Dr Maggie Tonkin

• Appointments

  Date	Position	Institution name
  2017 - ongoing	Senior Lecturer	University of Adelaide
  2014 - 2016	Lecturer	University of Adelaide

• Awards and Achievements

  Date	Type	Title	Institution Name	Country	Amount
  2018	Research Award	Shortlisted, Hazel Rowley Fellowship for Biography	Hazel Rowley Foundation	Australia	-
  2018	Fellowship	Australian National Library Fellowhip 2019	National Library of Australia	Australia	$25,000

• Education

  Date	Institution name	Country	Title
  2007	University of Adelaide	Australia	PhD

• Journals

  Year	Citation
  2022	Tonkin, M. (2022). Lessons in Survival: The De-funding of Restless Dance Theatre. Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik, 8(2), 159-174. DOI
  2019	Tonkin, M. K. (2019). Meryl Tankard's French Connection: Regis Lansac. French Australian Review, 66, 26-48.
  2019	Tonkin, M. K. (2019). R.D. Laing, Feminism and the Politics of Birth and Re-birth. Australian Feminist Studies, 34(100), 248-262. DOI
  2015	Tonkin, M. (2015). "The Time of the Loony": Psychosis, Alienation, and R.D. Laing in the Fictions of Muriel Spark and Angela Carter. Contemporary Women's Writing, 9(3), 366-384. DOI Scopus4
  2014	Tonkin, M. (2014). Traveling hopefully: the utopian impulse in the fiction of Angela Carter. Contemporary Women's Writing, 9(2), 219-237. DOI Scopus2
  2006	Tonkin, M. (2006). Musing on Baudelaire: Angela Carter's "Black Venus" and the poet as dead beloved. LIT: Literature Interpretation Theory, 17(3-4), 301-323. DOI Scopus1
  2004	Tonkin, M. (2004). The "Poe-etics" of Decomposition: Angela Carter's "The Cabinet of Edgar Allen Poe" and the reading-effect. Women's Studies, 33(1), 1-21. DOI Scopus5

• Books

  Year	Citation
  2016	Tonkin, M. (2016). Fifty: half a century of Australian Dance Theatre. Adelaide: Wakefield Press.
  2014	Tonkin, M., Treagus, M., Seys, M., & De Rosa, S. C. (Eds.) (2014). Changing the Victorian Subject. Adelaide: University of Adelaide Press. DOI
  2014	Tonkin, M., Treagus, M., Seys, M., & De Rosa, S. C. (Eds.) (2014). Changing the Victorian Subject. Adelaide: University of Adelaide Press. DOI
  2012	Tonkin, M. (2012). Angela Carter and decadence: critical fictions/fictional critiques. United Kingdom: Palgrave MacMillan. DOI Scopus20

• Book Chapters

  Year	Citation
  2021	Tonkin, M. (2021). Terrible Intersections: The Party as Performative Space in Angela Carter's Fiction. In J. Gustar, C. Sivyer, & S. Gamble (Eds.), Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play (1 ed., pp. 186-208). Eastbourne, East Sussex, UK: Sussex Academic Press.
  2019	Tonkin, M. (2019). The rough and the holy: Angela Carter's marionette theatre. In M. Mulvey-Roberts (Ed.), The Arts of Angela Carter: a Cabinet of Curiosities (pp. 246-262). Manchester, United Kingdom: Manchester University Press.
  2014	Tonkin, M. (2014). From 'Peter Panic' to proto-modernism: the case of J.M. Barrie. In M. Tonkin, M. Treagus, M. Seys, & S. Crozier De Rosa (Eds.), Changing the Victorian Subject (1 ed., pp. 259-281). Australia: University of Adelaide Press.
  2014	Tonkin, M., Treagus, M., Seys, M., & Crozier-De Rosa, S. (2014). Re-visiting the Victorian subject. In M. Tonkin, M. Treagus, M. Seys, & S. Crozier De Rosa (Eds.), Changing the Victorian subject (pp. 1-19). Australia: University of Adelaide Press.
  2007	Tonkin, M. (2007). Bronte Badland: Jane Eyre reconfigured as Colonial Gothic in Mardi McConnochie's Coldwater. In M. Rubik, & E. Mettinger-Schartmann (Eds.), A Breath of Fresh Eyre -Intertextual and Intermedial Reworkings of Jane Eyre (Vol. 111, pp. 115-127). New York, USA: Rodopi. DOI Scopus1
  2006	Tonkin, M. (2006). Albertine/a the ambiguous: Angela Carter's reconfiguration of Marcel Proust's modernist muse. In Rebecca Munford (Ed.), Re-visiting Angela Carter (1 ed., pp. 64-86). New York: Palgrave MacMillan. DOI Scopus3

• Original Creative Works

  Year	Citation
  2018	Authors: Tonkin MK. Title: ‘Furioso, of zes manieren om de hemel omhoog to houden’. Description: N/A. Extent: 4 pages.
  2016	Authors: Tonkin MK. Title: Von Göttin zum Kadaver: Die Karriere der Muse. Description: N/A. Extent: 8 pages.

Literary Studies

I convene a number of survey courses in literary studies:

ENGL 3047: Rhapsody and Revolution: Romanticism and its Legacies

ENGL 2080:  Victorian Afterlives: Adapting the Victorian Novel

ENGL 3051:  Modernisms

ENGL 3045: The Question of Postmodernism: Texts and Issues

I also team teach into Icons of Decadence and Introduction to English.

Bachelor of Creative Arts

I am the Program Convenor for the Bachelor of Creative arts, and convene the core subjects for that degree:

CRARTS 1001: What is this Thing Called Art?

CRARTS 2002: Creativity and the Adelaide Festival

• Current Higher Degree by Research Supervision (University of Adelaide)

  Date	Role	Research Topic	Program	Degree Type	Student Load	Student Name
  2024	Co-Supervisor	Connection and Dislocation: Nomadic Cartographies in the Writings of Janette Turner Hospital	Doctor of Philosophy	Doctorate	Full Time	Miss Victoria Rose Circelli
  2024	Co-Supervisor	Mary Shelley’s Angelic Heroines: Radical Domesticity and the Angel in the House in Valperga, Lodore, and Falkner.	Master of Philosophy	Master	Full Time	Miss Nadia Marie Jeffries
  2024	Co-Supervisor	Towards a Canon of Australian Art Song: A Study of Selected Works by Women Composers	Doctor of Philosophy	Doctorate	Full Time	Ms Fiona McArdle
  2024	Co-Supervisor	Gastro-Postmodernism: A Consumer's Guide	Master of Philosophy	Master	Full Time	Ms Amy May Fischli
  2023	Principal Supervisor	Form, identity, and Homeric reception in the poetry of Alice Oswald and Ocean Vuong	Master of Philosophy	Master	Full Time	Miss Thao Gia Bui
  2023	Principal Supervisor	A feature documentary screenplay about two icons of Australian choreography collaborating on a new dance work inspired by dance heritage archives.	Doctor of Philosophy	Doctorate	Full Time	Mr Joshua Tyler
  2022	Principal Supervisor	Performance in the poetry of Marceline Desbordes-Valmore	Master of Philosophy	Master	Full Time	Miss Hannah Ann Violet Doyle
  2019	Co-Supervisor	Fragments of Self: Contemporary Women's Life Writing	Doctor of Philosophy	Doctorate	Full Time	Ms Meg Madden

• Past Higher Degree by Research Supervision (University of Adelaide)

  Date	Role	Research Topic	Program	Degree Type	Student Load	Student Name
  2022 - 2024	Co-Supervisor	Volume 1: Scheherazade Volume 2: Unveiling the Carnal Feminine	Master of Philosophy	Master	Full Time	Miss Victoria Tomaszczyk
  2020 - 2023	Co-Supervisor	Drifting: a Fire Island Derive	Doctor of Philosophy	Doctorate	Full Time	Mr Jacob Sunter
  2020 - 2023	Co-Supervisor	'Moon Overhead, Nothing Moving' + 'Fragment, Lyric, Essay: An exegetical reflection on essaying and fragmentation'	Doctor of Philosophy	Doctorate	Full Time	Ms Gemma Lynn Parker
  2019 - 2023	Principal Supervisor	Muslim Women's Identity in a Changing World: the Fiction of Leila Aboulela	Doctor of Philosophy	Doctorate	Full Time	Mrs Najla Fahad Alyabis
  2018 - 2020	Principal Supervisor	We are the granddaughters of the witches you couldn't burn’: Feminist Afterlives of the Witch in Popular Culture	Doctor of Philosophy	Doctorate	Full Time	Dr Brydie Kosmina
  2018 - 2022	Co-Supervisor	NUMBERS BY PAINT Quantifying aesthetic receptions	Master of Philosophy	Master	Full Time	Ms Edith Mina Lyre
  2017 - 2019	Co-Supervisor	Bound by Narrative: 'Reading' the Female Body and Genre in Nineteenth-Century British Literature	Master of Philosophy	Master	Full Time	Miss Charlotte Eliza Brake Kelso
  2015 - 2017	Co-Supervisor	Me, Myself and the Other: Self-reflexivity in Travel Writing	Master of Philosophy	Master	Full Time	Ms Tina Morganella
  2014 - 2016	Co-Supervisor	'Petticoated Police,' 'Intimate Watching' and Private Agency(ies): Reading the Female Detective of Fin-de-siecle British Literature	Master of Philosophy	Master	Full Time	Genevieve Lauren Seys
  2012 - 2016	Co-Supervisor	'Passionately Subjective': Challenges to Identity in the Works of Amy Levy	Master of Philosophy	Master	Full Time	Miss Carolyn Louise Lake

• Board Memberships

  Date	Role	Board name	Institution name	Country
  2022 - ongoing	Board Member	Adelaide Central School of Art	Adelaide Central School of Art	Australia
  2018 - ongoing	Member	Bachelor of Creative Arts	University of Adelaide	Australia
  2017 - ongoing	Member	International Advisory Board, Angela Carter Society	University of the West of England	United Kingdom

• Committee Memberships

  Date	Role	Committee	Institution	Country
  2017 - ongoing	Member	Critics panel, Adelaide Festival Centre Walk of Fame	Adelaide Festival Centre	Australia

• Memberships

  Date	Role	Membership	Country
  2022 - ongoing	Member	Australian Drama Studies Association	Australia
  2020 - ongoing	Member	Dance Studies Association	United States
  2018 - ongoing	Advisory Board Member	Angela Carter Society	United Kingdom
  2015 - ongoing	Member	Fay Gale Centre for Research on Gender	Australia
  2013 - ongoing	Member	J.M Coetzee Centre for Creative Practice	Australia
  2012 - ongoing	Member	Adelaide Critics Circle	Australia
  2006 - ongoing	Member	Contemporary Women's Writing Association	Australia

• Community Engagement

  Date	Title	Engagement Type	Institution	Country
  2010 - ongoing	Adelaide Critics Circle	Public Community Engagement	independent	Australia
  2010 - 2018	Member Judging Panel AusDance Awards	Public Community Engagement	AusDance	Australia

• Position: Senior Lecturer
• Phone: 83135623
• Email: maggie.tonkin@adelaide.edu.au
• Fax: 83134341
• Campus: North Terrace
• Building: Napier, floor 6
• Org Unit: School of Humanities