Associate Professor Luke Dollman
Associate Professor
Elder Conservatorium of Music
Faculty of Arts, Business, Law and Economics
Associate Professor Luke Dollman has extensive experience conducting leading orchestras and opera houses throughout Europe, Asia and Australia. He has performed at prestigious international venues such as the Concertgebouw in Amsterdam, Royal Festival Hall in London, and the Sydney Opera House. At the Elder Conservatorium of Music he leads the Elder Conservatorium Symphony Orchestra, Elder Conservatorium Wind Orchestra and Elder Music Lab, and has a keen interest in promoting new music. He is active as a teacher of conducting, leading the Elder Con's new Masters program, and gives regular masterclasses around Australia and overseas.
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Appointments
Date Position Institution name 2024 - ongoing Associate Professor University of Adelaide 2020 - 2023 Senior Lecturer in Conducting Elder Conservatorium of Music, University of Adelaide 2018 - ongoing Deputy Director Elder Conservatorium of Music, University of Adelaide 2016 - 2020 Lecturer in Conducting Elder Conservatorium of Music -
Language Competencies
Language Competency German Can read, speak and understand spoken -
Education
Date Institution name Country Title 2010 - 2014 University of Adelaide Australia PhD 2001 - 2004 Sibelius Academy Finland M.Mus (Conducting) 1992 - 1995 University of Adelaide Australia B.Mus (Hons) -
Certifications
Date Title Institution name Country 1988 Licentiate diploma in violin performance Trinity College London United Kingdom -
Research Interests
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Journals
Year Citation 2016 Dollman, L. (2016). A gulf of difference: conducting pedagogues Ilya Musin and Jorma Panula. The Musical Times, 157(1936), 63-74. -
Conference Papers
Year Citation 2019 Dollman, L. (2019). Can conducting be taught? An exploration of the challenges of teaching conducting at the tertiary level.. In Oxford Conducting Institute International Conducting Studies Conference.. -
Live Performance of Creative Works
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Original Creative Works
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Recorded/Rendered Creative Works
Year Citation 2021 Authors: Dollman L. Title: World premiere recording of Katie Noonan's All is Love with the ASO. Description: N/A. Extent: 4 minutes. 2021 Authors: Dollman L. Title: World premiere recording of Jakub Jankowski's Clairieres with the ASO.. Description: N/A. Extent: 12 minutes. 2021 Authors: Dollman L. Title: World premiere recording of Paul Rissmann's What Do You Do With An Idea with the ASO. Description: N/A. Extent: 35 minutes. 2018 Authors: Dollman L, Bradman G, Adelaide Symphony Orchestra. Title: Home - DECCA CD release - Greta Bradman, Adelaide Symphony Orchestra, conductor Luke Dollman. Description: N/A. Extent: 75 minutes 31 seconds. 2018 Authors: Dollman L, Bradman G, Adelaide Symphony Orchestra. Title: Home - DECCA CD release - Greta Bradman, Adelaide Symphony Orchestra, conductor Luke Dollman. Description: N/A. Extent: 75 minutes 31 seconds. 2012 Authors: Dollman L. Title: Kammer Ensemble: ‘English Voices’. Description: N/A. Extent: Unknown. 2010 Authors: Dollman L. Title: NZSO-SOUNZ-RNZC Performance 2010. Description: In October 2010, Luke Dollman conducted five world premiere recordings of new works by leading New Zealand composers. These recordings were made in a studio environment with the New Zealand Symphony Orchestra, and have been published by Sounz, the NZ equivalent of the Australian Music Centre (http://sounz.org.nz/manifestations/show/15556).. Extent: 45 minutes. 2010 Authors: Dollman L. Title: NZSO/Sounz Todd Composer Awards. Workshops, performances and recordings.. Description: N/A. Extent: Unknown. 2008 Authors: Dollman L. Title: John Woolrich The Elephant from Celebes and Peter Maxwell Davies Symphony No.4. Description: N/A. Extent: Unknown. -
Curated or Produced Public Exhibition or Events
Year Citation 2023 Dollman, L., & Rotumah, G. (2023). Yong Siew Toh and Elder Music Lab cross-cultural collaboration (No. Of Pieces: 65 minutes) [Concert performances]. Yong Siew Toh Conservatory Main Hall, Singapore and Elder Hall, Adelaide. 2021 Dollman, L. (2021). Two World Premieres by ECWO (No. Of Pieces: 50 minutes) [Exhibition]. Burnside Town Hall. 2021 Dollman, L., & Cawrse, A. (2021). Elder Music Lab - When We Speak (No. Of Pieces: 60 minutes) [Exhibition]. Elder Hall. 2021 Hajdu, T., Dollman, L., & Layton, E. (2021). Art of the Possible: Art of Classical (No. Of Pieces: 1 hour) [classical music concert]. https://artofthepossible.com.au: https://artofthepossible.com.au. 2020 Dollman, L. (2020). Elder Music Lab at the Wheatsheaf 2020 (No. Of Pieces: 50 minutes) [Director of Event]. Wheatsheaf Hotel, Adelaide. 2019 Dollman, L. (2019). Elder Music Lab at the Wheatsheaf 2019 (No. Of Pieces: 45 minutes) [Exhibition]. Wheatsheaf Hotel. 2019 Dollman, L. W. (2019). Larger than Life: Elder Conservatorium Wind Orchestra and the Band of the South Australia Police (No. Of Pieces: 100 minutes) [Curator and conductor of performance]. Elder Hall, University of Adelaide; South Australia: Conservatorium of Music, Concert Series 2019. 2018 Dollman, L. W. (2018). Elder Music Lab at the Wheatsheaf Hotel 2018 (No. Of Pieces: 40 minutes) [Producer and artistic director of musical event]. Wheatsheaf Hotel, Adelaide; South Australia: Elder Music Lab. 2016 Dollman, L. (2016). Black Friday Music - Elder Conservatorium New Music Ensemble (No. Of Pieces: 70 minutes) [Exhibition]. Hartley Concert Room, University of Adelaide. 2016 Dollman, L. (2016). Boulez Memoriale - Elder Conservatorium New Music Collective (No. Of Pieces: 60 minutes) [Exhibition]. Elder Hall, University of Adelaide. 2012 Dollman, L. (2012). Kammer Ensemble: ‘English Voices’ (No. Of Pieces: Unknown) [Exhibition]. Sydney Conservatorium of Music: Kammer Ensemble. 2011 Dollman, L. (2011). Adelaide Symphony Orchestra 75th Anniversary Gala Concert (No. Of Pieces: Unknown) [Exhibition]. ABC studios, Adelaide: Adelaide Symphony Orchestra. 2010 Dollman, L. (2010). NZSO/Sounz Todd Composer Awards. Workshops, performances and recordings. (No. Of Pieces: Unknown) [Exhibition]. Wellington, New Zealand: Sounz. -
Media
Year Citation - Dollman, L. (n.d.). EML at the Wheatsheaf.WAV.
DOI
Fine Tuning: A Reconciliation of Indigenous and Western Musical Traditions (2023 - 2025)
Funding scheme: FND000210: ARC - Discovery Indigenous
Funder name:Australian Research Council
Funder reference:IN230100005
Investigators:Crismani D; Corn A; Dollman L; Rotumah G
Amount: $1,032,900
Creating resources for Music Therapists to use when engaging with Aboriginal and Torres Strait Islander patients and clients (2023 - 2024)
Funding scheme: FND001510: Arts and Health Alliance - Collaborative Research Grant Scheme
Funder name: Arts in Health Alliance
Investigators:Rotumah G; Dollman L
Amount: $30,000
Collaboration with the Hong Kong Sinfonietta to increase awareness of Australian Indigenous culture in China (2023 - 2024)
Funding scheme:FND000986: DFAT - National Foundation for Australia-China Relations
Funder name:Cwth Department of Foreign Affairs and Trade
Funder reference: Australia China Foundation - NFACR220386
Investigators: Dollman L
Amount: $96,000
In person collaboration between the Elder Conservatorium of Music, University of Adelaide and the Yong Siew Toh Conservatory, National University of Singapore (2023)
Funder Name (Organisation): Federal Department of Arts
Amount: $24,600
Online collaboration between the Elder Conservatorium of Music, University of Adelaide and the Yong Siew Toh Conservatory, National University of Singapore (2021 – 2022)
Funder Name (Organisation): Federal Department of Arts
Amount: $33,950
Luke leads the Elder Conservatorium Symphony Orchestra, as well as the Conservatorium's new music ensemble, Elder Music Lab. He lectures in music history and delivers an undergraduate elective in conducting. At the present time he has 8 students majoring in conducting at Postgraduate or Honours level and supervises 9 HDR students.
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Current Higher Degree by Research Supervision (University of Adelaide)
Date Role Research Topic Program Degree Type Student Load Student Name 2024 Principal Supervisor Rehabilitating Romantic Performance Style in Robert Schumann's Late Violin Oeuvre Doctor of Philosophy Doctorate Full Time Ms Isabelle Laura Watson 2024 Co-Supervisor An exploration of psychological wellbeing in professional musicians. Research strategies
shown to help improve wellbeing, and investigate lived experience of professional musicians in Australian orchestras.Doctor of Philosophy Doctorate Full Time Mrs Nicola Joy Baker 2024 Co-Supervisor Harmonising Causality and Consequence: Re-examining the effectiveness of the choral conductor’s verbal and non-verbal communication alignment and the effect on singer’s responses. Master of Philosophy Master Part Time Mrs Stephanie Joan Eaton 2024 Co-Supervisor Charting a positive future for the performing arts: Shaping flourishing market systems Doctor of Philosophy Doctorate Full Time Mr Thomas Marian Sulda 2023 Principal Supervisor Tradition and trends in piano recital programming: An investigation of the piano recital in South Australia from 1945 to 2020 Doctor of Philosophy Doctorate Full Time Miss Yundi Yuan 2023 Principal Supervisor Conductor Gestalt: A Comparative Study of Conductor Qualities, Skills and Knowledge Across Ensemble Types and Levels Doctor of Philosophy Doctorate Full Time Mr Evan Alan Patton 2023 Principal Supervisor A performance-based conceptualization of late 19th to early 20th century piano works of French composers on historic and modern instruments Master of Philosophy Master Full Time Mr Haowei Yang 2023 Co-Supervisor International Best Practice in the Teaching and Training of Young Composers Doctor of Philosophy Doctorate Full Time Miss Lauren Angelique McCormick 2022 Co-Supervisor Towards a Canon of Australian Symphonic Wind Band Music. Doctor of Philosophy Doctorate Full Time Bryan Wayne Griffiths 2022 Principal Supervisor Performing the Cello Works of Friedrich Kiel in Context and Practice: a portfolio of premiere recordings and exegesis Doctor of Philosophy Doctorate Full Time Mrs Edith Salzmann 2019 Principal Supervisor Physiology of Condotery Doctor of Philosophy Doctorate Part Time Mr Tully Brookes -
Past Higher Degree by Research Supervision (University of Adelaide)
Date Role Research Topic Program Degree Type Student Load Student Name 2020 - 2021 Co-Supervisor ‘An Anatomy of Betrayal’: metaphor, method and meaning in the opera Taverner by Peter Maxwell Davies Doctor of Philosophy Doctorate Full Time Mr Simon John Lord 2020 - 2022 Principal Supervisor Horn Ensembles in Australia: A History, Catalogue of National Repertoire, and Recommendations Towards Sustainable Communities Doctor of Philosophy Doctorate Full Time Miss Emma Gregan 2018 - 2023 Co-Supervisor Re-orchestration Case Studies for Wind Orchestra: Portfolio of Compositions, Transcriptions and Exegesis Doctor of Philosophy Doctorate Part Time Mr Martin Timothy Cheney 2017 - 2020 Co-Supervisor The Oboe Sings: Translating bel canto Song for the Oboe Doctor of Philosophy Doctorate Full Time Mr Charles Henry Klein
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Presentation
Date Topic Presented at Institution Country 2018 - ongoing Beyond The Stage - Creative Arts Symposium - State Library of South Australia - -
Review, Assessment, Editorial and Advice
Date Title Type Institution Country 2019 - 2019 Adjudicator for Yong Siew Toh Conservatory Concerto Competition Advice Yong Siew Toh Conservatory, National University of Singapore Singapore 2019 - 2020 Peer Reviewer for the Adelaide Symphony Orchestra Peer Review Adelaide Symphony Orchestra - 2013 - ongoing AMEB Examiner Advice AMEB -
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