Jon Stratton

Prof Jon Stratton

School of Communication, Media and Journalism

College of Creative Arts, Design and Humanities

Eligible to supervise Masters and PhD (as Co-Supervisor) - email supervisor to discuss availability.

Available For Media Comment.


Jon Stratton is an adjunct professor in UniSA Creative.  Jon has worked at universities in the UK and Australia including Essex University, Griffith University, University of Queensland, the Northern Territory University, Murdoch University and Curtin University.  In 1998 Jon held a Rockefeller Fellowship at the University of Iowa in the USA and later that same year was a Research Scholar at the Center for Cultural Studies at the University of California, Santa Cruz. Between 1995 and 1997 Jon and Professor Ien Ang held an ARC Large Grant working on ‘Reimagining Asians in Multicultural Australia’.  Between 2012 and 2014 Jon was the Chief Investigator on an ARC funded Discovery Grant on which he worked with Professor Mark Balnaves and Professor Niall Lucy.  The project was entitled ‘A cultural history of West Australian popular music, 1945 to 2010’.  Over various years in the 1990s and 2000s Jon was a regular weekly commentator on Perth ABC radio discussing topics from the point of view of Cultural Studies.  Jon has also been quoted in many newspapers and magazines including the Adelaide Advertiser, The Sydney Morning Herald, the West Australian, and the Australian edition of Rolling Stone. 
Having started out as a sociologist, Jon has taught and researched widely across Sociology, Cultural Studies, and Popular Music Studies.  Jon’s publications span Cultural Studies, Popular Music Studies, Jewish Studies, Australian Studies, Media Studies, and race and multiculturalism.  Jon is the sole author of eleven books including When Music Migrates: Crossing British and European Racial Faultlines 1945-2010, Ashgate, 2014, Uncertain Lives: Culture, Race and Neoliberalism in Australia, Cambridge Scholars Publishing, 2011, Coming Out Jewish: Constructing Ambivalent Identities, Routledge, 2000, Race Daze: Australia in Identity Crisis, Pluto Australia, 1998, and The Desirable Body: Cultural Fetishism and the Erotics of Consumption, Manchester University Press, 1996.  Jon has coedited three books, the most recent being with Jon Dale and with input from Tony Mitchell An Anthology of Australian Albums, Bloomsbury, 2020. Jon has also coedited three journal issues two in Continuum: Journal of Media and Cultural Studies and one in Thesis Eleven.  Jon has published over eighty book chapters, some being republications of articles in edited collections, and well over a hundred articles in peer-reviewed journals. Since 2020 Jon has been Senior Ecitor on the book series, 33 1/3 Oceania, published by Bloomsbury.

2019    'The Language of Leaving: Brexit, the Second World War, and Cultural Trauma’ Journal for Cultural Research,

 

Year Citation
2025 Luckman, S., Jaworski, K., Ghosh, R., Kosmina, B., Richards, S., Stratton, J., & Pacella, J. (2025). Culture in practice. Continuum: Journal of Media and Cultural Studies, 39(1), 1-12.
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2025 Allmark, P., & Stratton, J. (2025). Doing the Nutbush: how Australia got its very own line dance. Continuum, 39(1), 1-16.
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2024 Stratton, J. (2024). The Viennese waltz: social transformation and the shock of the new. Social Identities, 30(4), 383-399.
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2024 Stratton, J., & Allmark, P. (2024). The Nutbush Reframed: further analysis related to 'Doing the Nutbush'. Continuum, 39(1), 95-103.
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2023 Stratton, J. (2023). The Easybeats: from power pop to Oz rock. Thesis Eleven, 176(1), 24-48.
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2023 Stratton, J. (2023). As time goes by: colonialism, the revision of the past and Brexit. Journal for Cultural Research, 17(1), 1-17.
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2021 Stratton, J. (2021). Heartland television commercials: Cadbury, the EU and Brexit. Journal for Cultural Research, 25(4), 393-412.
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2021 Stratton, J. (2021). Disco before disco: popular music and dancing in the 1960s and 1970s in England. Journal of Popular Music Studies, 33(1), 50-69.
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2021 Stratton, J. (2021). Parodies for a pandemic: coronavirus songs, creativity and lockdown. Cultural Studies, 35(2-3), 412-431.
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2021 Stratton, J. (2021). Coronavirus, the great toilet paper panic and civilisation. Thesis Eleven, 165(1), 145-168.
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2021 Stratton, J. (2021). Glam Rock and the society of the spectacle. Contemporary British History, 35(2), 210-234.
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2020 Stratton, J. (2020). KISS: Jewishness, hard rock and the Holocaust. Metal Music Studies, 6(3), 277-297.
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2020 Stratton, J. (2020). Death and the spectacle in television and social media. Television & new media, 21(1), 3-24.
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2019 Stratton, J. (2019). The language of leaving: Brexit, the Second World War and cultural trauma. Journal for cultural research, 23(3), 225-251.
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2019 Allmark, P., & Stratton, J. (2019). Into the groove: experiencing difference in the Perth nightclub scene of the 1980s. Social identities, 25(5), 704-723.
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2018 Stratton, J. (2018). Haunted by the Holocaust: Hogan's Heroes, The Producers, Fiddler on the Roof. Journal for cultural research, 22(3), 239-261.
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2018 Stratton, J. (2018). The birthday party and the scientists: Nihilism, suburbia and the importance of class. Thesis eleven, 144(1), 100-116.
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2018 Ang, I., & Stratton, J. (2018). The Singapore way of multiculturalism: Western concepts/Asian cultures. Sojourn: Journal of Social Issues in Southeast Asia, vol 33(Special Issue, 2018), 61-86.
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2017 Stratton, J. (2017). Pizza and Housos: neoliberalism, the discursive construction of the underclass, and its representation. Journal of intercultural studies, 38(5), 530-544.
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2017 Stratton, J. (2017). Whatever happened to multiculturalism? Here Come the Habibs!, race, identity and representation. Continuum, 31(2), 242-256.
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2017 Stratton, J. (2017). Putting the fragments (back) together: towards a theorisation of Jewish sampling. Social Identities, 23(3), 310-325.
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2016 Stratton, J. (2016). With God on our side: Christianity, whiteness, Islam and otherness in the Australian experience. Continuum, 30(6), 613-626.
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2016 Stratton, J. (2016). Perth, unreal city: Perth in the song lyrics of artists from elsewhere. Perfect Beat, 17(2), 144-163.
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2016 Stratton, J., & Trainer, A. (2016). Nothing happens here: songs about Perth. Thesis Eleven, 135(1), 34-50.
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2016 Stratton, J. (2016). Die Sheldon die: The Big Bang Theory, everyday neoliberalism and Sheldon as neoliberal man. Journal for Cultural Research, 20(2), 171-188.
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2016 Stratton, J. (2016). Whiteness, Morality and Christianity in Australia. Journal of Intercultural Studies, 37(1), 17-32.
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2016 Stratton, J., & Beilharz, P. (2016). Way out west: mapping Western Australia. Thesis Eleven, 135(1), 3-13.
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2016 Stratton, J. (2016). The price of love: The Big Bang Theory, the family and neoliberalism. European Journal of Cultural Studies, 19(2), 170-187.
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2016 Stratton, J. (2016). Sampling and Jewishness: a short history of Jewish sampling and its relationship with hip-hop. Shofar, 34(3), 50-75.
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2016 Stratton, J. (2016). Perth cultural studies: a brief and partial intellectual history. Thesis Eleven, 137(1), 83-105.
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2015 Stratton, J. (2015). The Sapphires were not the Australian Supremes: neoliberalism, history and pleasure in the Sapphires. Continuum, 29(1), 17-31.
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2015 Stratton, J. (2015). Playing the Jew: anti-semitism and football in the twenty-first century. Jewish Culture and History, 16(3), 293-311.
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2014 Stratton, J. (2014). Judge Dread: music hall traditionalist or postcolonial hybrid. Contemporary British History, 28(1), 81-102.
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2014 Stratton, J. (2014). "Ob-la-di ob-la-da": Paul McCartney, diaspora and the politics of identity. Journal for Cultural Research, 18(1), 1-24.
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2014 Stratton, J. (2014). Coming to the fore: the audibility of women's sexual pleasure in popular music and the sexual revolution. Popular Music, 33(1), 109-128.
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2013 Stratton, J. (2013). Whose home; which island?: Displacement and identity in 'my island home'. Perfect Beat, 14(1), 33-53.
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2013 Stratton, J. (2013). 'Police on my back' and the postcolonial experience. Social Identities, 19(5), 536-551.
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2012 Stratton, J. (2012). The travels of Johnny Reggae: from Jonathan King to prince Far-I; from skinhead to rasta. Communication and Critical/ Cultural Studies, 9(1), 67-86.
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2011 Stratton, J. (2011). Zombie trouble: zombie texts, bare life and displaced people. European Journal of Cultural Studies, 14(3), 265-281.
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2011 Stratton, J. (2011). Non-citizens in the exclusionary state: citizenship, mitigated exclusion, and the Cronulla riots. Continuum, 25(3), 299-316.
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2010 Stratton, J. (2010). Chris Blackwell and "My boy lollipop": ska, race, and British popular music. Journal of Popular Music Studies, 22(4), 436-465.
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2009 Stratton, J. (2009). Michael Mann's Miami Vice: protecting white America in the 1980s. Television and New Media, 10(2), 195-215.
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2009 Stratton, J. (2009). Uncertain lives: migration, the border and neoliberalism in Australia. Social Identities, 15(5), 677-692.
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2009 Perera, S., & Stratton, J. (2009). Introduction: heterochronotopes of exception and the frontiers and faultlines of citizenship. Continuum, 23(5), 585-595.
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2009 Stratton, J. (2009). 'Welcome to paradise': asylum seekers, neoliberalism, nostalgia and Lucky Miles. Continuum, 23(5), 629-645.
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2009 Stratton, J. (2009). Jews dreaming of acceptance: from the brill building to suburbia with love. Shofar: an interdisciplinary journal of Jewish studies, 27(2), 102-127.
2009 Stratton, J. (2009). The murderous state: the naturalisation of violence and exclusion in the films of neoliberal Australia. Cultural Studies Review, 15(1), 11-32.
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2008 Stratton, J. (2008). Suburban stories: Dave mcComb and the Perth experience. Continuum, 22(2), 255-267.
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2008 Bennett, A., Stratton, J., & Peterson, R. A. (2008). Introduction: the scenes perspective and the Australian context. Continuum, 22(5), 593-599.
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2008 Stratton, J. (2008). The difference of Perth music: a scene in cultural and historical context. Continuum, 22(5), 613-622.
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2008 Stratton, J. (2008). The Beastie Boys: Jews in whiteface. Popular Music, 27(3), 413-432.
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2008 Stratton, J. (2008). Brian poole and the tremeloes or the Yardbirds: comparing popular music in Perth and Adelaide in the early 1960s. Perfect Beat, 9(1), 60-77.
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2008 Stratton, J. (2008). A jew singing like a black woman in Australia: race, Renee Ceyer, and Marcia Hines. Journal of Popular Music Studies, 20(2), 166-193.
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Year Citation
2024 Stratton, J. (2024). Classed narratives of popular music history. In A. Grafe, & A. McKeown (Eds.), Source details - Title: Ink on the Tracks: Rock and Roll Writing (pp. 64-77). UK: Bloomsbury Publishing.
2023 Stratton, J. (2023). Jews, Judaism and popular music. In C. Partridge, & M. Moberg (Eds.), Source details - Title: The Bloomsbury Handbook of Religion and Popular Music (2nd edition ed.). Australia: Bloomsbury Publishing.
2023 Stratton, J. (2023). High Fidelity across twenty-five years: record shops, taste, and streaming. In G. Arnold (Ed.), Source details - Title: The Life, Death and Afterlife of the Record Store: A Global History (pp. 72-84). Australia: Bloomsbury Publishing.
DOI
2022 Stratton, J. (2022). Glam rock: youth culture, performativity and sexuality. In A. Bennett (Ed.), Source details - Title: The Bloomsbury Handbook of Popular Music and Youth Culture (pp. 217-234). UK: Bloomsbury Academic.
DOI
2022 Stratton, J. (2022). Parodies for a Pandemic: coronavirus songs, creativity and lockdown. In J. N. Erni, & T. Striphas (Eds.), Source details - Title: The Cultural Politics of COVID-19 (Vol. 35, pp. 412-431). US: Routledge.
2020 Stratton, J., & Dale, J. (2020). Introduction - An Anthology of Australian Albums: Critical Engagements. In J. Stratton, J. Dale, & T. Mitchell (Eds.), Source details - Title: An Anthology of Australian Albums: Critical Engagements (pp. 1-8). US: Bloomsbury.
2020 Stratton, J. (2020). Preamble. In J. Stratton, J. Dale, & T. Mitchell (Eds.), Source details - Title: An Anthology of Australian Albums: Critical Engagements (pp. ix-x). US: Bloomsbury.
2020 Stratton, J. (2020). The Scientists, Blood Red River. In J. Stratton, J. Dale, & T. Mitchell (Eds.), Source details - Title: An Anthology of Australian Albums: Critical Engagements (pp. 53-66). US: Bloomsbury.
2020 Stratton, J. (2020). Race and racialism in rock. In A. Moore, & P. Carr (Eds.), Source details - Title: The Bloomsbury Handbook of Rock Music Research (pp. 445-458). US: Bloomsbury.
2020 Stratton, J. (2020). The Missing Links, The Missing Links. In J. Stratton, J. Dale, & T. Mitchell (Eds.), Source details - Title: An Anthology of Australian Albums: Critical Engagements (pp. 9-22). US: Bloomsbury.
2018 Stratton, J., & Trainer, A. (2018). Singing about the city: the lyrical construction of Perth. In S. Brunt, & G. Stahl (Eds.), Source details - Title: Made in Australia and Aotearoa/New Zealand (Routledge Global Popular Music Series ed., pp. 19-29). UK: Taylor & Francis.
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2017 Stratton, J. (2017). The idol audience: judging, interactivity and entertainment. In G. Bloustien, M. Peters, & S. Luckman (Eds.), Source details - Title: Sonic Synergies: Music, Technology, Community, Identity (pp. 157-168). UK: Routledge.
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2017 Stratton, J. (2017). Trouble with zombies: Muselmänner, bare life and displaced people. In S. J. Lauro (Ed.), Source details - Title: Zombie theory: a reader (pp. 246-270). US: University of Minnesota Press.
2017 Stratton, J. (2017). Jews, Judaism and popular music. In C. Partridge, & M. Moberg (Eds.), Source details - Title: The Bloomsbury Handbook of Religion and Popular Music (pp. 121-130). UK: Bloomsbury Publishing.
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2016 Stratton, J. (2016). Punk und der holocaust/Punk and the Holocaust. In M. G. Patka, A. Stalzer, & J. M. Vienna (Eds.), Source details - Title: Stars of David: The Sound of the 20th Century/The sound of the 20th Century (pp. 226-235). German: Hentrich and Hentrich.
2016 Stratton, J. (2016). Singing from difference: Jewish singers-songwriters in the 1960s and 1970s. In A. Morad (Ed.), Source details - Title: Mazal Tov, Amigos! Jews and Popular Music in the Americas (pp. 96-108). Netherlands: Brill.
2015 Stratton, J. (2015). Popular music, race and identity. In A. Bennet, & S. Waksman (Eds.), Source details - Title: The SAGE Handbook of Popular Music (pp. 381-400). UK: Sage Publications.
DOI
2014 Stratton, J. (2014). Television blackface: Jews, race, and comedy in the UK and Australia. In L. Roth, & N. Valman (Eds.), Source details - Title: The Routledge Handbook of Contemporary Jewish Cultures (pp. 224-235). US: Routledge.
2010 Stratton, J. (2010). Englishing popular music in the 1960s. In Source details - Title: Britpop and the English Music Tradition (pp. 41-ds)). UK: Ashgate.
2010 Stratton, J. (2010). Skiffle, variety and Englishness. In A. Bennett, & J. Stratton (Eds.), Source details - Title: Britpop and the English Music Tradition (pp. 27-40). UK: Ashgate.

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