Madeleine Seys

Madeleine Seys

School of Humanities

Faculty of Arts

Eligible to supervise Masters and PhD (as Co-Supervisor) - email supervisor to discuss availability.


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  • Journals

    Year Citation
    2020 Seys, M. C. (2020). “'The Muslin Gown as ‘a White Unblemished Page’: Sensational Femininities and Literatures in Mary Elizabeth Braddon’s Aurora Floyd and The Doctor’s Wife”. Women's Writing.
    2019 Delafield, C. (2019). "Novel/magazine interfaces: the “long” serialisation of Wilkie Collins’s Armadale". Australasian Journal of Victorian Studies, 23(1), 1-13.
    2019 Gagne, A. (2019). "Manus Ex Machina: The Tactile Interface of Lady Audley’s Secret". Australasian Journal of Victorian Studies, 23(1), 67-79.
    2019 Leonardo Silva, B. (2019). "The Gaze Between: What Happens when the Egyptian Harem Re-turns the Gaze of an Englishwoman". Australasian Journal of Victorian Studies, 23(1), 52-66.
    2019 Kavanagh, F. (2019). "“Marianne Knight | Godmersham Park”: Inscription as Community Interface in the Books of Jane Austen’s Niece". Australasian Journal of Victorian Studies, 23(1), 14-27.
    2019 Scholl, L. (2019). "Coventry Patmore’s Journalism: The Interface between Conservative Politics and Social Justice". Australasian Journal of Victorian Studies, 23(1), 28-38.
    2019 Chew, R. (2019). "The Last of England: A Work for Solo Piano After the Painting by Ford Madox Brown". Australasian Journal of Victorian Studies, 23(1), 39-51.
    2019 Seys, M. C. (2019). “It’s All Woman’s Work from One End to Another”: Embroidering the Truth in M. E. Braddon’s Lady Audley’s Secret. Nineteenth-Century Gender Studies, 15(2).
    2019 Seys, M., & Treagus, M. (2019). Introduction: Victorian Interfaces. Australasian Journal of Victorian Studies, 23(1), i-x.
    2019 Seys, M., & Treagus, M. (2019). Introduction: Victorian Interfaces. Australasian Journal of Victorian Studies, 23(1), i-x.
    2017 Seys, M. (2017). Museum Catalogue Record: William Morris’s News From Nowhere. Victorian Review, 43(1), 30-35.
    DOI
    2017 Treagus, M., & Seys, M. (2017). Looking Back at Samoa: History, Memory, and the
    Figure of Mourning in Yuki Kihara’s Where Do We
    Come From? What Are We? Where Are We Going?. asian diasporic visual cultures and the americas, 3(1-2), 86-109.

    DOI
  • Books

    Year Citation
    2022 Seys, M. (2022). A Fashion History of South Australia.
    2018 Seys, M. C. (2018). Fashion and Narrative in Victorian Popular Literature: Double Threads. New York, USA: Routledge.
    DOI
    2014 Tonkin, M., Treagus, M., Seys, M., & De Rosa, S. C. (Eds.) (2014). Changing the Victorian Subject. Adelaide: University of Adelaide Press.
    DOI
  • Book Chapters

    Year Citation
    2021 Seys, M. (2021). “Rational Dress ‘As an Expression of the Fin-de-Siecle Aspiration towards Equality of the Sexes’”. In D. Rall (Ed.), Women & Power: The Politics of Dress. Intellect.
    2020 Seys, M. C. (2020). Rational Dress. In L. Scholl (Ed.), The Palgrave Encyclopedia of Victorian Women's Writing (pp. 4 pages). Cham, Switzerland: Palgrave Macmillan.
    DOI
    2020 Seys, M. C. (2020). Androgyny in Dress. In L. Scholl (Ed.), The Palgrave Encyclopedia of Victorian Women's Writing (pp. 9 pages). Cham, Switzerland: Palgrave Macmillan.
    DOI
    2020 Seys, M. (2020). "Mourning Dress". In L. Scholl (Ed.), Palgrave Encyclopedia of Victorian Women's Writing. Cham, Switzerland: Palgrave Macmillan.
    DOI
    2019 Seys, M. (2019). “Muslins, Confidences, and Illicit Conversations”: Fashioning Subversive Femininities in George Moore’ A Drama in Muslin. In H. Janine, & N. Moody (Eds.), Fashion and Material Culture in Victorian Fiction and Periodicals (pp. 191-204). Brighton, East Sussex; United Kingdom: Edward Everett Root.
    2014 Seys, M. (2014). The scenery and dresses of her dreams: reading and reflecting (on) the Victorian heroine in M.E. Braddon's the Doctor's Wife. In M. Tonkin, M. Treagus, M. Seys, & S. Crozier De Rosa (Eds.), Changing the Victorian subject (pp. 177-199). Australia: University of Adelaide Press.
    2014 Tonkin, M., Treagus, M., Seys, M., & Crozier-De Rosa, S. (2014). Re-visiting the Victorian subject. In M. Tonkin, M. Treagus, M. Seys, & S. Crozier De Rosa (Eds.), Changing the Victorian subject (pp. 1-19). Australia: University of Adelaide Press.
  • Conference Papers

    Year Citation
    2019 Seys, M. C. (2019). "Thinking through Cloth". In unpublished. Fabrik Arts.
  • Original Creative Works

    Year Citation
    2015 Publication status: Published
    NTRO sub category: 3 Written work
    Title: Lady Audley’s Secret Reimagined: “Excerpt from clinical notebook of Monsieur Val, Villebrumeuse, Belgium.”
    Authors: Seys M
    Publisher: Letterpress Reimagined.
    Publisher URL: http://ladyaudleysecret.com/
    Place of publication: Sissinghurst, England.
    Publication date: 2015
    Extent: 1
    ERA Research Statement - 2000 character limit: .
    Source URL: https://maryelizabethbraddon.com/
    Verification-status: Verified
    Record created at source: 3 June 2016
  • Curated or Produced Public Exhibition or Events

    Year Citation
    2019 Seys, M. (2019). A Queer Night at the Museum Tour (No. Of Pieces: 2 hours) [Researched Museum Tour]. Migration Museum (Adelaide).
    2019 Sullivan, N., Seys, M., & Joscelyne, H. (2019). Daring to be Different (No. Of Pieces: 7 months) [Curation of Museum exhibition]. Migration Museum: FEAST - Adelaide Queer Arts & Cultural Festival.
    2019 Sullivan, N., Seys, M., & Joscelyne, H. (2019). Daring to be Different (No. Of Pieces: 7 months) [Curation of Museum exhibition]. Migration Museum: FEAST - Adelaide Queer Arts & Cultural Festival.
    2016 Prosser, R. (2016). "Showgirl: The Costumes of an Iconic Adelaide Diva" (No. Of Pieces: 2 days) [Exhibition]. Migration Museum, Adelaide.
    2016 Prosser, R. (2016). "Showgirl: The Costumes of an Iconic Adelaide Diva" (No. Of Pieces: 2 days) [Exhibition]. Migration Museum, Adelaide.
    2014 Seys, M. (2014). “Black in Fashion”: An Exhibition of Black in Sartorial Fashion and Interior Design, 1860-present (No. Of Pieces: 15 days) [Exhibition]. Ayers House Museum, Adelaide..
    2013 Seys, M. C. (2013). “Frisque”: An Exhibition of Lingerie and Underwear, 1888-1930 (No. Of Pieces: 17 days) [Exhibition]. Ayers House Museum, Adelaide..
    2012 Seys, M. C. (2012). “All the Trimmings": An Exhibition of Fringes Through the Ages. (No. Of Pieces: 23 days) [Exhibition]. Ayers House Museum, Adelaide.
    2011 Seys, M. C. (2011). 175 Years of South Australian Fashion: An Exhibition. (No. Of Pieces: 31 days) [Exhibition]. Ayers House Museum, Adelaide..
  • Theses

    Year Citation
    2014 Seys, M. C. (2014). Double Threads: Reading Dress, Fashion, Narrative and Representations of Femininity in Victorian Popular Literature. (PhD Thesis, The University of Adelaide).
  • Internet Publications

    Year Citation
    2020 Seys, M. C. (2020). "Tailoring Don Dunstan". History Trust of South Australia.
    2014 Seys, M. (2014). The story of .… tweed. The Conversation, Australia.
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  • Mentoring

    Date Topic Location Name
    2017 - 2020 Feminist afterlives of the witch in popular culture The University of Adelaide Brydie Kosmina
    2017 - 2020 Masculinity in 1990s' action film The University of Adelaide Kate Bowen

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