Prof Anna Goldsworthy
Dean, Elder Conservatorium of Music and School of Performing Arts
Elder Conservatorium of Music and School of Performing Arts
College of Creative Arts, Design and Humanities
Eligible to supervise Masters and PhD - email supervisor to discuss availability.
| Date | Position | Institution name |
|---|---|---|
| 2022 - ongoing | Director | University of Adelaide |
| Year | Citation |
|---|---|
| 2020 | Goldsworthy, A., & Carroll, M. (Eds.) (2020). Beyond the stage: creative Australian stories from the Great War. Adelaide: Wakefield Press. |
| 2017 | Goldsworthy, A. (Ed.) (2017). The Best Australian Essays 2017. Black Inc.. |
| 2017 | Goldsworthy, A. (Ed.) (2017). The Best Australian Essays 2017. Black Inc.. |
| 2013 | Goldsworthy, A. (2013). Quarterly Essay 50 Unfinished Business. Australia: Black Inc.. |
| 2013 | Goldsworthy, A. (2013). Welcome to Your New Life. Melbourne: Black Inc. |
| 2013 | Goldsworthy, A. (2013). Unfinished business: sex, freedom and misogyny. Melbourne: Black Inc. |
| 2011 | Goldsworthy, A. (2011). Piano Lessons. Melbourne: Black Inc. |
| 2011 | Goldsworthy, A. (2011). Piano Lessons. Black Inc.. |
| Year | Citation |
|---|---|
| 2021 | Goldsworthy, A. (2021). 'Piano Lessons'. In A. Pung (Ed.), Growing Up in Australia (pp. 31-41). Melbourne: Black Inc. |
| 2021 | Goldsworthy, A. (2021). Whipping Up a Storm—Composing Batavia: An Interview with Richard Mills. In M. Roycroft (Ed.), Take Note: Interviews with Australian Composers (pp. 61-71). Melbourne: Lyrebird Press. |
| Year | Citation |
|---|---|
| 2022 | Goldsworthy, A., Goldsworthy, A., Ayres, H., Nankervis, T., & Moore, C. (2022). IMAGINARY BALLET Music for Piano & String Trio (2021) by Brett Dean, Australian premiere (No. Of Pieces: 20 mins) [aural]. Melbourne. |
| 2022 | Goldsworthy, A., Ayres, H., & Nankervis, T. (2022). Piano Trio by Elizabeth Younan, Australian premiere (No. Of Pieces: 9 mins) [Aural]. Elder Hall, the University of Adelaide. |
| 2022 | Goldsworthy, A., & Bower, H. (2022). Nocturne (No. Of Pieces: 1 hour) [Performance]. Adelaide. |
| 2021 | Goldsworthy, A. (2021). Beethoven's Kreutzer Sonata (No. Of Pieces: 60 minute performance) [Monologue and performance]. Melbourne: Melbourne Recital Centre. |
| 2015 | Ford, A., Goldsworthy, A., & Sheldon, J. (2015). Last Word (No. Of Pieces: 30 minutes) [Performance]. Elder Hall. |
| 2015 | Ford, A., Goldsworthy, A., & Sheldon, J. (2015). Last Word (No. Of Pieces: 30 minutes) [Performance]. Elder Hall. |
| 2013 | Ford, A. (2013). Last Words (No. Of Pieces: 30 mins) [Performance]. Port Fairy. |
| 2013 | Ford, A. (2013). Last Words (No. Of Pieces: 30 mins) [Performance]. Port Fairy. |
| 2013 | Goldsworthy, A. (2013). The Illusionist (recital) (No. Of Pieces: 1 hour 6 minutes, 9 seconds) [Performance]. Sydney, Adelaide, Melbourne, Eltham, Ballarat: Seraphim Trio. |
| 2013 | Goldsworthy, A. (2013). The Virtuoso (recital) (No. Of Pieces: 49 minutes 40 seconds) [Performance]. Sydney, McLaren Vale, Melbourne, Ballarat: Seraphim Trio. |
| 2013 | Goldsworthy, A. (2013). Piano Lessons (recital) (No. Of Pieces: 1 hour 53 mins.) [Performance]. Grafton, Dubbo, Hobart, Coffs Harbour, Melbourne etc.: Musica Viva. |
| 2012 | Goldsworthy, A. (2012). Midwinter Dream (No. Of Pieces: 1 performance) [Performance]. Sydney, Adelaide, Melbourne, Ballarat: Seraphim Trio. |
| 2012 | Goldsworthy, A. (2012). River Music (performance) (No. Of Pieces: 5 minutes) [Performance]. Mildura. |
| 2011 | Goldsworthy, A. (2011). The Visionary (recital) (No. Of Pieces: 1 recital) [Performance]. Sydney, Adelaide, Melbourne, Ballarat, Port Fairy. |
| 2010 | Goldsworthy, A., Smart, G., Andreacchio, D., Fursa, I., Burgess, J., Hammer, R., & Vuong, P. (2010). World Premiere of The Golden Dawn, by Larry Sitsky (No. Of Pieces: 40 mins.) [Performance]. Adelaide, SA. |
| 2009 | Goldsworthy, A. (2009). Schubertiade (recital) (No. Of Pieces: 69 minutes 36 seconds) [Performance]. Sydney, Adelaide, Melbourne, Coffs Harbour: Seraphim Trio. |
| 2008 | Goldsworthy, A., Boyd, A., & Enescu, G. (2008). The Century of Enescu (No. Of Pieces: Unknown) [Performance]. Sydney, Adelaide, Melbourne: Seraphim Trio. |
| 2008 | Goldsworthy, A., Boyd, A., & Enescu, G. (2008). Exquisite Blood (No. Of Pieces: 17 minutes) [Performance]. Sydney: Seraphim Trio. |
| Year | Citation |
|---|---|
| 2019 | Authors: Goldsworthy AL, Ayres H, Nankervis T. Title: The Trio Through Time: the History of the Piano Trio from Mozart to Sculthorpe. Extent: 5 CDs. |
| 2019 | Authors: Kelly P, Ledger J, Keath A, Goldsworthy AL, Ayres H, Nankervis T. Title: Thirteen Ways to look at Birds. Extent: 63 minutes. |
| 2016 | Authors: Goldsworthy A, Ayres, H. Title: Seraphim Trio - Beethoven Piano Trios. Extent: 83 minutes. |
| 2010 | Authors: Goldsworthy A. Title: The Golden Dawn (recital). Extent: 40 minutes. |
| Year | Citation |
|---|---|
| 2022 | Goldsworthy, A. (2022). Coriole Music Festival 'The Sense of an Ending' (No. Of Pieces: 2 days) [Music Festival]. McLaren Vale. |
| 2022 | Goldsworthy, A., & Cawrse, A. (2022). She Speaks (No. Of Pieces: 2 days) [Festival]. Adelaide. |
| 2022 | Goldsworthy, A. (2022). Provocations: Hope is the Thing with Feathers (No. Of Pieces: 3 hours) [Public event]. Adelaide. |
| 2022 | Goldsworthy, A. (2022). Grand Tour With Seraphim Trio (No. Of Pieces: 4 concerts) [Festival]. Adelaide. |
| 2022 | Goldsworthy, A. (2022). PianoLab (No. Of Pieces: 15 concerts and presentations over four days) [Festival]. Adelaide. |
| 2021 | Goldsworthy, A. (2021). Coriole Music Festival 2021 'Interbellum' (No. Of Pieces: Two days: 9 hours of recitals; 2 pre-concert talks; 1 composer forum.) [Curated Festival]. Coriole Winery, McLaren Vale: Coriole Winery. |
| 2021 | Goldsworthy, A. (2021). Coriole Music Festival 2021 'Interbellum' (No. Of Pieces: Two days: 9 hours of recitals; 2 pre-concert talks; 1 composer forum.) [Curated Festival]. Coriole Winery, McLaren Vale: Coriole Winery. |
| 2019 | Goldsworthy, A. (2019). Coriole Music Festival (No. Of Pieces: 3 concerts and associated talks over a weekend) [Artistic Director of Chamber music festival]. Coriole Winery, McLaren Vale; South Australia. |
| 2017 | Goldsworthy, A. (2017). Chamber Landscapes (No. Of Pieces: 6 days) [Exhibition]. Adelaide: Adelaide Festival. |
| 2015 | Goldsworthy, A. L. (2015). Port Fairy Spring Music Festival 2015: Visions (No. Of Pieces: 3 days) [Exhibition]. Port Fairy. |
| 2014 | Goldsworthy, A. (2014). Port Fairy Spring Music Festival 2014: Memory (No. Of Pieces: 3 days) [Exhibition]. Port Fairy. |
| 2013 | Goldsworthy, A. (2013). Port Fairy Spring Music Festival 2013: Voyage (No. Of Pieces: Two days) [Exhibition]. Port Fairy. |
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2025 | Co-Supervisor | St Francis of Assisi in Piano Music: A Performance-Led Study of Franz Liszt, Olivier Messiaen, Kate Moore and Daniel Crozier. | Doctor of Philosophy | Doctorate | Full Time | Vivian Milton |
| 2025 | Co-Supervisor | St Francis of Assisi in Piano Music: A Performance-Led Study of Franz Liszt, Olivier Messiaen, Kate Moore and Daniel Crozier. | Doctor of Philosophy | Doctorate | Full Time | Vivian Milton |
| 2023 | Co-Supervisor | How one can experience and enrich their understanding of Transcendentalism by the process of practicing and performing the works of Ives and Cage. | Master of Philosophy | Master | Full Time | Mr Esmond Choi |
| 2023 | Co-Supervisor | Tradition and trends in piano recital programming: An investigation of the piano recital in South Australia from 1945 to 2020 | Doctor of Philosophy | Doctorate | Full Time | Miss Yundi Yuan |
| 2023 | Co-Supervisor | Freedom Through Fantasies in the Piano Repertoire | Master of Philosophy | Master | Full Time | Mr Shawn Hui |
| 2023 | Co-Supervisor | Freedom Through Fantasies in the Piano Repertoire | Master of Philosophy | Master | Full Time | Mr Shawn Hui |
| 2023 | Co-Supervisor | Tradition and trends in piano recital programming: An investigation of the piano recital in South Australia from 1945 to 2020 | Doctor of Philosophy | Doctorate | Full Time | Miss Yundi Yuan |
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2020 - 2022 | Co-Supervisor | Horn Ensembles in Australia: A History, Catalogue of National Repertoire, and Recommendations Towards Sustainable Communities | Doctor of Philosophy | Doctorate | Full Time | Miss Emma Gregan |
| 2020 - 2025 | Co-Supervisor | The Surrealism of Race: Reading and Writing the Mixed Race Body | Doctor of Philosophy | Doctorate | Part Time | Dr Lyn Dickens |
| 2020 - 2023 | Co-Supervisor | Silver Sounds from a Velvet Hand: In Search of Chopin’s Sound World on Period and Contemporary Pianos | Doctor of Philosophy | Doctorate | Full Time | Mr Dylan Thomas Henderson |
| 2018 - 2022 | Co-Supervisor | Tradition and trends in piano recital programming: An investigation of the piano recital in South Australia from 1945 to 2020 | Doctor of Philosophy | Master | Full Time | Miss Yundi Yuan |
| 2017 - 2021 | Co-Supervisor | Shifting the Paradigm: Challenging Conventions of Classical Percussion Performance and Presentation | Doctor of Philosophy | Doctorate | Full Time | Mr Ryszard Pusz |