implementation of Adaptive Music in Video Games | Master of Philosophy | Master | Full Time | Mr Jarrod Paul Salmon |
| 2023 | Co-Supervisor | Bundjalung Culture, Language, and Song: portfolio of compositions and exegesis | Doctor of Philosophy | Doctorate | Full Time | Mr Grayson Rotumah |
| 2023 | Principal Supervisor | The Treatment of Substantial Fugues within Thematically Developmental Forms across Varied Orchestral Contexts: Portfolio of Compositions and Exegesis | Master of Philosophy | Master | Full Time | Mr Hamish Alan Gregory |
| 2023 | Principal Supervisor | A compositional project, writing 5 pieces, which represent aspects of the psychology of trauma through music form. | Master of Philosophy | Master | Full Time | Mr Kai Gerbi |
| 2023 | Principal Supervisor | The Design and Implementation of Adaptive Music in Video Games | Master of Philosophy | Master | Full Time | Mr Jarrod Paul Salmon |
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2023 - 2025 | Co-Supervisor | Conductor Gestalt: A Comparative Study of Conductor Qualities, Skills and Knowledge Across Ensemble Types and Levels | Doctor of Philosophy | Doctorate | Full Time | Mr Evan Alan Patton |
| 2021 - 2021 | Co-Supervisor | Anhui Opera: Towards Maintaining a Historical Regional Dramatic Opera Tradition in Contemporary China | Master of Philosophy | Master | Full Time | Miss Yiyin Tian |
| 2021 - 2025 | Co-Supervisor | Reinterpreting the sound worlds of Clark Terry and Bob Brookmeyer. A portfolio of transcriptions, analyses, and performances. | Master of Philosophy | Master | Full Time | Mr Alexander Laurence Taylor |
| Date | Title | Engagement Type | Institution | Country |
|---|---|---|---|---|
| 2023 - 2023 | 5MBS radio interview | Public Community Engagement | Radio 5MBS 99.9FM | Australia |
| 2021 - 2022 | Aeolian Harp Project | Public Community Engagement | City of Charles Sturt | - |
| 2020 - ongoing | Emerge Concert | Public Community Engagement | The University of Adelaide | Australia |
| Date | Topic | Presented at | Institution | Country |
|---|---|---|---|---|
| 2024 - 2024 | Australian Indigenous Culture in the 21st Century | Tai Kwun Conversations | Tai Kwun Cultural Centre | Hong Kong |
| Date | Title | Type | Institution | Country |
|---|---|---|---|---|
| 2023 - 2023 | Peer Review for Linkage Grant | Peer Review | Australia Research Council | Australia |
| 2022 - ongoing | Paper Review Panel for Music Theory Spectrum, Oxford University Press | Peer Review | Music Theory Spectrum | United Kingdom |