Mr Stephen Whittington

Senior Lecturer, Composition

Elder Conservatorium of Music

Faculty of Arts, Business, Law and Economics

My research includes non-traditional outputs - compositions, performances, public art works - as well as journal articles and book chapters. These stem from my broad musical interests in the performance of music (principally but not exclusively on the piano), modern and contemporary music, technology, and transcultural musical practices.

Career
Publications
Supervision
Contact

Appointments

Date Position Institution name

1991 - ongoing Associate Director International and Head of Studies, Sonic Arts University of Adelaide
Research Interests

Music Music Composition Music Performance

Date	Position	Institution name
1991 - ongoing	Associate Director International and Head of Studies, Sonic Arts	University of Adelaide

Journals

Year	Citation
2022	Whittington, S. (2022). The Seriocomedy of Silence. Australian Humanities Review, (70), 134-141.
2022	Whittington, S. (2022). J.M.W. Turner and The Fallacies of Hope. Sydney Review of Books, (August).
2013	Whittington, S. (2013). Digging in John Cage's garden: John Cage and Ryoanji. Malaysian Music Journal, 2(2), 12-21.

Book Chapters

Year	Citation
2024	Pitman, D., & Whittington, S. (2024). As Play Becomes Practice: Observations on Robust Gamified Education Elements in the New Normal. In H. Grimmet, A. Black, & A. Walker (Eds.), Ludic inquiries into power and pedagogy: How Games Play Us. Routledge.
2022	Whittington, S. (2022). En creusant dans le jardin de John Cage. In M. Martella (Ed.), Jardins (Vol. 11, pp. 19-27). Verdelot, France: Les pommes sauvages.
2017	Whittington, S. C. (2017). ...from a thatched hut: Exploring transcultural composition. In X. Song, & Y. Sun (Eds.), Transcultural Encounters in Knowledge Production and Consumption (pp. 109-122). Singapore: Springer. DOI
2006	Whittington, S. (2006). A world of rhythm. In L. Seear, & S. Raffel (Eds.), The 5th Asia-Pacific triennial of contemporary art (pp. 200-221). Queensland: Queensland Art Gallery.

Conference Papers

Year	Citation
2009	Whittington, S., & Harrald, L. (2009). Hidden city: 'Being with' in improvised performance. In Proceedings of the 35th International Computer Music Conference (ICMC 2009) (pp. 481-484). Canada: ICMA.
2006	Whittington, S. (2006). Ideas for a poetics of intermedia. In S. Wilkie, & C. Haines (Eds.), Proceedings of the Australasian Computer Music Conference 2006 (pp. 154-158). Australia: Australasian Computer Music Association.

Conference Items

Year Citation

2019 Fields, K. (2019). Live Network Music Performance. Poster session presented at the meeting of NowNet Arts Conference 2019. IACS, Stony Brook University New York.

Year	Citation
2019	Fields, K. (2019). Live Network Music Performance. Poster session presented at the meeting of NowNet Arts Conference 2019. IACS, Stony Brook University New York.

Live Performance of Creative Works

Year	Citation
2023	Whittington, S. (2023). A Far Different World (No. Of Pieces: 14'00") [Songs for tenor and piano]. Adelaide, South Australia: Stephen Whittington & Robert Macfarlane.
2020	Gelhert, B., Altmann, L., Grant, Q., Whittington, S., Polglase, J., & Chapman Smith, R. (2020). The Firm: Concert No.2 (No. Of Pieces: 2 hours) [Live recital]. Elder Conservatorium: Konstantin Shamray.
2020	Whittington, S. C. (2020). Through Glass, Darkly (No. Of Pieces: 70 minutes) [Solo piano works]. Elder Hall (Internet Livestream).
2018	Umiumare, Y., Wojciński, A., Kobayash, E., & Pascoe, D. (2018). One Word Prior to Speech 聲前一句 (No. Of Pieces: 40'00") [Performance]. Art Gallery of South Australia.
2013	Australian String Quartet. (2013). Fallacies of Hope (Barcarolle) (No. Of Pieces: 2 performances) [Performance]. South Australia and ACT, Australia.
2010	Whittington, S. (2010). European premiere: Nostalgia for the Southern Cross by Peter Garland (USA) (No. Of Pieces: 12 minutes) [Performance]. Salle de Concert CPMA, Annecy, France: Salle de Concert CPMA, Annecy, France.
2010	Whittington, S. (2010). World Premiere of Three Custom-made Valses by Stephen Whittington (Australia) (No. Of Pieces: 10 minutes) [Performance]. Salle de Concert CPMA, Annecy, France: Salle de Concert CPMA, Annecy, France.
2010	Whittington, S. (2010). World premiere: Vexation unvexed (A Revelation) by Philip Corner (USA/Italy) (No. Of Pieces: 10 minutes) [Performance]. Salle de Concert CPMA, Annecy, France: Salle de Concert CPMA, Annecy, France.
2010	Whittington, S. (2010). World premiere of Les heros du jour by Antoine Piel (No. Of Pieces: 7 minutes) [Performance]. Salle de Concert CPMA, Annecy, France.
2009	Whittington, S., Kussmaul, K., & Burkhardt, J. (2009). World premiere of 'Vexations:wir nennen es Arbeit', a multimedia performance based on 'Vexations' by Erik Satie (No. Of Pieces: 21 hours) [Performance]. Novomatic Forum, Karlsplatz, Vienna, Austria.
2008	Whittington, S., Pascoe, D., Martin, C., Harrald, L., Green, F., & Dixon, I. (2008). Strike : musical performance to accompany the silent movie by Sergei Eisenstein (No. Of Pieces: 81 mins.) [Musical performance with improvisation]. Adelaide, South Australia.
2008	Whittington, S. (2008). Triadic memories (No. Of Pieces: 1 hour 35 mins) [Performance]. Adelaide, South Australia.
2008	Harrald, L., Pascoe, D., Sutter, L., Tomczak, S., Whittington, S., De Nardi, K., . . . Tulloch, E. (2008). The imaginary menagerie (No. Of Pieces: 1 hour) [Performance]. Adelaide.
2006	Whittington, S. (2006). Interior Voice: Music and Rodin (No. Of Pieces: 5 mins) [Performance]. Adelaide, South Australia.
2003	Whittington, S., Cuddeford, J., & Tiver, G. (2003). A Satie Celebration (No. Of Pieces: 50 minutes) [Performance]. Elder Hall, Adelaide, South Australia.
2002	Whittington, S. (2002). The Piano in My Life (No. Of Pieces: 80 minutes) [Performance]. Festival at the Powerhouse, Brisbane.
2002	Whittington, S., & Cuddeford, J. (2002). Cage/Feldman (No. Of Pieces: 2 hours, 10 minutes) [Performance]. EMU Studio, Adelaide.

Original Creative Works

Year	Citation
2023	Authors: Whittington S. Title: Four Songs of Hafiz. Description: N/A. Extent: 14'00".
2022	Authors: Whittington S. Title: Custom-made Valses - Suite for piano after paintings Henri 'le douanier' Rouseau. Description: N/A. Extent: 20 pages, 15 minutes.
2022	Authors: Whittington S. Title: Midnight in Chinatown. Description: N/A. Extent: 4 minutes.
2022	Authors: Whittington S. Title: Gazing at the Moon While Drunk/ Journey of an Immortal. Description: N/A. Extent: 8 minutes.
2022	Authors: Whittington S. Title: 100,000 Subtle Kinds of Music. Description: N/A. Extent: 10 minutes.
2020	Authors: Whittington SC. Title: ...in a dream. Description: N/A. Extent: 15 pages, 10 minutes.
2020	Authors: Whittington SC. Title: Life Goes On. Description: N/A. Extent: 20'01", 60 performers.
2018	Authors: Whittington SC. Title: Written inside a hat. Description: N/A. Extent: 3m 15s; 5 pages.
2017	Authors: Whittington SC. Title: Shards (hommage à Kurtág). Description: N/A. Extent: 3'00".
2016	Authors: Whittington S. Title: À la manière de…M.R.. Description: N/A. Extent: Composition for piano, violin, violoncello, 29 pages, duration 10 minutes.
2015	Authors: Whittington SC. Title: Autumn Thoughts - Beijing. Description: N/A. Extent: 6 minutes, piano solo.
2015	Authors: Whittington S. Title: Three Persian Miniatures for clarinet, viola, and guitar. Description: N/A. Extent: 17 pages; duration: 10 minutes.
2015	Authors: Whittington S. Title: Hallett Cove - One Million Years. Description: N/A. Extent: Audio-visual installation. Duration: indefinite.
2015	Authors: Whittington S. Title: Autumn Thoughts - Beijing: for solo piano. Description: N/A. Extent: 6 pages; 5 minutes; solo piano.
2015	Authors: Whittington S. Title: Fetes galantes, or, Fake Gallants, being divers pieces inspired by the paintings of Mr. Watteau: for violin, harpsichord and two viole da gamba. Description: N/A. Extent: 10'00".
2014	Authors: Whittington S. Title: Homage to Frida Kahlo for string quartet. Description: N/A. Extent: 4'30".
2013	Authors: Whittington S. Title: Fallacies of Hope for piano quintet. Description: Composition. Extent: 9 minutes.
2012	Authors: Whittington S. Title: Sun at Midnight for violin and piano. Description: Composition for violin and piano: This work for violin and piano was commissioned by Ear-In for their concert series in December 2012. The work is based on research the composer carried out into the principles of Japanese garden design and their relationship to music, during a residency in Kyoto in May-July 2012. The garden that this work is specifically related to is at the Zen temple of Tenryu-ji. It was premiered by Natsuko Yoshimoto (violin) and Michael Kieran Harvey (piano), and subsequently broadcast on ABC Classic FM radio.. Extent: 10 minutes.
2012	Authors: Whittington S. Title: Karawane for voice and piano. Description: Composition for voice and piano. Extent: 90 seconds.
2012	Authors: Whittington S. Title: Acid Test for bassoon and piano. Description: Composition. Extent: 4 minutes.
2012	Authors: Whittington S. Title: One to Five for five performers. Description: N/A. Extent: 1 page.
2011	Authors: Whittington SC. Title: BACH - Passacaglia for piano. Description: N/A. Extent: 6'00".
2011	Authors: Whittington S. Title: Music for Airport Furniture. Description: Music for string quartet. Extent: 22 minutes.
2010	Authors: Whittington S. Title: ...from a thatched hut... for string quartet. Description: Extent : 46 pages, 26 minutes Premiered 1st August, 2010, Khai Liew Gallery, Magill Road, Adelaide, Australia. Performed by the Zephyr String Quartet Instruments : String quartet Broadcast on 4th August 2010 and 22nd September 2011 by Radio Adelaide and by ABC-TV on the 21st August 2010. Commissioned by Khai Liew. Extent: 46 pages, 26 minutes.
2010	Authors: Whittington SC. Title: Emak-Bakia - a score for the film by Man Ray. Description: N/A. Extent: 15'00".
2008	Authors: Whittington S, Harrald L. Title: Strike : musical score for the silent movie by Sergei Eisenstein. Description: Type of work : Musical score incorporating elements of improvisation Extent : 81 mins. Extent: 81 mins.
2007	Authors: Whittington S. Title: Nazaretheana. Description: Instruments: Flute and guitar Extent: 6 minutes This piece premiered as a performance in 2007 at Elder Hall, The University of Adelaide, Adelaide, Australia. Performed by Oliver Fartach-Naini on guitar and Thea Nielsen on flute. The composition was commissioned by the performers themselves.. Extent: 7 pages; 6 mins.
2007	Authors: Whittington S. Title: Made in Korea. Description: Instruments: 2 guitars Extent: 8 minutes This piece premiered in a performance on 20 April, 2007 at the Kumho Concert Hall, Seoul, South Korea. Performed by guitar duo Oliver Fartach-Naini and Lee Song-Ou. The composition was commissioned by the performers.. Extent: 6 pages; 8 mins.
2006	Authors: Whittington S. Title: Interior Voice. Description: Instruments: Solo Piano Extent: 5 minutes This piece was premiered in a performance on 24 September, 2006 at the Art Gallery of South Australia, Adelaide, Australia. Performed by Stephen Whittington. The composition was commissioned and funded by the Art Gallery of South Australia.. Extent: 5 pages; 5 mins.
2006	Authors: Whittington S. Title: Surreal Interlude. Description: Performed by Ensemble Offspring. Commissioned by the 53rd Sydney International Film Festival. This project examined historical performance practice of Erik Satie’s score for the film ‘Entr’acte’ (1925).. Extent: 1 hr 35 mins.
2005	Authors: Whittington SC. Title: Custom-made Valses for piano. Description: N/A. Extent: 11'00".
2004	Authors: Whittington S. Title: Le Tombeau de Satie. Description: Instruments: Solo piano Extent: 5 minutes This piece premiered as a performance in 2004 at Elder Hall, The University of Adelaide, Adelaide, Australia. Performed by Stephen Whittington.. Extent: 5 minutes.
2003	Authors: Whittington S. Title: Un chien andalou - film score. Description: Instruments: Solo piano Extent: 17 minutes This piece premiered in performance on 7 August, 2003 at the Art Gallery of South Australia, Adelaide, Australia. Performed by Stephen Whittington. The performance of this compostition was broadcast in August, 2006 on Radio National, Australia.. Extent: 14 pages; 17 mins.
2002	Authors: Whittington S. Title: Custom-made Valses. Description: Instruments: Piano and spoken word Extent: 10 minutes This piece premiered as a performance on 2 August, 2002 at The Powerhouse, Brisbane, Australia. The composition was commissioned by the Minimax Festival with funding from The Powerhouse, Brisbane.. Extent: 10 minutes.

Recorded/Rendered Creative Works

Year	Citation
2023	Authors: Whittington S. Title: Interlude No.1 - Pastorale. Description: N/A. Extent: 3'30".
2023	Authors: Whittington S. Title: Menuet antique. Description: N/A. Extent: 3'30".
2023	Authors: Whittington S. Title: Erik Satie - Art Works 1892-1924. Description: N/A. Extent: 1 hour 45mins.
2021	Authors: Whittington S. Title: Final Fragments - Piano Music of David Kotlowy. Description: N/A. Extent: 50 minutes.
2017	Authors: Whittington S. Title: Windmill. Description: N/A. Extent: 45 minutes.
2015	Authors: Whittington S. Title: Nazaretheana for clarinet and guitar. Description: N/A. Extent: Duration: 6'15".
2015	Authors: Whittington S. Title: La Sandunga. Description: N/A. Extent: 5 min 7 sec.
2013	Authors: Whittington S. Title: Music for Airport Furniture. Description: N/A. Extent: 22 minutes 47 seconds.
2010	Authors: de Clario D, Whittington S. Title: Journey to the Surface of the Earth. Description: Extent : 240 minutes 4- CD set. Extent: 240 minutes.

Curated or Produced Public Exhibition or Events

Year	Citation
2022	Whittington, S. (2022). The (Absolutely) Last Meeting of the Satie Society (No. Of Pieces: 70 minutes) [Audiovisual Performance]. Adelaide: PianoLab.
2022	Whittington, S. (2022). Chinese Music Day (No. Of Pieces: 2 hours 15 minutes) [Festival event]. Elder Hall: OzAsia Festival.
2013	Whittington, S. (2013). Turner – Romantic and Revolutionary (No. Of Pieces: 75 minutes) [Exhibition]. Radford Auditorium: Art Gallery of South Australia.
2012	Whittington, S., & Forlivesi, C. (2012). Forme Unich (No. Of Pieces: 5 days) [Exhibition]. Elder Hall, Adelaide.
2012	Whittington, S. (2012). John Cage Day (No. Of Pieces: 10 hours) [Exhibition]. Elder Hall, Adelaide.
2011	Whittington, S. (2011). Music of Light – Music and the films of Stan Brakhage (No. Of Pieces: 90 minutes) [Exhibition]. Radford Auditorium: Adelaide Film Festival/ Recitals Australia.
2011	Whittington, S. (2011). Psychedelic Rays of Sound (No. Of Pieces: 80 minutes) [Exhibition]. Radford Auditorium: Art Gallery of South Australia.
2011	Whittington, S. (2011). Infinite Horizons of Sound (No. Of Pieces: Unknown) [Exhibition]. Radford Auditorium: Art Gallery of South Australia.
2003	Whittington, S. (2003). Mad Dogs and Surrealists (No. Of Pieces: 1 hour 30 minutes) [Exhibition]. Adelaide, South Australia.

Theses

Year Citation

2020 Shamray, K. (2020). Piano as Kololola, Glocken and Cloches. (PhD Thesis, University of Adelaide).

Year	Citation
2020	Shamray, K. (2020). Piano as Kololola, Glocken and Cloches. (PhD Thesis, University of Adelaide).

Current Higher Degree by Research Supervision (University of Adelaide)

Date	Role	Research Topic	Program	Degree Type	Student Load	Student Name
2023	Principal Supervisor	How one can experience and enrich their understanding of Transcendentalism by the process of practicing and performing the works of Ives and Cage.	Master of Philosophy	Master	Full Time	Mr Esmond Choi
2023	Principal Supervisor	Nationalism in Chinese Middle School Education	Master of Philosophy	Master	Part Time	Mr Zhanhang Hu
2023	Co-Supervisor	Sonic Transition: Exploring Anthropophonic Interaction Through Interdisciplinary Soundscape Composition	Doctor of Philosophy	Doctorate	Full Time	Mr Alan Stephen Cook
2023	Co-Supervisor	Stasis and Flux: An investigation into ways a musician can move between stasis and flux while maintaining a coherent improvised performance using looping pedals	Doctor of Philosophy	Doctorate	Full Time	Mr Adam Page
2023	Principal Supervisor	A Qualitative Study of Teaching Musical Meter Through Ski-hill Graph Pedagogy	Doctor of Philosophy	Doctorate	Full Time	Mrs Andrea Mary Calilhanna
2023	Principal Supervisor	Freedom Through Fantasies in the Piano Repertoire	Master of Philosophy	Master	Full Time	Mr Shawn Hui
2022	Principal Supervisor	"Satie, Cocteau, Picasso and the circus: the collaboration of "Parade" (1917)"	Master of Philosophy	Master	Part Time	Cathy Lynette Duncan
2022	Principal Supervisor	The Temporal into the Eternal: the compositional system of Nikolai Obukhov	Doctor of Philosophy	Doctorate	Full Time	Ms Courtney Jayde Miller
2022	Principal Supervisor	The developing and application of a classification system for phonographic devices. Organising recording technology according to a systematic analysis of their fundamental capabilities and functions.	Doctor of Philosophy	Doctorate	Full Time	Mr Alexander Roy Mader
2021	Principal Supervisor	The Art of Dissonance: The Dissonance Line and Plagal Harmonic Structures in contrapuntal composition.	Master of Philosophy	Master	Full Time	Mr Kai Gerbi
2020	Principal Supervisor	Musical confluences of the Violin and Erhu in the 20th Century: A performance-led investigation of historically informed performance of Erhu repertoire and the expansion of Violin-Erhu transcription vocabulary	Doctor of Philosophy	Doctorate	Part Time	Mr Hong Jun Lester Wong

Past Higher Degree by Research Supervision (University of Adelaide)

Date	Role	Research Topic	Program	Degree Type	Student Load	Student Name
2021 - 2023	Co-Supervisor	Scordatura on the Classical Guitar: Implications for Practice and Performance	Master of Philosophy	Master	Full Time	Miss Megan Anne Robson
2020 - 2022	Co-Supervisor	A New Tonality: Synthetic chords and transpositional paths in piano sonatas 1, 2 and 5 by Nikolai A. Roslavets	Master of Philosophy	Master	Full Time	Ms Courtney Jayde Miller
2020 - 2021	Co-Supervisor	The Application and Performance of Extended Techniques and Descriptive Score Annotations on Classical Guitar from 1970-2012: A Portfolio of Recorded Performances and Exegesis	Master of Philosophy	Master	Full Time	Mrs Alexandra Lauren Shepherd
2020 - 2021	Co-Supervisor	The Guitarist-Composer Pedagogue: An Exploration of Technical and Artistic Relationships Between Didactic and Concert Works. A portfolio of two 60-minute recitals and exegesis.	Master of Philosophy	Master	Full Time	Mr Caleb Edward Lavery-Brook
2020 - 2022	Co-Supervisor	The Idiophonic Guitar: A Taxonomy and Performance Guide to Percussive Effects in the Classical Guitar’s Solo Repertoire. A Portfolio of Recordings and Exegesis	Master of Philosophy	Master	Full Time	Mr Emanuel Auciello
2020 - 2023	Co-Supervisor	Guitar Arrangements in Performance: An investigative study of the interrelationship between arranging and performing the music of J.S. Bach	Master of Philosophy	Master	Full Time	Mr James Benjamin Rawley
2018 - 2021	Co-Supervisor	Virtual Music: Developing a System of Music Notation and Performance for Virtual Reality	Doctor of Philosophy	Doctorate	Full Time	Mr Nathan Cummins
2018 - 2022	Principal Supervisor	Musical Conversations: Intertextuality in the piano music of Shostakovich as a basis for concert curation	Master of Philosophy	Master	Full Time	Miss Yundi Yuan
2017 - 2019	Principal Supervisor	The Infinite Lattice: a Compositional Exploration of Symmetrical Modes, Modes of Limited Transposition and Other Musical Parameters Generated by Low Prime Numbers	Doctor of Philosophy	Doctorate	Full Time	Dr Dylan Joshua Crismani
2016 - 2018	Co-Supervisor	A Creative Application of Traditionalist Aesthetics to the Art of Musical Composition	Master of Philosophy	Master	Full Time	Thomas Jack Devereux
2016 - 2020	Co-Supervisor	The Piano as Kolokola, Glocken and Cloches: performing and extending the European traditions of bell-inspired piano music.	Doctor of Philosophy	Doctorate	Full Time	Dr Konstantin Shamray
2016 - 2021	Co-Supervisor	Sounds in Space: A Portfolio of Spatial Music Works for VR	Doctor of Philosophy	Doctorate	Part Time	Mr Daniel James Pitman
2015 - 2016	Co-Supervisor	The First Four Piano Sonatas by Nikolai Myaskovsky: Performing in Context	Master of Philosophy	Master	Full Time	Dr Konstantin Shamray
2015 - 2018	Principal Supervisor	Creative Performance and Play: A Synthesis of Audio, Visual and Narrative for Maximising Expressive Potentials in Gameplay	Doctor of Philosophy	Doctorate	Full Time	Alexander James Thumm
2015 - 2017	Principal Supervisor	Performing Chinese Contemporary Art Song: A Portfolio of Recordings and Exegesis	Doctor of Philosophy	Doctorate	Full Time	Ms Qing Chang
2015 - 2020	Co-Supervisor	Video Game Acoustics: Perception-Based Sound Design for Interactive Virtual Spaces	Doctor of Philosophy	Doctorate	Full Time	Benjamin Kym Probert
2014 - 2017	Principal Supervisor	Desiring Machines: Queering Interactions in Performance	Master of Philosophy	Master	Full Time	Daniel William Thorpe
2013 - 2015	Principal Supervisor	Developing Methods for Predicting Affect in Algorithmic Composition	Master of Philosophy	Master	Full Time	Mr Daniel James Pitman
2013 - 2018	Co-Supervisor	The Realization of Extended Performance Practices in Selected Works for Piano by Frederic Rzewski: A Portfolio of Recordings and Exegesis	Doctor of Philosophy	Doctorate	Full Time	Mr Ashley Hribar
2012 - 2018	Co-Supervisor	Rojak: A Study of Cultural Elements Assimilated in Selected Works of Malaysian Contemporary Composers (2001-2014)	Doctor of Philosophy	Doctorate	Part Time	Dr Peck Jin Gan
2012 - 2018	Co-Supervisor	Ethnoclassicism in Guitar Chamber Music	Doctor of Philosophy	Doctorate	Part Time	Dr Oliver Fartach-Naini
2012 - 2013	Co-Supervisor	A New Modular Approach to the Composition of Film Music	Doctor of Philosophy	Doctorate	Full Time	Mr Bartlomiej Walus
2011 - 2015	Co-Supervisor	Orchestrating the Wasteland: sample library engineering as an integral process of realising the music for Wastelander Panda	Master of Philosophy	Master	Full Time	Christopher James Larkin
2011 - 2013	Co-Supervisor	Collective Conceptualization - A Methodology for Contemporary Film Score Composers: A Portfolio of Compositions (Disposed as a Film Score) and Exegesis	Doctor of Philosophy	Doctorate	Full Time	Mr Martyn Alan Love
2011 - 2017	Co-Supervisor	Avant Garde or Rearguard? The Flute Music of Felix Werder. A Portfolio of Recording and Exegesis	Doctor of Philosophy	Doctorate	Full Time	Ms Melanie Anne Walters
2010 - 2013	Principal Supervisor	The Influence of Bartok’s Approach to Keyboard Compositions on Contemporary Chinese Solo Piano Music: A Portfolio of Recorded Performances and Exegesis	Master of Music	Master	Full Time	Qiaoyue Zhao
2009 - 2012	Principal Supervisor	Silent Film Music Composition in a Cross-Cultural Context	Master of Music	Master	Full Time	Mr Xiao Duo Guo
2009 - 2012	Principal Supervisor	Divine Arcadian Technologies: A Cycle of Recorded Electronic Musical Works and Exegesis	Master of Music	Master	Full Time	Mr Scott Lawrence Simon
2009 - 2013	Co-Supervisor	Berio's Sequenza in Performance and Context: A Contribution to the Australian Bassoon Repertory Synthesizing Extended Techniques into Newly Commissioned Works	Doctor of Philosophy	Doctorate	Full Time	Dr Mark Gaydon
2007 - 2014	Co-Supervisor	Fanny Hensel and Clara Schumann: a Study through Performance of their Selected Piano Works	Doctor of Philosophy	Doctorate	Part Time	Ms Sock Siang Thia
2006 - 2010	Co-Supervisor	Still and Moving Lines: Listening and Signification in Sound Art	Master of Music	Master	Part Time	Mr Tristan Louth-Robins
2005 - 2010	Co-Supervisor	Portfolio of Original Compositions and Exegesis: To Fuse or to Confront - Five Compositions for Chinese Traditional and Western Orchestral Instruments	Doctor of Philosophy	Doctorate	Part Time	Mr Kin Yee Raymond Mok
2004 - 2008	Principal Supervisor	Portfolio of Compositions and Exegesis: Conflict and Resolution - Modelling Emergent Ensemble Dynamics	Doctor of Philosophy	Doctorate	Part Time	APrf Luke Harrald

Position: Senior Lecturer, Composition
Phone: 83133689
Email: stephen.whittington@adelaide.edu.au
Fax: 83134414
Campus: North Terrace
Building: Schulz, floor 9
Org Unit: Elder Conservatorium of Music

Mr Stephen Whittington

Appointments

Research Interests

Journals

Book Chapters

Conference Papers

Conference Items

Live Performance of Creative Works

Original Creative Works

Recorded/Rendered Creative Works

Curated or Produced Public Exhibition or Events

Theses

Current Higher Degree by Research Supervision (University of Adelaide)

Past Higher Degree by Research Supervision (University of Adelaide)

Connect With Me

External Profiles