Kim is a documentary researcher and practitioner with an interest in expanded forms, experimental film, archives, and questions of place. Her most recent project, The Art of Work is a Work of Art (2023-2025) is a live audio performance which explores the history of the experimental theatre Vitalstatistix in Port Adelaide. She is currently working with Open Space Contemporary Arts (OSCA) Projects of the Everyday on a series of site-bsaed works called on-site. 
Kim’s work has screened on the ABC as well as at local and international galleries and festivals. Kim has also written on a range of documentary styles, genres and forms, which have been published in books and journals, as well as The Conversation and Metro Magazine. She is co-editor of Constructions of the Real: Intersections of Documentary-Based Film Practice and Theory. Kim was the conference programmer for the 2020 and 2021 Australian International Documentary Conferences (AIDC), Australia's premiere event for nonfiction content. Over the past 15 years, Kim has taught a variety of documentary and media courses at RMIT, Swinburne and Deakin Universities in Melbourne. She has also organised documentary events and symposia and run filmmaking workshops around climate change with UN Habitat. In 2023, Kim founded the Documentary Film Society which is dedicated to screening and conversations around experimental nonfiction and documentary films. Curating and programming collaborations include Encounters and Crossovers with Samstag Museum of Art (2024) and Queer Visions with Adelaide Queer film Festival (2025). 
Kim is an elected member of the Governing Council of Visible Evidence, a collection of scholars and practitioners engaged in research and debates on historical and contemporary documentary practice and nonfiction media culture, the Radical Film Network Steering Group, and the editorial boards of Media Practice Education and the International Journal of Creative Media Research.
See more of her work here: www.kimmunro.com