Jon Stratton

Prof Jon Stratton

School of Communication, Media and Journalism

College of Creative Arts, Design and Humanities

Eligible to supervise Masters and PhD (as Co-Supervisor) - email supervisor to discuss availability.

Available For Media Comment.


Jon Stratton is an adjunct professor in UniSA Creative.  Jon has worked at universities in the UK and Australia including Essex University, Griffith University, University of Queensland, the Northern Territory University, Murdoch University and Curtin University.  In 1998 Jon held a Rockefeller Fellowship at the University of Iowa in the USA and later that same year was a Research Scholar at the Center for Cultural Studies at the University of California, Santa Cruz. Between 1995 and 1997 Jon and Professor Ien Ang held an ARC Large Grant working on ‘Reimagining Asians in Multicultural Australia’.  Between 2012 and 2014 Jon was the Chief Investigator on an ARC funded Discovery Grant on which he worked with Professor Mark Balnaves and Professor Niall Lucy.  The project was entitled ‘A cultural history of West Australian popular music, 1945 to 2010’.  Over various years in the 1990s and 2000s Jon was a regular weekly commentator on Perth ABC radio discussing topics from the point of view of Cultural Studies.  Jon has also been quoted in many newspapers and magazines including the Adelaide Advertiser, The Sydney Morning Herald, the West Australian, and the Australian edition of Rolling Stone. 
Having started out as a sociologist, Jon has taught and researched widely across Sociology, Cultural Studies, and Popular Music Studies.  Jon’s publications span Cultural Studies, Popular Music Studies, Jewish Studies, Australian Studies, Media Studies, and race and multiculturalism.  Jon is the sole author of eleven books including When Music Migrates: Crossing British and European Racial Faultlines 1945-2010, Ashgate, 2014, Uncertain Lives: Culture, Race and Neoliberalism in Australia, Cambridge Scholars Publishing, 2011, Coming Out Jewish: Constructing Ambivalent Identities, Routledge, 2000, Race Daze: Australia in Identity Crisis, Pluto Australia, 1998, and The Desirable Body: Cultural Fetishism and the Erotics of Consumption, Manchester University Press, 1996.  Jon has coedited three books, the most recent being with Jon Dale and with input from Tony Mitchell An Anthology of Australian Albums, Bloomsbury, 2020. Jon has also coedited three journal issues two in Continuum: Journal of Media and Cultural Studies and one in Thesis Eleven.  Jon has published over eighty book chapters, some being republications of articles in edited collections, and well over a hundred articles in peer-reviewed journals. Since 2020 Jon has been Senior Ecitor on the book series, 33 1/3 Oceania, published by Bloomsbury.

2019    'The Language of Leaving: Brexit, the Second World War, and Cultural Trauma’ Journal for Cultural Research,

 

Year Citation
2025 Allmark, P., & Stratton, J. (2025). Doing the Nutbush: how Australia got its very own line dance. Continuum, 39(1), 1-16.
DOI
2025 Luckman, S., Jaworski, K., Ghosh, R., Kosmina, B., Richards, S., Stratton, J., & Pacella, J. (2025). Culture in practice. Continuum: Journal of Media and Cultural Studies, 39(1), 1-12.
DOI
2024 Stratton, J. (2024). The Viennese waltz: social transformation and the shock of the new. Social Identities, 30(4), 383-399.
DOI
2024 Stratton, J., & Allmark, P. (2024). The Nutbush Reframed: further analysis related to 'Doing the Nutbush'. Continuum, 39(1), 95-103.
DOI WoS1
2023 Stratton, J. (2023). The Easybeats: from power pop to Oz rock. Thesis Eleven, 176(1), 24-48.
DOI
2023 Stratton, J. (2023). As time goes by: colonialism, the revision of the past and Brexit. Journal for Cultural Research, 17(1), 1-17.
DOI Scopus2 WoS2
2021 Stratton, J. (2021). Heartland television commercials: Cadbury, the EU and Brexit. Journal for Cultural Research, 25(4), 393-412.
DOI
2021 Stratton, J. (2021). Disco before disco: popular music and dancing in the 1960s and 1970s in England. Journal of Popular Music Studies, 33(1), 50-69.
DOI Scopus3 WoS2
2021 Stratton, J. (2021). Parodies for a pandemic: coronavirus songs, creativity and lockdown. Cultural Studies, 35(2-3), 412-431.
DOI Scopus10 WoS8
2021 Stratton, J. (2021). Coronavirus, the great toilet paper panic and civilisation. Thesis Eleven, 165(1), 145-168.
DOI Scopus14 WoS12
2021 Stratton, J. (2021). Glam Rock and the society of the spectacle. Contemporary British History, 35(2), 210-234.
DOI Scopus3 WoS1
2020 Stratton, J., & Dale, J. (2020). Introduction. An Anthology of Australian Albums Critical Engagements, 1-8.
2020 Stratton, J. (2020). Series editor’s foreword. Sovereign Subjects Indigenous Sovereignty Matters, vii-ix.
2020 Stratton, J. (2020). KISS: Jewishness, hard rock and the Holocaust. Metal Music Studies, 6(3), 277-297.
DOI Scopus4
2020 Stratton, J. (2020). Death and the spectacle in television and social media. Television & new media, 21(1), 3-24.
DOI Scopus24 WoS14
2019 Stratton, J. (2019). The language of leaving: Brexit, the Second World War and cultural trauma. Journal for cultural research, 23(3), 225-251.
DOI Scopus22 WoS16
2019 Allmark, P., & Stratton, J. (2019). Into the groove: experiencing difference in the Perth nightclub scene of the 1980s. Social identities, 25(5), 704-723.
DOI Scopus4 WoS3
2018 Stratton, J. (2018). Haunted by the Holocaust: Hogan's Heroes, The Producers, Fiddler on the Roof. Journal for cultural research, 22(3), 239-261.
DOI Scopus3 WoS1
2018 Stratton, J. (2018). The birthday party and the scientists: Nihilism, suburbia and the importance of class. Thesis eleven, 144(1), 100-116.
DOI Scopus3 WoS2
2018 Ang, I., & Stratton, J. (2018). The Singapore way of multiculturalism: Western concepts/Asian cultures. Sojourn: Journal of Social Issues in Southeast Asia, vol 33(Special Issue, 2018), 61-86.
DOI Scopus28 WoS27
2017 Stratton, J. (2017). Pizza and Housos: neoliberalism, the discursive construction of the underclass, and its representation. Journal of intercultural studies, 38(5), 530-544.
DOI Scopus3 WoS3
2017 Stratton, J. (2017). Whatever happened to multiculturalism? Here Come the Habibs!, race, identity and representation. Continuum, 31(2), 242-256.
DOI Scopus11
2017 Stratton, J. (2017). Putting the fragments (back) together: towards a theorisation of Jewish sampling. Social Identities, 23(3), 310-325.
DOI
2016 Stratton, J. (2016). With God on our side: Christianity, whiteness, Islam and otherness in the Australian experience. Continuum, 30(6), 613-626.
DOI Scopus7
2016 Stratton, J. (2016). Perth, unreal city: Perth in the song lyrics of artists from elsewhere. Perfect Beat, 17(2), 144-163.
DOI
2016 Stratton, J., & Trainer, A. (2016). Nothing happens here: songs about Perth. Thesis Eleven, 135(1), 34-50.
DOI Scopus12
2016 Stratton, J. (2016). Die Sheldon die: The Big Bang Theory, everyday neoliberalism and Sheldon as neoliberal man. Journal for Cultural Research, 20(2), 171-188.
DOI Scopus7
2016 Stratton, J. (2016). Whiteness, Morality and Christianity in Australia. Journal of Intercultural Studies, 37(1), 17-32.
DOI Scopus26
2016 Stratton, J., & Beilharz, P. (2016). Way out west: mapping Western Australia. Thesis Eleven, 135(1), 3-13.
DOI Scopus2
2016 Stratton, J. (2016). The price of love: The Big Bang Theory, the family and neoliberalism. European Journal of Cultural Studies, 19(2), 170-187.
DOI Scopus7
2016 Stratton, J. (2016). Sampling and Jewishness: a short history of Jewish sampling and its relationship with hip-hop. Shofar, 34(3), 50-75.
DOI Scopus3
2016 Stratton, J. (2016). Perth cultural studies: a brief and partial intellectual history. Thesis Eleven, 137(1), 83-105.
DOI Scopus10
2015 Stratton, J. (2015). The Sapphires were not the Australian Supremes: neoliberalism, history and pleasure in the Sapphires. Continuum, 29(1), 17-31.
DOI Scopus11
2015 Stratton, J. (2015). Playing the Jew: anti-semitism and football in the twenty-first century. Jewish Culture and History, 16(3), 293-311.
DOI Scopus9
2014 Stratton, J. (2014). Judge Dread: music hall traditionalist or postcolonial hybrid. Contemporary British History, 28(1), 81-102.
DOI Scopus2
2014 Stratton, J. (2014). "Ob-la-di ob-la-da": Paul McCartney, diaspora and the politics of identity. Journal for Cultural Research, 18(1), 1-24.
DOI Scopus5
2014 Stratton, J. (2014). Coming to the fore: the audibility of women's sexual pleasure in popular music and the sexual revolution. Popular Music, 33(1), 109-128.
DOI Scopus4
2013 Stratton, J. (2013). Whose home; which island?: Displacement and identity in 'my island home'. Perfect Beat, 14(1), 33-53.
DOI
2013 Stratton, J. (2013). 'Police on my back' and the postcolonial experience. Social Identities, 19(5), 536-551.
DOI
2012 Stratton, J. (2012). The travels of Johnny Reggae: from Jonathan King to prince Far-I; from skinhead to rasta. Communication and Critical/ Cultural Studies, 9(1), 67-86.
DOI Scopus1
2011 Stratton, J. (2011). Zombie trouble: zombie texts, bare life and displaced people. European Journal of Cultural Studies, 14(3), 265-281.
DOI Scopus46
2011 Stratton, J. (2011). Non-citizens in the exclusionary state: citizenship, mitigated exclusion, and the Cronulla riots. Continuum, 25(3), 299-316.
DOI Scopus12
2010 Stratton, J. (2010). Chris Blackwell and "My boy lollipop": ska, race, and British popular music. Journal of Popular Music Studies, 22(4), 436-465.
DOI Scopus15
2010 Bennett, A., & Stratton, J. (2010). Introduction. Britpop and the English Music Tradition, 1-7.
Scopus5
2009 Stratton, J. (2009). The murderous state: the naturalisation of violence and exclusion in the films of neoliberal Australia. Cultural Studies Review, 15(1), 11-32.
DOI
2009 Stratton, J. (2009). Michael Mann's Miami Vice: protecting white America in the 1980s. Television and New Media, 10(2), 195-215.
DOI Scopus2
2009 Stratton, J. (2009). Uncertain lives: migration, the border and neoliberalism in Australia. Social Identities, 15(5), 677-692.
DOI Scopus34
2009 Perera, S., & Stratton, J. (2009). Introduction: heterochronotopes of exception and the frontiers and faultlines of citizenship. Continuum, 23(5), 585-595.
DOI Scopus7
2009 Stratton, J. (2009). 'Welcome to paradise': asylum seekers, neoliberalism, nostalgia and Lucky Miles. Continuum, 23(5), 629-645.
DOI Scopus14
2009 Stratton, J. (2009). Jews dreaming of acceptance: from the brill building to suburbia with love. Shofar: an interdisciplinary journal of Jewish studies, 27(2), 102-127.
2008 Stratton, J. (2008). Suburban stories: Dave mcComb and the Perth experience. Continuum, 22(2), 255-267.
DOI Scopus5
2008 Bennett, A., Stratton, J., & Peterson, R. A. (2008). Introduction: the scenes perspective and the Australian context. Continuum, 22(5), 593-599.
DOI Scopus9
2008 Stratton, J. (2008). The difference of Perth music: a scene in cultural and historical context. Continuum, 22(5), 613-622.
DOI Scopus27
2008 Stratton, J. (2008). The Beastie Boys: Jews in whiteface. Popular Music, 27(3), 413-432.
DOI Scopus12
2008 Stratton, J. (2008). Brian poole and the tremeloes or the Yardbirds: comparing popular music in Perth and Adelaide in the early 1960s. Perfect Beat, 9(1), 60-77.
DOI Scopus2
2008 Stratton, J. (2008). A jew singing like a black woman in Australia: race, Renee Ceyer, and Marcia Hines. Journal of Popular Music Studies, 20(2), 166-193.
DOI Scopus5
2007 Stratton, J. (2007). The Triffids: The sense of a place. Popular Music and Society, 30(3), 377-399.
DOI Scopus6
2007 Stratton, J. (2007). Producing an Australian popular music: From Stephen Foster to Jack O'Hagan. Journal of Australian Studies, 31(90), 153-165.
DOI Scopus1
2006 Stratton, J. (2006). Response for the cultural geography forum. Geographical Research, 44(4), 432-434.
DOI Scopus1
2005 Stratton, J. (2005). Buffy the Vampire Slayer: What Being Jewish has to do with it. Television New Media, 6(2), 176-199.
DOI Scopus6
2005 Stratton, J. (2005). Jews, punk and the holocaust: From the Velvet Underground to the Ramones - The Jewish-American story. Popular Music, 24(1), 79-105.
DOI Scopus31
2003 Stratton, J. (2003). ‘It Almost Needn’t Have Been the Germans&rsquo: The State, Colonial Violence and the Holocaust. European Journal of Cultural Studies, 6(4), 507-527.
DOI Scopus9
2001 Stratton, J. (2001). Not really white - again: Performing Jewish difference in Hollywood films since the 1980s. Screen, 42(2), 142-166.
DOI Scopus15
2000 Stratton, J. (2000). I don't like it: Pauline pantsdown and the politics of the inauthentic. Perfect Beat, 4(4), 3-28.
DOI Scopus6
2000 Hunt, S., & Stratton, J. (2000). Two PAULINES1 to choose from: An interview with Simon Hunt/Pauline Pantsdown. Perfect Beat, 4(4), 34-44.
DOI Scopus1
2000 Stratton, J. (2000). Not just another multicultural story. Journal of Australian Studies, 24(66), 23-47.
DOI Scopus21
1998 Stratton, J. (1998). Speaking as a Jew: On the absence of a Jewish speaking position in British cultural studies. European Journal of Cultural Studies, 1(3), 307-325.
DOI Scopus2
1996 Stratton, J. (1996). The colour of jews: Jews, Race and the white Australia policy. Journal of Australian Studies, 20(50-51), 51-65.
DOI Scopus16
1996 Ang, I., & Stratton, J. (1996). A cultural studies without guarantees: Response to Kuan-Hsing Chen. Cultural Studies, 10(1), 71-77.
DOI Scopus12
1996 Ang, I., & Stratton, J. (1996). Asianing Australia: Notes toward a critical transnationalism in cultural studies. Cultural Studies, 10(1), 16-36.
DOI Scopus78
1996 Stratton, J. (1996). Serial Killing and the Transformation of the Social. Theory Culture Society, 13(1), 77-98.
DOI Scopus24
1994 Stratton, J. (1994). Landscapes: Central and Western Desert Paintings and the Discourse of Art. Theory Culture Society, 11(1), 95-128.
DOI Scopus4
1994 Stratton, J., & Ang, I. (1994). Multicultural imagined communities: Cultural Difference and National Identity in Australia and the USA. Continuum, 8(2), 124-158.
DOI Scopus130
1994 Stratton, J., & Ang, I. (1994). Sylvania waters and the spectacular exploding family. Screen, 35(1), 1-21.
DOI Scopus8
1989 Stratton, J. (1989). Beyond Art: Postmodernism and the Case of Popular Music. Theory Culture Society, 6(1), 31-57.
DOI Scopus17
1988 Finch, L., & Stratton, J. (1988). The australian working class and the practice of abortion 1880–1939. Journal of Australian Studies, 12(23), 45-64.
DOI Scopus19
1985 Stratton, J. (1985). Youth subcultures and their cultural contexts. Journal of Sociology, 21(2), 194-218.
DOI Scopus22
1984 Stratton, J. (1984). Bodgies and Widgies Youth Cultures in the 1950s. Journal of Australian Studies, 8(15), 10-24.
DOI Scopus23
1983 Stratton, J. (1983). Capitalism and Romantic Ideology in the Record Business. Popular Music, 3, 143-156.
DOI Scopus51
1983 Stratton, J. (1983). What is ‘popular music’?. Sociological Review, 31(2), 293-309.
DOI Scopus15
1982 Stratton, J. (1982). Between two worlds: art and commercialism in the record industry. Sociological Review, 30(2), 267-285.
DOI Scopus29
1982 Stratton, J. (1982). Reconciling contradictions: The role of the artist and repertoire person in the British music industry. Popular Music and Society, 8(2), 90-100.
DOI Scopus11

Year Citation
2025 Thompson, J. D., Stratton, J., & Dale, J. (2025). Frogstomp.
2025 Newstead, A., Stratton, J., & Dale, J. (2025). Currents.
2024 Johnson, B., Stratton, J., & Dale, J. (2024). The Lord of the Rings, Vols. 1–3 (Vol. 1-3).
2023 Renzo, A., Giuffre, L., Stratton, J., & Dale, J. (2023). Kylie.
Scopus1
2023 Stratton, J. (2023). Hunters & Collectors's Human Frailty.
2023 Stratton, J. (2023). Human frailty by Hunters and Collectors. US: Bloomsbury Publishing.
DOI
2022 Stratton, J. (2022). Spectacle, fashion and the dancing experience in Britain, 1960-1990. Switzerland: Springer International Publishing AG.
DOI
2020 Stratton, J. (2020). Multiculturalism, whiteness and otherness in Australia. Switzerland: Palgrave Macmillan.
DOI Scopus16
2020 Stratton, J., Dale, J., & Mitchell, T. (Eds.) (2020). An anthology of Australian albums: critical engagements. US: Bloomsbury.
Scopus2
2020 Stratton, J., Dale, J., & Mitchell, T. (Eds.) (2020). An anthology of Australian albums: critical engagements. US: Bloomsbury.
Scopus2
2017 Stratton, J. (2017). Jews, race and popular music. UK: Routledge.
DOI Scopus2
2017 Stratton, J., & Zuberi, N. (Eds.) (2017). Black popular music in Britain since 1945. US: Routledge.
2016 Stratton, J. (2016). When music migrates: crossing British and european racial faultlines, 1945-2010. US: Routledge.
DOI Scopus1
2011 Stratton, J. (2011). Uncertain lives: culture, race and neoliberalism in Australia. UK: Cambridge.
2010 Bennett, A., & Stratton, J. (Eds.) (2010). Britpop and the English music tradition. UK: Ashgate.
DOI Scopus34
2010 Bennett, A., & Stratton, J. (Eds.) (2010). Britpop and the English music tradition. UK: Ashgate.
DOI Scopus34
2008 Stratton, J. (2008). Jewish identity in western pop culture: the Holocaust and trauma through modernity. US: Palgrave Macmillan.
DOI Scopus32
2003 Stratton, J. (2003). Coming out Jewish: Constructing ambivalent identities. Routledge.
DOI Scopus3

Year Citation
2024 Stratton, J. (2024). Classed narratives of popular music history. In A. Grafe, & A. McKeown (Eds.), Source details - Title: Ink on the Tracks: Rock and Roll Writing (pp. 64-77). UK: Bloomsbury Publishing.
2024 Stratton, J. (2024). Class and race in popular music history. In Ink on the Tracks Rock and Roll Writing (pp. 64-77).
2023 Stratton, J. (2023). Jews, Judaism and popular music. In C. Partridge, & M. Moberg (Eds.), Source details - Title: The Bloomsbury Handbook of Religion and Popular Music (2nd edition ed., pp. 153-164). Australia: Bloomsbury Publishing.
Scopus1
2023 Stratton, J. (2023). High Fidelity across twenty-five years: record shops, taste, and streaming. In G. Arnold (Ed.), Source details - Title: The Life, Death and Afterlife of the Record Store: A Global History (pp. 72-84). Australia: Bloomsbury Publishing.
DOI
2022 Stratton, J. (2022). Glam rock: youth culture, performativity and sexuality. In A. Bennett (Ed.), Source details - Title: The Bloomsbury Handbook of Popular Music and Youth Culture (pp. 217-234). UK: Bloomsbury Academic.
DOI
2022 Stratton, J. (2022). Parodies for a Pandemic: coronavirus songs, creativity and lockdown. In J. N. Erni, & T. Striphas (Eds.), Source details - Title: The Cultural Politics of COVID-19 (Vol. 35, pp. 412-431). US: Routledge.
2022 Stratton, J. (2022). Learning to Rave: The Construction of Rave in the UK in the 1980s. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 187-223). Springer International Publishing.
DOI
2022 Stratton, J. (2022). Music for Dancing in the 1960s. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 49-80). Springer International Publishing.
DOI
2022 Stratton, J. (2022). Introduction: Those Dancing Years. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 1-16). Springer International Publishing.
DOI
2022 Stratton, J. (2022). Dancing to Records in the 1960s. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 17-48). Springer International Publishing.
DOI
2022 Stratton, J. (2022). The New Romantics: Dancing in the Society of the Spectacle. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 147-185). Springer International Publishing.
DOI
2022 Stratton, J. (2022). Glam Rock: Sexuality, Performance and Spectacle. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 115-145). Springer International Publishing.
DOI
2022 Stratton, J. (2022). Glam Rock and the Society of the Spectacle. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 81-113). Springer International Publishing.
DOI
2020 Stratton, J., & Dale, J. (2020). Introduction - An Anthology of Australian Albums: Critical Engagements. In J. Stratton, J. Dale, & T. Mitchell (Eds.), Source details - Title: An Anthology of Australian Albums: Critical Engagements (pp. 1-8). US: Bloomsbury.
2020 Stratton, J. (2020). Preamble. In J. Stratton, J. Dale, & T. Mitchell (Eds.), Source details - Title: An Anthology of Australian Albums: Critical Engagements (pp. ix-x). US: Bloomsbury.
2020 Stratton, J. (2020). The Scientists, Blood Red River. In J. Stratton, J. Dale, & T. Mitchell (Eds.), Source details - Title: An Anthology of Australian Albums: Critical Engagements (pp. 53-66). US: Bloomsbury.
DOI Scopus1
2020 Stratton, J. (2020). Race and racialism in rock. In A. Moore, & P. Carr (Eds.), Source details - Title: The Bloomsbury Handbook of Rock Music Research (pp. 445-458). US: Bloomsbury.
DOI Scopus2
2020 Stratton, J. (2020). The Missing Links, The Missing Links. In J. Stratton, J. Dale, & T. Mitchell (Eds.), Source details - Title: An Anthology of Australian Albums: Critical Engagements (pp. 9-22). US: Bloomsbury.
DOI
2018 Stratton, J., & Trainer, A. (2018). Singing about the city: the lyrical construction of Perth. In S. Brunt, & G. Stahl (Eds.), Source details - Title: Made in Australia and Aotearoa/New Zealand (Routledge Global Popular Music Series ed., pp. 19-29). UK: Taylor & Francis.
DOI
2017 Stratton, J. (2017). The idol audience: judging, interactivity and entertainment. In G. Bloustien, M. Peters, & S. Luckman (Eds.), Source details - Title: Sonic Synergies: Music, Technology, Community, Identity (pp. 157-168). UK: Routledge.
DOI Scopus1
2017 Stratton, J. (2017). Trouble with zombies: Muselmänner, bare life and displaced people. In S. J. Lauro (Ed.), Source details - Title: Zombie theory: a reader (pp. 246-270). US: University of Minnesota Press.
Scopus7
2017 Stratton, J. (2017). Jews, Judaism and popular music. In C. Partridge, & M. Moberg (Eds.), Source details - Title: The Bloomsbury Handbook of Religion and Popular Music (pp. 121-130). UK: Bloomsbury Publishing.
DOI Scopus1
2016 Bennett, A., & Stratton, J. (2016). Introduction. In Britpop and the English Music Tradition (pp. 1-7).
DOI
2016 Stratton, J. (2016). Punk und der holocaust/Punk and the Holocaust. In M. G. Patka, A. Stalzer, & J. M. Vienna (Eds.), Source details - Title: Stars of David: The Sound of the 20th Century/The sound of the 20th Century (pp. 226-235). German: Hentrich and Hentrich.
2016 Stratton, J. (2016). Singing from difference: Jewish singers-songwriters in the 1960s and 1970s. In A. Morad (Ed.), Source details - Title: Mazal Tov, Amigos! Jews and Popular Music in the Americas (Vol. 7, pp. 96-108). Netherlands: Brill.
DOI
2015 Stratton, J. (2015). Popular music, race and identity. In A. Bennet, & S. Waksman (Eds.), Source details - Title: The SAGE Handbook of Popular Music (pp. 381-400). UK: Sage Publications.
DOI Scopus5
2014 Stratton, J. (2014). Television blackface: Jews, race, and comedy in the UK and Australia. In L. Roth, & N. Valman (Eds.), Source details - Title: The Routledge Handbook of Contemporary Jewish Cultures (pp. 224-235). US: Routledge.
DOI
2014 Stratton, J. (2014). Television blackface: Jews, race, and comedy in the UK and Australia. In Routledge Handbook of Contemporary Jewish Cultures (pp. 224-235).
Scopus1
2013 Stratton, J. (2013). Jewish American Music and Musicians. In Music in American Life an Encyclopedia of the Songs Styles Stars and Stories that Shaped Our Culture Volumes 1 4 (Vol. 2, pp. 612-615).
2013 Stratton, J. (2013). CYBERSPACE AND THE GLOBALIZATION OF CULTURE. In Internet Culture (pp. 253-275).
DOI Scopus24
2013 Stratton, J., & Ang, I. (2013). Multicultural imagined communities: Cultural difference and national identity in the USA and Australia. In Multicultural States Rethinking Difference and Identity (pp. 135-162). Routledge.
DOI Scopus66
2010 Stratton, J. (2010). Skiffle, variety and Englishness. In Britpop and the English Music Tradition (pp. 27-40).
Scopus12
2010 Stratton, J. (2010). Seinfeld Is a Jewish Sitcom, Isnt It? Ethnicity and Assimilation in igyos American Television. In Seinfeld Master of Its Domain Revisiting Television S Greatest Sitcom (pp. 118-136).
2010 Stratton, J. (2010). Englishing popular music in the 1960s. In Britpop and the English Music Tradition (pp. 41-54).
Scopus5
2010 Stratton, J. (2010). Englishing popular music in the 1960s. In Source details - Title: Britpop and the English Music Tradition (pp. 41-ds)). UK: Ashgate.
DOI
2010 Stratton, J. (2010). Skiffle, variety and Englishness. In A. Bennett, & J. Stratton (Eds.), Source details - Title: Britpop and the English Music Tradition (pp. 27-40). UK: Ashgate.
DOI
2008 Stratton, J. (2008). THE BRILL BUILDING SONGWRITERS. In Encyclopedia of Jewish American Popular Culture (pp. 32-36).

Connect With Me

External Profiles

Other Links