Associate Professor Mandy Treagus

• Journals

  Year	Citation
  2021	Treagus, M. (2021). Queer Pacific mobilities: Translocal bodies in the poetry of Dan Taulapapa McMullin. Journal of Postcolonial Writing, 57(4), 1-14. DOI
  2021	Treagus, M. (2021). Flight of the frigate bird: Ocean Island, phosphate mining and Project Banaba. Journal of Human Rights and the Environment, 12(1), 103-132. DOI Scopus1
  2021	Papadelos, P., Beasley, C., & Treagus, M. (2021). Social change and masculinities: exploring favourable spaces?. Journal of Sociology, 59(2), 144078332110482. DOI Scopus2 WoS1
  2020	Treagus, M. (2020). Time and transition in the work of Lee Harrop. Artlink: Australian contemporary art quarterly, 40(1), 48-51.
  2019	Seys, M., & Treagus, M. (2019). Introduction: Victorian Interfaces. Australasian Journal of Victorian Studies, 23(1), i-x.
  2019	Seys, M., & Treagus, M. (2019). Introduction: Victorian Interfaces. Australasian Journal of Victorian Studies, 23(1), i-x.
  2018	Treagus, M. (2018). Oceania. Artlink, 2018, 1-12.
  2017	Treagus, M. A., & Seys, M. (2017). Looking Back at Samoa: History, Memory, and the Figure of Mourning in Yuki Kihara’s Where Do We Come From? What Are We? Where Are We Going?. asian diasporic visual cultures and the americas, 3(1-2), 86-109. DOI
  2017	Eate, P., Beasley, C., Papadelos, P., Treagus, M., & Augoustinos, M. (2017). Schooling the public on boys: the ongoing salience in media representations of the "crisis" in boys' education. Feminist Media Studies, 17(2), 248-263. DOI Scopus9 WoS9
  2014	Treagus, M. (2014). Crossing ‘The Beach’: Samoa, Stevenson and ‘The Beach at Falesá’. Literature Compass, 11(5), 312-320. DOI Scopus2
  2012	Treagus, M. (2012). From Whakarewarewa to Oxford: Makereti Papakura and the politics of Indigenous self-representation. Australian Humanities Review (print), 52, 35-53.
  2012	Treagus, M. (2012). Queering the mainstream: The Slap and 'middle' Australia. JASAL - Journal of the Association for the Study of Australian Literature, 12(3), 1-9.
  2010	Treagus, M. (2010). Pu'aka Tonga. M/C Journal, 13(5), 1-6.
  2008	Treagus, M. (2008). Representing Pacific tattoos: Issues in postcolonial critical practice. Journal of Postcolonial Writing, 44(2), 183-192. DOI Scopus5
  2005	Treagus, M. (2005). Playing like ladies: Basketball, netball and feminine restraint. The International Journal of the History of Sport, 22(1), 88-105. DOI
  2004	Treagus, M. (2004). Sporting girls: Exercising gender modes. Australasian Victorian Studies Journal, 10, 151-167.
  2002	Treagus, M. (2002). Not bent at all: Bend It Like Beckham, girls' sport and the spectre of the lesbian. M/C Journal, 5(6), www 1-www 4.
  2001	Treagus, M. (2001). Malu and Fetu: Sia Figiel's They Who Do Not Grieve and the postcolonial tattoo. CRNLE Journal (Centre for Research in the New Literatures in English), 2001, 105-114.
  2001	Treagus, M. (2001). The body of the imperial mother: Women, exercise and the future of "the Race" in Britain, 1870-1914. Kunapipi, XXIII(1), 138-150.
  2000	Treagus, M. (2000). A queer kind of belonging: identity and nation in Christos Tsiolkas's Loaded. CRNLE Journal (Centre for Research in the New Literatures in English), Issue 2000, 219-227.
  1998	Treagus, M. (1998). Gazing at the spice girls: audience, power and visual representation. Outskirts, 3.
  1998	Treagus, M. (1998). Renegotiating the Australian legend: 'Khe Sanh' and the Jimmy Barnes stage persona. Limina: a journal of historical and cultural studies, 4, 59-68.
  1997	Treagus, M. (1997). The feminist as romantic: Schreiner's Lyndall and the Romance plot. Australasian Victorian Studies Journal, 3(1), 90-98.
  1995	Treagus, M. (1995). Non à la bombe. New Times, 14(10), 9-27.
  1995	Treagus, M. (1995). Review of "The Time to Write: Australian Women Writers 1890-1930". Ed. by Kay Ferres. Australian Feminist Studies, 10(21), 229-230.

• Books

  Year	Citation
  2018	Keown, M., Taylor, A., & Treagus, M. (Eds.) (2018). Anglo-American Imperialism and the Pacific: Discourses of Encounter (1st edition ed.). New York: Routledge. DOI Scopus2
  2018	Keown, M., Taylor, A., & Treagus, M. (Eds.) (2018). Anglo-American Imperialism and the Pacific: Discourses of Encounter (1st edition ed.). New York: Routledge. DOI Scopus2
  2014	Tonkin, M., Treagus, M., Seys, M., & De Rosa, S. C. (Eds.) (2014). Changing the Victorian Subject. Adelaide: University of Adelaide Press. DOI
  2014	Tonkin, M., Treagus, M., Seys, M., & De Rosa, S. C. (Eds.) (2014). Changing the Victorian Subject. Adelaide: University of Adelaide Press. DOI
  2014	Treagus, M. (2014). Empire girls: the colonial heroine comes of age. Australia: University of Adelaide Press. DOI
  -	Anglo-American Imperialism and the Pacific (n.d.). . Routledge. DOI
  -	Anglo-American Imperialism and the Pacific (n.d.). . Routledge. DOI

• Book Chapters

  Year	Citation
  2018	Treagus, M., & Keown, M. (2018). Afterword: In Memoriam Teresia Teaiwa (1968-2017). In M. Keown, A. Taylor, & M. Treagus (Eds.), Anglo-American Imperialism and the Pacific: Discourses of Encounter (1st ed., pp. 202-206). New York: Routledge. DOI
  2018	Treagus, M., & Keown, M. (2018). Afterword: In Memoriam Teresia Teaiwa (1968-2017). In M. Keown, A. Taylor, & M. Treagus (Eds.), Anglo-American Imperialism and the Pacific: Discourses of Encounter (1st ed., pp. 202-206). New York: Routledge. DOI
  2018	Keown, M., Taylor, A., & Treagus, M. (2018). Introduction. In M. Keown, A. Taylor, & M. Treagus (Eds.), Anglo-American Imperialism and the Pacific: Discourses of Encounter (pp. 1-22). New York: Routledge. DOI
  2018	Keown, M., Taylor, A., & Treagus, M. (2018). Introduction. In M. Keown, A. Taylor, & M. Treagus (Eds.), Anglo-American Imperialism and the Pacific: Discourses of Encounter (Vol. 12, 1st edition ed., pp. 1-22). New York, NY; USA: Routledge. DOI Scopus6
  2018	Keown, M., Taylor, A., & Treagus, M. (2018). Introduction. In M. Keown, A. Taylor, & M. Treagus (Eds.), Anglo-American Imperialism and the Pacific: Discourses of Encounter (Vol. 12, 1st edition ed., pp. 1-22). New York, NY; USA: Routledge. DOI Scopus6
  2018	Treagus, M. (2018). 'It's Raining in Pago': The Body, Religion and Race in W. Somerset Maugham's 'Rain' and Its Film Adaptations. In K. Keown, A. Taylor, & M. Treagus (Eds.), Anglo-American Imperialism and the Pacific: Discourses of Encounter (1st edition ed., pp. 91-109). New York, NY; USA: Routledge. DOI
  2018	Treagus, M. (2018). 'It's Raining in Pago': The Body, Religion and Race in W. Somerset Maugham's 'Rain' and Its Film Adaptations. In K. Keown, A. Taylor, & M. Treagus (Eds.), Anglo-American Imperialism and the Pacific: Discourses of Encounter (1st edition ed., pp. 91-109). New York, NY; USA: Routledge. DOI
  2016	Treagus, M. (2016). Yuki Kihara’s culture for sale and the history of Pacific cultural performance. In K. Alexeyeff, & J. Taylor (Eds.), Touring Pacific Cultures (1 ed., pp. 141-166). Canberra: ANU Press.
  2016	Treagus, M. (2016). The South Seas Exhibit at the Chicago World’s Fair, 1893. In Oceania and the Victorian Imagination: Where All Things Are Possible (pp. 45-57). DOI
  2014	Treagus, M. (2014). The woman artist and narrative ends in late-Victorian writing. In M. Tonkin, M. Treagus, M. Seys, & S. Crozier De Rosa (Eds.), Changing the Victorian subject (pp. 201-215). Australia: University of Adelaide Press.
  2014	Tonkin, M., Treagus, M., Seys, M., & Crozier-De Rosa, S. (2014). Re-visiting the Victorian subject. In M. Tonkin, M. Treagus, M. Seys, & S. Crozier De Rosa (Eds.), Changing the Victorian subject (pp. 1-19). Australia: University of Adelaide Press.
  2013	Treagus, M. (2013). From Khe Sanh to the Caribbean: Cold Chisel's post-Vietnam blues. In T. Dalziell, & P. Genoni (Eds.), Telling stories: Australian life and literature 1935-2012 (pp. 357-362). Clayton, Victoria: Monash University Publishing.
  2013	Treagus, M. (2013). The South Seas exhibit at the Chicago World's Fair, 1893. In R. Fulton, & P. Hoffenberg (Eds.), Oceania and the Victorian imagination: where all things are possible (1 ed., pp. 45-58). United Kingdom: Ashgate Publishing Limited. Scopus2
  2008	Treagus, M. (2008). 'Britons of the South Seas': The Moari visit to London, 1911. In H. Kerr, & L. Warner (Eds.), Projections of Britain in the United States of America, Australia and New Zealand: 1900-1950 (pp. 52-62). Adelaide, South Australia: Lythrum Press.
  2008	Treagus, M. (2008). Agents or Objects? Maori Performances in Britain. In Sue Thomas (Ed.), Victorian Traffic: Identity, Exchange, Performance (pp. 124-142). United Kingdom: Cambridge Scholars Publishing.
  2004	Treagus, M. (2004). Spectacles of empire: Maori tours of England in 1863 and 1911. In K. Darian-Smith, P. Grimshaw, K. Lindsey, & S. Macintyre (Eds.), Exploring the British world: Identity - Cultural production - Institutions (pp. 748-764). http://search.informit.com.au/browsePublication;isbn=0864593449;res=E-LIBRARY: RMIT Publishing.
  1999	Treagus, M. (1999). Televison gothic: The X-Files. In Extensions: essays in English studies from Shakespeare to the Spice Girls, 1999 (pp. 186-198). Wakefield Press.

• Live Performance of Creative Works

  Year	Citation
  2022	Treagus, M. (2022). Playing the Decades (No. Of Pieces: 45) [Musical performance of original songs]. Wheatsheaf Hotel, Thebarton, South Australia.
  2021	Treagus, M. (2021). The Flight of the Frigate Bird (No. Of Pieces: 10 minutes) [Creative non-fiction]. The Lab, Adelaide: JM Coetzee Centre for Creative Practice.
  2014	Treagus, M. (2014). The Wide Open Road - Bob Dylan Revisited. My segments: 'Hearing Dylan', 'The Tradition and Song Form' and 'Finding His Own Voice' (No. Of Pieces: Total show: 1 hour) [Performance]. Adelaide: Radio Adelaide.

• Report for External Bodies

  Year	Citation
  2011	Treagus, M. A., Cover, R., & Beasley, C. (2011). Integrity in Sport Literature Review. Canberra: Australian Sports Commission.

• Original Creative Works

  Year	Citation
  2021	Authors: Treagus M. Title: The Lesbian Mafia. Description: 6th November 2019. part of the Queering the Museum project by the Migration Museum. Extent: 305 words.
  2019	Authors: Treagus M. Title: ‘My mother says there’s something queer about you’. Description: Cloth and Paper live curated performance. Friday May 17, 2019. The Chapel, Migration Museum, Adelaide. South Australian History Festival.. Extent: 3 minutes.
  2018	Authors: Treagus M. Title: Dropkick. Description: There is no ISSN listed in the publication. Extent: 3 pages.
  2016	Authors: Treagus M. Title: From Anthropometry to Maui: A Study of a Samoan Savage. Description: Exhibition held Te Uru Waitakere Contemporary Gallery on 27 February – 22 May 2016. Exhibition catalogue contains work by M. Treagus.. Extent: 5 pages.

• Recorded/Rendered Creative Works

  Year	Citation
  2015	Authors: Treagus M. Title: On the Beach. My inputs in the production were:. Description: Wide Open Road – On the Beach. Extent: 60 minute show.
  2015	Authors: Treagus M. Title: On the Beach. My inputs in the production were:. Description: Wide Open Road – On the Beach. Extent: 60 minute show.

• Curated or Produced Public Exhibition or Events

  Year	Citation
  2018	Treagus, M. (2018). Two Horizons Art Project (No. Of Pieces: 10 x 3 metres) [Art mural]. Tynte St North Adelaide.

Courses I teach:

The Sixties: From the Beats to Bongs - fiction, poetry, film, music and politics from a decade that changed the world

Icons of Decadence - late-nineteenth century fiction, poetry and culture in Britain, when everything was being rethought

Body Culture Text - contemporary fiction, poetry, film, art, and critical theory, all concerned with embodiment and identity

Pacific Literature Study Tour: Tonga - in intensive mode

Film Studies - the visual cultures look at film

Honours Research Essay - Trans-Tasman Currents - 100 years of fiction and poetry in Australia and Aotearoa New Zealand

• Current Higher Degree by Research Supervision (University of Adelaide)

  Date	Role	Research Topic	Program	Degree Type	Student Load	Student Name
  2023	Co-Supervisor	Form, identity, and Homeric reception in the poetry of Alice Oswald and Ocean Vuong	Master of Philosophy	Master	Full Time	Miss Thao Gia Bui
  2023	Co-Supervisor	An exploration of Australian literature, through the lens of critical race theory, with a focus on the emotional responses that conversations about race elicit.	Master of Philosophy	Master	Part Time	Miss Letitia Rajamma McNamara
  2022	Co-Supervisor	Detecting Dress: Mrs Annie Bowman's Walking Ensemble: A Cultural History of Dress in Colonial Adelaide	Doctor of Philosophy	Doctorate	Part Time	Ms Kathryn Needs
  2021	Co-Supervisor	Figuring the Sea, Inland: Oceanic Imaginaries in Contemporary Australian Literature	Doctor of Philosophy	Doctorate	Full Time	Ms Theodora Irini Germanos-Galanis
  2021	Co-Supervisor	Tracing Charlotte Jay: The Geraldine Halls Project	Master of Philosophy	Master	Part Time	Ms Jane Costessi
  2020	Principal Supervisor	Beach Bodies: Cruising the Shore in Fire Island Literature	Doctor of Philosophy	Doctorate	Full Time	Mr Jacob Sunter
  2020	Co-Supervisor	Nekyia and Katabasis in 21st century receptions of the Ilaid	Master of Philosophy	Master	Full Time	Mr Patrick James Moritz
  2019	Principal Supervisor	A Search for Country in Australian Literature	Doctor of Philosophy	Doctorate	Full Time	Samuel Jesse Cox
  2019	Principal Supervisor	Fragments of Self: Contemporary Women's Life Writing	Doctor of Philosophy	Doctorate	Full Time	Ms Meg Madden
  2018	Principal Supervisor	Longpela Gut Bai: A Braided Narrative of Privilege and Loss	Doctor of Philosophy	Doctorate	Part Time	Ms Susan Chamney Hazel
  2018	Principal Supervisor	Epistolary Novel about the Influence of Enid Blyton on Australian Cultural Identity	Doctor of Philosophy	Doctorate	Part Time	Dr Angela Kingston
  2012	Co-Supervisor	Creative Project with Exegesis - Collection of short Stories	Doctor of Philosophy	Doctorate	Part Time	Gryphon Troix Jackson

• Past Higher Degree by Research Supervision (University of Adelaide)

  Date	Role	Research Topic	Program	Degree Type	Student Load	Student Name
  2017 - 2020	Principal Supervisor	The Masks That Wear Men: The Representation of Masculine Masquerade In 1990s American Action Cinema	Doctor of Philosophy	Doctorate	Full Time	Miss Kate Marie Bowen
  2017 - 2019	Principal Supervisor	Bound by Narrative: 'Reading' the Female Body and Genre in Nineteenth-Century British Literature	Master of Philosophy	Master	Full Time	Miss Charlotte Eliza Brake Kelso
  2014 - 2016	Principal Supervisor	'Petticoated Police,' 'Intimate Watching' and Private Agency(ies): Reading the Female Detective of Fin-de-siecle British Literature	Master of Philosophy	Master	Full Time	Genevieve Lauren Seys
  2014 - 2017	Co-Supervisor	An Algorithmic Criticism of Audience Manipulation in Christopher Marlowe's The Massacre at Paris	Master of Philosophy	Master	Full Time	Galen Mereki Cuthbertson
  2014 - 2017	Principal Supervisor	Volume 1 Plumbago: Volume 2 The Aftermath of Psychical Trauma: Finding a Voice	Master of Philosophy	Master	Part Time	Ms Eleanor Anne Wills
  2013 - 2018	Co-Supervisor	Notes from Above Water: Fictocriticism as Queer Creative Research Practice	Doctor of Philosophy	Doctorate	Full Time	Ms Alison Jane Coppe
  2013 - 2016	Co-Supervisor	Writing the Sixties: Stardust and Golden	Doctor of Philosophy	Doctorate	Full Time	Prof Douglas McEachern
  2012 - 2015	Co-Supervisor	Illegible Narratives: Towards a Queer Violation of Life Story	Master of Philosophy	Master	Part Time	Ms Gretta Jade Mitchell
  2012 - 2016	Principal Supervisor	'Passionately Subjective': Challenges to Identity in the Works of Amy Levy	Master of Philosophy	Master	Full Time	Miss Carolyn Louise Lake
  2011 - 2015	Principal Supervisor	Double Threads: Reading Dress, Fashion, Narrative and Representations of Femininity in Victorian Popular Literature	Doctor of Philosophy	Doctorate	Full Time	Dr Madeleine Claire Seys
  2010 - 2015	Co-Supervisor	Sacrifice in Suburbia: American Novels as Troubled Tragedies	Doctor of Philosophy	Doctorate	Part Time	Dr Carly Osborn
  2010 - 2014	Co-Supervisor	Welcome (A Novel) and 'Women's Rights and Prostitution in Thailand' (An Exegesis)	Doctor of Philosophy	Doctorate	Full Time	Dr Lisa Lines
  2009 - 2014	Co-Supervisor	The Golden Milkmaid: Writing from the Gaudiya Tradition	Doctor of Philosophy	Doctorate	Part Time	Ms Vaishnavi Heath
  2009 - 2011	Co-Supervisor	Narrative as healing: centering the Aboriginal voice Exegesis for minya wunyi gu wonga	Doctor of Philosophy	Doctorate	Part Time	Dr Dylan Coleman
  2009 - 2012	Principal Supervisor	...Fuga...A Novel The Musicalisation of... Fuga: How Music Influenced and Shaped The Writing of a Novel...An Exegesis	Doctor of Philosophy	Doctorate	Full Time	Ms Gillian Britton
  2006 - 2011	Principal Supervisor	Deleuze's Differential Ontology and the Problem of Ethics	Doctor of Philosophy	Doctorate	Part Time	Ms Hannah Stark
  2004 - 2006	Co-Supervisor	Rhetoric and Fictions of Aids	Master of Arts	Master	Part Time	Mr Rikki Wilde
  2003 - 2009	Principal Supervisor	A "Nihilistic Dreamboat to Negation"? The Cultural Study of Death Metal and the Limits of Political Criticism	Doctor of Philosophy	Doctorate	Part Time	Dr Michelle Phillipov
  2002 - 2006	Co-Supervisor	Knitting: a Novel/Knitting a Novel: A Retrospective View	Doctor of Philosophy	Doctorate	Full Time	Ms Anne Bartlett
  2001 - 2008	Principal Supervisor	Masculinities in Drag: A Theoretical Analysis of Female Masculinity	Doctor of Philosophy	Doctorate	Part Time	Ms Julie Hanson
  1999 - 2004	Principal Supervisor	DISCOURSES OF MULTICULTURALISM AND CONTEMPORARY ASIAN-AUSTRALIAN LITERATURE	Doctor of Philosophy	Doctorate	Full Time	Ms Yvette Tan
  1999 - 2003	Co-Supervisor	Disconcerting Ecologies Representations of Non-Indigenous Belonging in Contemporary Australian Literature and Cultural Discourse	Doctor of Philosophy	Doctorate	Full Time	Ms Emily Potter

• Editorial Boards

  Date	Role	Editorial Board Name	Institution	Country
  2013 - ongoing	Board Member	Journal of New Zealand and Pacific Studies	-	United Kingdom
  2012 - ongoing	Board Member	Australasian Journal of Victorian Studies	-	Australia
  2005 - ongoing	Board Member	Nineteenth-Century Gender Studies	-	United States

• Offices Held

  Date	Office Name	Institution	Country
  2017 - ongoing	President	Australasian Victorian Studies Association	Australia
  2017 - ongoing	President	Australian Association for Pacific Studies	Australia

• Position: Associate Professor/Reader
• Phone: 83134573
• Email: mandy.treagus@adelaide.edu.au
• Fax: 83134341
• Campus: North Terrace
• Building: Napier, floor 6
• Org Unit: School of Humanities