Madeleine Seys

Madeleine Seys

School of Humanities

Faculty of Arts


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  • Journals

    Year Citation
    2020 Seys, M. C. (2020). “'The Muslin Gown as ‘a White Unblemished Page’: Sensational Femininities and Literatures in Mary Elizabeth Braddon’s Aurora Floyd and The Doctor’s Wife”. Women's Writing.
    2019 Delafield, C. (2019). "Novel/magazine interfaces: the “long” serialisation of Wilkie Collins’s Armadale". Australasian Journal of Victorian Studies, 23(1), 1-13.
    2019 Gagne, A. (2019). "Manus Ex Machina: The Tactile Interface of Lady Audley’s Secret". Australasian Journal of Victorian Studies, 23(1), 67-79.
    2019 Leonardo Silva, B. (2019). "The Gaze Between: What Happens when the Egyptian Harem Re-turns the Gaze of an Englishwoman". Australasian Journal of Victorian Studies, 23(1), 52-66.
    2019 Kavanagh, F. (2019). "“Marianne Knight | Godmersham Park”: Inscription as Community Interface in the Books of Jane Austen’s Niece". Australasian Journal of Victorian Studies, 23(1), 14-27.
    2019 Scholl, L. (2019). "Coventry Patmore’s Journalism: The Interface between Conservative Politics and Social Justice". Australasian Journal of Victorian Studies, 23(1), 28-38.
    2019 Chew, R. (2019). "The Last of England: A Work for Solo Piano After the Painting by Ford Madox Brown". Australasian Journal of Victorian Studies, 23(1), 39-51.
    2019 Kelso, C. (2019). "The Body as Interface: New Woman Identity in George Egerton’s “The Regeneration of Two”". Australasian Journal of Victorian Studies, 23(1), 80-93.
    2019 Seys, M. C. (2019). “It’s All Woman’s Work from One End to Another”: Embroidering the Truth in M. E. Braddon’s Lady Audley’s Secret. Nineteenth-Century Gender Studies, 15(2).
    2019 Seys, M. C., & Treagus, M. (2019). Victorian Interfaces. Australasian Journal of Victorian Studies, 23(1), i-x.
    2019 Seys, M. C., & Treagus, M. (2019). Victorian Interfaces. Australasian Journal of Victorian Studies, 23(1), i-x.
    2017 Treagus, M., & Seys, M. (2017). Looking Back at Samoa: History, Memory, and the
    Figure of Mourning in Yuki Kihara’s Where Do We
    Come From? What Are We? Where Are We Going?. asian diasporic visual cultures and the americas, 3(1-2), 86-109.

    DOI
    2017 Seys, M. (2017). Museum Catalogue Record: William Morris’s News From Nowhere. Victorian Review, 43(1), 30-35.
    DOI
  • Books

    Year Citation
    2022 Seys, M. (2022). A Fashion History of South Australia.
    2018 Seys, M. (2018). Fashion and Narrative in Victorian Popular Literature: Double Threads. New York, USA: Routledge.
    DOI
    2014 Tonkin, M., Treagus, M., Seys, M., & De Rosa, S. (Eds.) (2014). Changing the Victorian Subject. Adelaide: University of Adelaide Press.
    DOI
  • Book Chapters

    Year Citation
    2020 Seys, M. (2020). “Rational Dress ‘As an Expression of the Fin-de-Siecle Aspiration towards Equality of the Sexes’”. In D. Rall (Ed.), Women & Power: The Politics of Dress. Intellect.
    2020 Seys, M. C. (2020). "Rational Dress". In L. Scholl (Ed.), The Palgrave Encyclopedia of Victorian Women's Writing. Palgrave.
    DOI
    2020 Seys, M. C. (2020). "Androgyny in Dress". In L. Scholl (Ed.), The Palgrave Encyclopedia of Victorian Women's Writing. Palgrave.
    DOI
    2020 Seys, M. C. (2020). "Mourning Dress". In L. Scholl (Ed.), Palgrave Encyclopedia of Victorian Women's Writing. Palgrave.
    DOI
    2019 Seys, M. (2019). “Muslins, Confidences, and Illicit Conversations”: Fashioning Subversive Femininities in George Moore’ A Drama in Muslin. In H. Janine, & N. Moody (Eds.), Fashion and Material Culture in Victorian Fiction and Periodicals (pp. 191-204). Brighton, East Sussex; United Kingdom: Edward Everett Root.
    2014 Seys, M. (2014). The scenery and dresses of her dreams: reading and reflecting (on) the Victorian heroine in M.E. Braddon's the Doctor's Wife. In M. Tonkin, M. Treagus, M. Seys, & S. Crozier De Rosa (Eds.), Changing the Victorian subject (pp. 177-199). Australia: University of Adelaide Press.
    2014 Tonkin, M., Treagus, M., Seys, M., & Crozier-De Rosa, S. (2014). Re-visiting the Victorian subject. In M. Tonkin, M. Treagus, M. Seys, & S. Crozier De Rosa (Eds.), Changing the Victorian subject (pp. 1-19). Australia: University of Adelaide Press.
  • Conference Papers

    Year Citation
    2019 Seys, M. C. (2019). "Thinking through Cloth". In unpublished. Fabrik Arts.
  • Original Creative Works

    Year Citation
    2015 Publication status: Published
    NTRO sub category: 3 Written work
    Title: Lady Audley’s Secret Reimagined: “Excerpt from clinical notebook of Monsieur Val, Villebrumeuse, Belgium.”
    Authors: Seys M
    Publisher: Letterpress Reimagined.
    Publisher URL: http://ladyaudleysecret.com/
    Place of publication: Sissinghurst, England.
    Publication date: 2015
    Extent: 1
    ERA Research Statement - 2000 character limit: .
    Source URL: https://maryelizabethbraddon.com/
    Verification-status: Verified
    Record created at source: 3 June 2016
  • Curated or Produced Public Exhibition or Events

    Year Citation
    2019 Seys, M. (2019). A Queer Night at the Museum Tour (No. Of Pieces: 2 hours) [Researched Museum Tour]. Migration Museum (Adelaide).
    2019 Sullivan, N., Seys, M., & Joscelyne, H. (2019). Daring to be Different (No. Of Pieces: 7 months) [Curation of Museum exhibition]. Migration Museum: FEAST - Adelaide Queer Arts & Cultural Festival.
    2019 Sullivan, N., Seys, M., & Joscelyne, H. (2019). Daring to be Different (No. Of Pieces: 7 months) [Curation of Museum exhibition]. Migration Museum: FEAST - Adelaide Queer Arts & Cultural Festival.
    2016 Prosser, R. (2016). "Showgirl: The Costumes of an Iconic Adelaide Diva" (No. Of Pieces: 2 days) [Exhibition]. Migration Museum, Adelaide.
    2016 Prosser, R. (2016). "Showgirl: The Costumes of an Iconic Adelaide Diva" (No. Of Pieces: 2 days) [Exhibition]. Migration Museum, Adelaide.
    2014 Seys, M. (2014). “Black in Fashion”: An Exhibition of Black in Sartorial Fashion and Interior Design, 1860-present (No. Of Pieces: 15 days) [Exhibition]. Ayers House Museum, Adelaide..
    2013 Seys, M. C. (2013). “Frisque”: An Exhibition of Lingerie and Underwear, 1888-1930 (No. Of Pieces: 17 days) [Exhibition]. Ayers House Museum, Adelaide..
    2012 Seys, M. C. (2012). “All the Trimmings": An Exhibition of Fringes Through the Ages. (No. Of Pieces: 23 days) [Exhibition]. Ayers House Museum, Adelaide.
    2011 Seys, M. C. (2011). 175 Years of South Australian Fashion: An Exhibition. (No. Of Pieces: 31 days) [Exhibition]. Ayers House Museum, Adelaide..
  • Theses

    Year Citation
    2014 Seys, M. C. (2014). Double Threads: Reading Dress, Fashion, Narrative and Representations of Femininity in Victorian Popular Literature. (PhD Thesis, The University of Adelaide).
  • Internet Publications

    Year Citation
    2020 Seys, M. C. (2020). "Tailoring Don Dunstan". History Trust of South Australia.
    2014 Seys, M. (2014). The story of .… tweed. The Conversation, Australia.
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  • Mentoring

    Date Topic Location Name
    2017 - 2020 Feminist afterlives of the witch in popular culture The University of Adelaide Brydie Kosmina
    2017 - 2020 Masculinity in 1990s' action film The University of Adelaide Kate Bowen

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