Ms Louise Haselton
School of Communication, Media and Journalism
College of Creative Arts, Design and Humanities
Louise Haselton completed a Bachelor of Visual Arts (Sculpture) at The University of South Australia, 1991 and a Masters of Art (by Research) at RMIT University, Melbourne in 2002. In 2005 she undertook a Helpmann Academy Residency at Sanskriti Kendra, Delhi, India. Haselton’s sculptural artwork has recently been exhibited in "Do It Adelaide" at the Samstag Museum of Art, Adelaide, "Magic Object : Adelaide Biennial of Australian Art", at The Art Gallery of SA and "Fabrik" at the Ian Potter Museum and Sutton Gallery Project Space, Melbourne. Haselton has held major solo exhibitions at The Contemporary Art Centre of SA and The Australian Experimental Art Foundation, Adelaide. Louise Haselton is represented by GAG projects Greenaway Art Gallery, Adelaide.
"Re-presenting the overlooked is important in my work. I'm interested to see if the simple act of presenting something cast-off can be restorative. It's very satisfying to scrounge for unloved materials and objects and resuscitate them. That can be simply through giving them new company, by combining a rock with some packaging or some shells with chain; to point to another life or function that something could hold, the potential of things can lie latent and be animated through a simple act."
From an interview with Michael Newall, Errand Workshop catalogue, 2011.
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2019 - 2024 | Principal Supervisor | Hybrid assemblages:a pleiodisciplinary exploration of grid-based generative art systems | Doctor of Philosophy | Doctorate | Full Time | Ms Katherine Little |
| 2017 - 2019 | Principal Supervisor | Beyoncé is a Port supporter: an investigation into female fan culture, textiles and personal identity | Master of Visual Arts | Master | Full Time | Miss Carly Snoswell |
| 2016 - 2018 | Principal Supervisor | Monsters, meat and meta; an artist’s guide to making a friend of the horror genre | Master of Visual Arts | Master | Full Time | Miss Jessica Taylor |
| 2015 - 2017 | Principal Supervisor | How to write a fan letter: the generative potential of pop-culture fandom in contemporary visual art practice | Master of Visual Arts | Master | Full Time | Mr Roy Ananda |
| 2014 - 2017 | Principal Supervisor | To Brancusi and back via Bunnings: the return to the studio within contemporary sculpture | Master of Visual Arts | Master | Full Time | Mr Benjamin Leslie |
| 2013 - 2016 | Co-Supervisor | The great shroud: exploring the sublime as oceanic otherness through a contemporary visual arts practice | Master of Visual Arts | Master | Full Time | Mr Bradley Lay |
| 2010 - 2012 | Co-Supervisor | Making sens-ible : embodied cognition in sculptural practice | Master of Visual Arts | Master | Full Time | Ms Renate Nisi |
| 2007 - 2010 | Principal Supervisor | White anaesthesia: distancing in painting through the use of photographic and cinematic imagerySound Made Visual: The Convergence of Independent Punk/Rock Music within Contemporary Visual Art and the Academy. | Master of Visual Arts | Master | Full Time | Mr Marcin Kobylecki |
| 2005 - 2007 | Principal Supervisor | Me, my other self and I: exploring the functions of the alter-ego in contemporary visual arts practice | Master of Visual Arts | Master | Full Time | Ms Sarah Crowest |
Available For Media Comment.