Dr Tully Barnett

Associate Professor in Creative Industries and Cultural Policy

School of Humanities

College of Creative Arts, Design and Humanities


Tully Barnett is Associate Professor in Cultural Policy and Creative Industries at Adelaide University. Her two areas of research examine concepts of value and evaluation in the arts and culture sector and digital humanities approaches to cultural expressions. She is a Chief Investigator on the Linkage project Laboratory Adelaide: The Value of Culture, which considers the problem of how value is understood, assessed, and reported in the arts and culture sector. An outcome of that project is the co-authored book What Matters? Talking Value in Australian Culture (2018) with Julian Meyrick and Robert Phiddian. She teaches in the creative arts and creative industries programs at the University of South Australia.
Recently her research has begun to consider the way heterodox economic ideas might serve as useful models for public value in the arts such as doughnut economics and foundational economy approaches. 
In 2022 she co-authored with Alex Cothren and Joanne Arciuli the report Telling the Story of Arts and Health in South Australia which was based on 47 interviews with the sector and in 2024 the team release What Does and Arts and Health Organisation Do?, an exploration of factors that drive success in the arts and health space. 
Tully’s research on digital cultural spheres considers digitization as a cultural practice and the platforms through which digital and digitized cultural labour is made available as socio-technocultural assemblages.  For this work, she was recipient of an Australian Research Council Discovery Early Career Researcher Award. She is a Chief Investigator for digital cultural heritage projects including ‘Slow Digitisation: Material Culture and the Objects of Martindale Hall’, ‘Co-designing Aboriginal Digital Museology Frameworks in the Southern Gulfs,’ and the Time Layered Cultural Map of Australia. 
She is a member of the executive committee of the Arts Industry Council of South Australia and currently serves as Vice President of the Australasian Association for Digital Humanities and Chair of the newly formed Australian Cultural Policy Researchers Association
 

Date Position Institution name
2023 - 2025 Associate Professor, Creative Industries Flinders University
2019 - 2022 Senior Lecturer, Creative Industries Flinders University
2017 - 2019 Lecturer Flinders University
2013 - 2017 Postdoctoral Research Fellow Flinders University

Date Institution name Country Title
2011 Flinders University Australia PhD

Year Citation
2025 Barnett, T., Erhart, J., & Dooley, K. (2025). Virtually inclusive: the promises and experiences of women and gender diverse people in virtual production workplaces. Journal of Sociology, online(3 Special Issue: Equity in the Creative Industries), 1-16.
DOI
2025 Phiddian, R., & Barnett, T. (2025). The Value of Humanities Research in Regional Australia. AUSTRALIAN HUMANITIES REVIEW, (73), 133-149.
DOI
2024 Barnett, T. (2024). Regional Cultures, Economies, and Creativity: Innovating through Place in Australia and beyond.. MEDIA INTERNATIONAL AUSTRALIA, 191(1), 184.
DOI
2024 Cothren, A., & Barnett, T. (2024). 'Painting the Woods into Existence': Australian Fiction on the Value of the Arts. Journal Of Australian Studies, 48(4), 515-530.
DOI
2024 Barnett, T., Cothren, A., & Arciuli, J. (2024). A history of arts and health in South Australia: Policy and practice. Journal of Applied Arts and Health, 15(1), 23-36.
DOI
2024 Peters, S., & Barnett, T. (2024). Preparing Artists to Save the World: community-Engaged Arts Practice as Critical Pedagogy. Critical Arts-South-North Cultural And Media Studies, 38(4-5), 159-174.
DOI Scopus2 WoS1
2024 Barnett, T., Wallin, Z., Bevan, J., & Mackness, C. (2024). VIRTUAL PRODUCTION STUDIO ENVIRONMENTS FOR TEACHING, RESEARCH, AND CREATIVE PRACTICE: An Introduction. Beyond Virtual Production Integrating Production Technologies, 1-11.
DOI
2022 Whiting, S., Barnett, T., & O'Connor, J. (2022). Creative City - R.I.P.?. M/C Journal, 25(3), 1-12.
DOI
2021 Meyrick, J., & Barnett, T. (2021). From public good to public value: arts and culture in a time of crisis. Cultural Trends, 30(1), 75-90.
DOI Scopus49 WoS39
2020 Barnett, T. (2020). Public-Private Partnerships and the Digitization of the Textual and Cultural Record. Pop! Public Open Participatory, 02(2).
DOI
2019 Meyrick, J., Barnett, T., Robinson, H., & Russell, M. (2019). What's the Story? 'Credible' Narrative in the Evaluation of Arts and Culture. Journal of Arts Management Law and Society, 49(6), 375-388.
DOI Scopus8
2019 Meyrick, J., Barnett, T., & Phiddian, R. (2019). Conferral of value: the role of reporting processes in the assessment of culture. Media International Australia, 171(1), 80-94.
DOI Scopus9 WoS7
2019 Seaboyer, J., & Barnett, T. (2019). New perspectives on reading and writing across the disciplines. Higher Education Research and Development, 38(1), 1-10.
DOI Scopus11 WoS8
2018 Barnett, T. (2018). Wikipedia U: Knowledge, Authority, and Liberal Education in the Digital Age. MEDIA INTERNATIONAL AUSTRALIA, 167(1), 196-197.
DOI
2018 Barnett, T. (2018). Distributed reading: Literary reading in diverse environments. Digital Humanities Quarterly, 12(2), 1-14.
Scopus2 WoS1
2018 Meyrick, J., & Barnett, T. (2018). After 'What Matters?': A reflection on the value of arts and culture and four 'lies' of data. Australian Art Education, 39(3), 413-426.
2017 Meyrick, J., & Barnett, T. (2017). Culture without “world”: Australian cultural policy in the age of stupid. Cultural Trends, 26(2), 107-124.
DOI Scopus26 WoS16
2017 Vivienne, S., & Barnett, T. (2017). Curating Technologies of Memory and Affect. Media International Australia, 165(1), 14-24.
DOI
2017 Barnett, T. (2017). Digital Audiobooks: New Media, Users and Experiences. MEDIA INTERNATIONAL AUSTRALIA, 164(1), 160-161.
DOI WoS1
2017 Phiddian, R., Meyrick, J., Barnett, T., & Maltby, R. (2017). Response: Culture counts: “A step along the way” or a step back?. Cultural Trends, 26(4), 317-320.
DOI Scopus5 WoS3
2017 Phiddian, R., Meyrick, J., Barnett, T., & Maltby, R. (2017). Counting culture to death: an Australian perspective on culture counts and quality metrics. Cultural Trends, 26(2), 174-180.
DOI Scopus30 WoS24
2016 Poletti, A., Seaboyer, J., Kennedy, R., Barnett, T., & Douglas, K. (2016). The affects of not reading: Hating characters, being bored, feeling stupid. Arts and Humanities in Higher Education, 15(2), 231-247.
DOI Scopus17 WoS12
2016 Douglas, K., Barnett, T., Poletti, A., Seaboyer, J., & Kennedy, R. (2016). Building reading resilience: re-thinking reading for the literary studies classroom. Higher Education Research and Development, 35(2), 254-266.
DOI Scopus37 WoS33
2015 Barnett, T. (2015). Paper Knowledge: Toward a Media History of Documents. MEDIA INTERNATIONAL AUSTRALIA, (157), 171-172.
2015 Barnett, T. (2015). Industry Panel on Value in the Arts, Cultural Organisations and Events. INTERNATIONAL JOURNAL OF EVENT AND FESTIVAL MANAGEMENT, 6(2), 6 pages.
DOI
2015 Meyrick, J., & Barnett, T. (2015). Cultural value vs culture's value. INTERNATIONAL JOURNAL OF EVENT AND FESTIVAL MANAGEMENT, 6(2), 6 pages.
DOI
2014 Barnett, T. (2014). From Codex to Hypertext: Reading at the Turn of the Twenty-First Century. MEDIA INTERNATIONAL AUSTRALIA, (152), 197-198.
2014 Douglas, K., & Barnett, T. (2014). Teaching Traumatic Life Narratives: Affect, Witnessing, and Ethics. ANTIPODES-A GLOBAL JOURNAL OF AUSTRALIAN/NEW ZEALAND LITERATURE, 28(1), 46-62.
WoS8
2013 Barnett, T. (2013). Artificial Culture: Identity, Technology, and Bodies. MEDIA INTERNATIONAL AUSTRALIA, (146), 167.
2013 Barnett, T. (2013). Reading saved me: Writing autobiographically about transformative reading experiences in childhood. Prose Studies, 35(1), 84-96.
DOI Scopus3 WoS3
2012 Barnett, T. (2012). Remediating the infected body: Writing the viral self in Melinda Rackham's Carrier. Biography an Interdisciplinary Quarterly, 35(1), 45-64.
DOI Scopus2 WoS1
2012 Barnett, T. (2012). Designing Culture: The Technological Imagination at Work. MEDIA INTERNATIONAL AUSTRALIA, (143), 168-169.
2009 Barnett, T. (2009). Technology, The human, and the sublime in contemporary literary fiction. Aumla Journal of the Australasian Universities Language and Literature Association, (2009), 219-230.
2008 Barnett, T. (2008). Dougie's Ton & 99 Other Sonnets. TRANSNATIONAL LITERATURE, 1(1), 2 pages.
- Barnett, T. (n.d.). Democracy as Creative Practice: Weaving a Culture of Civic Life. INTERNATIONAL JOURNAL OF ARTS MANAGEMENT, 27(3), 121-122.

Year Citation
2025 Erhart, J., Dooley, K., & Barnett, T. (2025). Lost in the Virtual Abyss: Female Participation and Experience in Virtual Production Industry and Educational Contexts in Australia. In S. Mitchell (Ed.), Source details - Title: The screens of virtual production what is real? (pp. 255-268). UK: Routledge.
DOI Scopus1
2025 Erhart, J., Dooley, K., & Barnett, T. (2025). The role of educational environments in influencing the experience of women and gender diverse people in the virtual production sector. In T. Barnett (Ed.), Source details - Title: Beyond Virtual Production: Integrating Production Technologies (pp. 140-150). US: Routledge.
DOI Scopus1
2025 Barnett, T., & Sumner, T. D. (2025). SOME THINGS CAN’T BE MEASURED: Rethinking Context, Metrics, and Disciplinarity in the Digital Humanities. In Companion to Digital Humanities in Practice (pp. 354-367).
DOI
2024 Barnett, T. (2024). The Literary Marketplace. In A. Hammond (Ed.), Source details - Title: The Cambridge Companion to Literature in a Digital Age (pp. 137-158). US: Cambridge University Press.
DOI
2024 Possingham, R., & Barnett, T. (2024). Interview with Rosina Possingham. In T. Barnett (Ed.), Source details - Title: Beyond Virtual Production: Integrating Production Technologies (pp. 111-120). US: Taylor and Francis.
DOI
2023 Muecke, S., Antonello, A., Barnett, T., Matthews, A. T., & Zagala, S. (2023). Nine methodological principles for the posthumanities. In A. Franklin (Ed.), Source details - Title: The Routledge International Handbook of More-than-Human Studies (pp. 361-375). UK: Taylor and Francis.
DOI Scopus3
2022 Muecke, S., Eadie, J., Antonello, A., Barnett, T., Norman, J., Matthews, A., & Zagala, S. (2022). Saltfish: Ecologies of Creative Processes. In Source details - Title: New Materialist Affirmations: Creative Research Interventions in Methods and Practice (pp. 143-159). online: Sydney Review of Books.
DOI
2022 Barnett, T. (2022). COVID-19. In M. Reason (Ed.), Source details - Title: Routledge Companion to Audiences and the Performing Arts (pp. 418-423). UK: Taylor and Francis.
DOI Scopus4
2022 Barnett, T. (2022). Digital Humanities and Cultural Economy. In J. O'Sullivan (Ed.), Source details - Title: Bloomsbury Handbook to the Digital Humanities (pp. 409-420). US: Bloomsbury Publishing.
DOI
2021 Meyrick, J., & Barnett, T. (2021). From Cultural Value to Culture's Value: The Part-to-Whole Relationship in Assessments. In K. lehman, & I. Wickham (Eds.), Source details - Title: Exploring Cultural Value: Contemporary Issues for Theory and Practice (pp. 25-37). UK: Emerald Publishing.
DOI
2018 Barnett, T., & Kooyman, B. (2018). Assembling the body/text: Frankenstein in new media. In D. R. Perry (Ed.), Source details - Title: Adapting Frankenstein: The monster's eternal lives in popular culture (pp. 295-315). UK: Manchester University Press.
2018 Meyrick, J., & Barnett, T. (2018). Arts and Culture. In J. Spoehr (Ed.), Source details - Title: State of Transformation (pp. 135-150). Australia: Wakefield Press.

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