| 2025 |
Allmark, P., & Stratton, J. (2025). Doing the Nutbush: how Australia got its very own line dance. Continuum, 39(1), 1-16. DOI |
| 2025 |
Luckman, S., Jaworski, K., Ghosh, R., Kosmina, B., Richards, S., Stratton, J., & Pacella, J. (2025). Culture in practice. Continuum: Journal of Media and Cultural Studies, 39(1), 1-12. DOI |
| 2024 |
Stratton, J. (2024). The Viennese waltz: social transformation and the shock of the new. Social Identities, 30(4), 383-399. DOI |
| 2024 |
Stratton, J., & Allmark, P. (2024). The Nutbush Reframed: further analysis related to 'Doing the Nutbush'. Continuum, 39(1), 95-103. DOI WoS1 |
| 2023 |
Stratton, J. (2023). The Easybeats: from power pop to Oz rock. Thesis Eleven, 176(1), 24-48. DOI |
| 2023 |
Stratton, J. (2023). As time goes by: colonialism, the revision of the past and Brexit. Journal for Cultural Research, 17(1), 1-17. DOI Scopus2 WoS2 |
| 2021 |
Stratton, J. (2021). Heartland television commercials: Cadbury, the EU and Brexit. Journal for Cultural Research, 25(4), 393-412. DOI |
| 2021 |
Stratton, J. (2021). Disco before disco: popular music and dancing in the 1960s and 1970s in England. Journal of Popular Music Studies, 33(1), 50-69. DOI Scopus3 WoS2 |
| 2021 |
Stratton, J. (2021). Parodies for a pandemic: coronavirus songs, creativity and lockdown. Cultural Studies, 35(2-3), 412-431. DOI Scopus10 WoS8 |
| 2021 |
Stratton, J. (2021). Coronavirus, the great toilet paper panic and civilisation. Thesis Eleven, 165(1), 145-168. DOI Scopus14 WoS12 |
| 2021 |
Stratton, J. (2021). Glam Rock and the society of the spectacle. Contemporary British History, 35(2), 210-234. DOI Scopus3 WoS1 |
| 2020 |
Stratton, J., & Dale, J. (2020). Introduction. An Anthology of Australian Albums Critical Engagements, 1-8. |
| 2020 |
Stratton, J. (2020). Series editor’s foreword. Sovereign Subjects Indigenous Sovereignty Matters, vii-ix. |
| 2020 |
Stratton, J. (2020). KISS: Jewishness, hard rock and the Holocaust. Metal Music Studies, 6(3), 277-297. DOI Scopus4 |
| 2020 |
Stratton, J. (2020). Death and the spectacle in television and social media. Television & new media, 21(1), 3-24. DOI Scopus24 WoS14 |
| 2019 |
Stratton, J. (2019). The language of leaving: Brexit, the Second World War and cultural trauma. Journal for cultural research, 23(3), 225-251. DOI Scopus22 WoS16 |
| 2019 |
Allmark, P., & Stratton, J. (2019). Into the groove: experiencing difference in the Perth nightclub scene of the 1980s. Social identities, 25(5), 704-723. DOI Scopus4 WoS3 |
| 2018 |
Stratton, J. (2018). Haunted by the Holocaust: Hogan's Heroes, The Producers, Fiddler on the Roof. Journal for cultural research, 22(3), 239-261. DOI Scopus3 WoS1 |
| 2018 |
Stratton, J. (2018). The birthday party and the scientists: Nihilism, suburbia and the importance of class. Thesis eleven, 144(1), 100-116. DOI Scopus3 WoS2 |
| 2018 |
Ang, I., & Stratton, J. (2018). The Singapore way of multiculturalism: Western concepts/Asian cultures. Sojourn: Journal of Social Issues in Southeast Asia, vol 33(Special Issue, 2018), 61-86. DOI Scopus28 WoS27 |
| 2017 |
Stratton, J. (2017). Pizza and Housos: neoliberalism, the discursive construction of the underclass, and its representation. Journal of intercultural studies, 38(5), 530-544. DOI Scopus3 WoS3 |
| 2017 |
Stratton, J. (2017). Whatever happened to multiculturalism? Here Come the Habibs!, race, identity and representation. Continuum, 31(2), 242-256. DOI Scopus11 |
| 2017 |
Stratton, J. (2017). Putting the fragments (back) together: towards a theorisation of Jewish sampling. Social Identities, 23(3), 310-325. DOI |
| 2016 |
Stratton, J. (2016). With God on our side: Christianity, whiteness, Islam and otherness in the Australian experience. Continuum, 30(6), 613-626. DOI Scopus7 |
| 2016 |
Stratton, J. (2016). Perth, unreal city: Perth in the song lyrics of artists from elsewhere. Perfect Beat, 17(2), 144-163. DOI |
| 2016 |
Stratton, J., & Trainer, A. (2016). Nothing happens here: songs about Perth. Thesis Eleven, 135(1), 34-50. DOI Scopus12 |
| 2016 |
Stratton, J. (2016). Die Sheldon die: The Big Bang Theory, everyday neoliberalism and Sheldon as neoliberal man. Journal for Cultural Research, 20(2), 171-188. DOI Scopus7 |
| 2016 |
Stratton, J. (2016). Whiteness, Morality and Christianity in Australia. Journal of Intercultural Studies, 37(1), 17-32. DOI Scopus26 |
| 2016 |
Stratton, J., & Beilharz, P. (2016). Way out west: mapping Western Australia. Thesis Eleven, 135(1), 3-13. DOI Scopus2 |
| 2016 |
Stratton, J. (2016). The price of love: The Big Bang Theory, the family and neoliberalism. European Journal of Cultural Studies, 19(2), 170-187. DOI Scopus7 |
| 2016 |
Stratton, J. (2016). Sampling and Jewishness: a short history of Jewish sampling and its relationship with hip-hop. Shofar, 34(3), 50-75. DOI Scopus3 |
| 2016 |
Stratton, J. (2016). Perth cultural studies: a brief and partial intellectual history. Thesis Eleven, 137(1), 83-105. DOI Scopus10 |
| 2015 |
Stratton, J. (2015). The Sapphires were not the Australian Supremes: neoliberalism, history and pleasure in the Sapphires. Continuum, 29(1), 17-31. DOI Scopus11 |
| 2015 |
Stratton, J. (2015). Playing the Jew: anti-semitism and football in the twenty-first century. Jewish Culture and History, 16(3), 293-311. DOI Scopus9 |
| 2014 |
Stratton, J. (2014). Judge Dread: music hall traditionalist or postcolonial hybrid. Contemporary British History, 28(1), 81-102. DOI Scopus2 |
| 2014 |
Stratton, J. (2014). "Ob-la-di ob-la-da": Paul McCartney, diaspora and the politics of identity. Journal for Cultural Research, 18(1), 1-24. DOI Scopus5 |
| 2014 |
Stratton, J. (2014). Coming to the fore: the audibility of women's sexual pleasure in popular music and the sexual revolution. Popular Music, 33(1), 109-128. DOI Scopus4 |
| 2013 |
Stratton, J. (2013). Whose home; which island?: Displacement and identity in 'my island home'. Perfect Beat, 14(1), 33-53. DOI |
| 2013 |
Stratton, J. (2013). 'Police on my back' and the postcolonial experience. Social Identities, 19(5), 536-551. DOI |
| 2012 |
Stratton, J. (2012). The travels of Johnny Reggae: from Jonathan King to prince Far-I; from skinhead to rasta. Communication and Critical/ Cultural Studies, 9(1), 67-86. DOI Scopus1 |
| 2011 |
Stratton, J. (2011). Zombie trouble: zombie texts, bare life and displaced people. European Journal of Cultural Studies, 14(3), 265-281. DOI Scopus46 |
| 2011 |
Stratton, J. (2011). Non-citizens in the exclusionary state: citizenship, mitigated exclusion, and the Cronulla riots. Continuum, 25(3), 299-316. DOI Scopus12 |
| 2010 |
Stratton, J. (2010). Chris Blackwell and "My boy lollipop": ska, race, and British popular music. Journal of Popular Music Studies, 22(4), 436-465. DOI Scopus15 |
| 2010 |
Bennett, A., & Stratton, J. (2010). Introduction. Britpop and the English Music Tradition, 1-7. Scopus5 |
| 2009 |
Stratton, J. (2009). The murderous state: the naturalisation of violence and exclusion in the films of neoliberal Australia. Cultural Studies Review, 15(1), 11-32. DOI |
| 2009 |
Stratton, J. (2009). Michael Mann's Miami Vice: protecting white America in the 1980s. Television and New Media, 10(2), 195-215. DOI Scopus2 |
| 2009 |
Stratton, J. (2009). Uncertain lives: migration, the border and neoliberalism in Australia. Social Identities, 15(5), 677-692. DOI Scopus34 |
| 2009 |
Perera, S., & Stratton, J. (2009). Introduction: heterochronotopes of exception and the frontiers and faultlines of citizenship. Continuum, 23(5), 585-595. DOI Scopus7 |
| 2009 |
Stratton, J. (2009). 'Welcome to paradise': asylum seekers, neoliberalism, nostalgia and Lucky Miles. Continuum, 23(5), 629-645. DOI Scopus14 |
| 2009 |
Stratton, J. (2009). Jews dreaming of acceptance: from the brill building to suburbia with love. Shofar: an interdisciplinary journal of Jewish studies, 27(2), 102-127. |
| 2008 |
Stratton, J. (2008). Suburban stories: Dave mcComb and the Perth experience. Continuum, 22(2), 255-267. DOI Scopus5 |
| 2008 |
Bennett, A., Stratton, J., & Peterson, R. A. (2008). Introduction: the scenes perspective and the Australian context. Continuum, 22(5), 593-599. DOI Scopus9 |
| 2008 |
Stratton, J. (2008). The difference of Perth music: a scene in cultural and historical context. Continuum, 22(5), 613-622. DOI Scopus27 |
| 2008 |
Stratton, J. (2008). The Beastie Boys: Jews in whiteface. Popular Music, 27(3), 413-432. DOI Scopus12 |
| 2008 |
Stratton, J. (2008). Brian poole and the tremeloes or the Yardbirds: comparing popular music in Perth and Adelaide in the early 1960s. Perfect Beat, 9(1), 60-77. DOI Scopus2 |
| 2008 |
Stratton, J. (2008). A jew singing like a black woman in Australia: race, Renee Ceyer, and Marcia Hines. Journal of Popular Music Studies, 20(2), 166-193. DOI Scopus5 |
| 2007 |
Stratton, J. (2007). The Triffids: The sense of a place. Popular Music and Society, 30(3), 377-399. DOI Scopus6 |
| 2007 |
Stratton, J. (2007). Producing an Australian popular music: From Stephen Foster to Jack O'Hagan. Journal of Australian Studies, 31(90), 153-165. DOI Scopus1 |
| 2006 |
Stratton, J. (2006). Response for the cultural geography forum. Geographical Research, 44(4), 432-434. DOI Scopus1 |
| 2005 |
Stratton, J. (2005). Buffy the Vampire Slayer: What Being Jewish has to do with it. Television New Media, 6(2), 176-199. DOI Scopus6 |
| 2005 |
Stratton, J. (2005). Jews, punk and the holocaust: From the Velvet Underground to the Ramones - The Jewish-American story. Popular Music, 24(1), 79-105. DOI Scopus31 |
| 2003 |
Stratton, J. (2003). ‘It Almost Needn’t Have Been the Germans&rsquo: The State, Colonial Violence and the Holocaust. European Journal of Cultural Studies, 6(4), 507-527. DOI Scopus9 |
| 2001 |
Stratton, J. (2001). Not really white - again: Performing Jewish difference in Hollywood films since the 1980s. Screen, 42(2), 142-166. DOI Scopus15 |
| 2000 |
Stratton, J. (2000). I don't like it: Pauline pantsdown and the politics of the inauthentic. Perfect Beat, 4(4), 3-28. DOI Scopus6 |
| 2000 |
Hunt, S., & Stratton, J. (2000). Two PAULINES1 to choose from: An interview with Simon Hunt/Pauline Pantsdown. Perfect Beat, 4(4), 34-44. DOI Scopus1 |
| 2000 |
Stratton, J. (2000). Not just another multicultural story. Journal of Australian Studies, 24(66), 23-47. DOI Scopus21 |
| 1998 |
Stratton, J. (1998). Speaking as a Jew: On the absence of a Jewish speaking position in British cultural studies. European Journal of Cultural Studies, 1(3), 307-325. DOI Scopus2 |
| 1996 |
Stratton, J. (1996). The colour of jews: Jews, Race and the white Australia policy. Journal of Australian Studies, 20(50-51), 51-65. DOI Scopus16 |
| 1996 |
Ang, I., & Stratton, J. (1996). A cultural studies without guarantees: Response to Kuan-Hsing Chen. Cultural Studies, 10(1), 71-77. DOI Scopus12 |
| 1996 |
Ang, I., & Stratton, J. (1996). Asianing Australia: Notes toward a critical transnationalism in cultural studies. Cultural Studies, 10(1), 16-36. DOI Scopus78 |
| 1996 |
Stratton, J. (1996). Serial Killing and the Transformation of the Social. Theory Culture Society, 13(1), 77-98. DOI Scopus24 |
| 1994 |
Stratton, J. (1994). Landscapes: Central and Western Desert Paintings and the Discourse of Art. Theory Culture Society, 11(1), 95-128. DOI Scopus4 |
| 1994 |
Stratton, J., & Ang, I. (1994). Multicultural imagined communities: Cultural Difference and National Identity in Australia and the USA. Continuum, 8(2), 124-158. DOI Scopus130 |
| 1994 |
Stratton, J., & Ang, I. (1994). Sylvania waters and the spectacular exploding family. Screen, 35(1), 1-21. DOI Scopus8 |
| 1989 |
Stratton, J. (1989). Beyond Art: Postmodernism and the Case of Popular Music. Theory Culture Society, 6(1), 31-57. DOI Scopus17 |
| 1988 |
Finch, L., & Stratton, J. (1988). The australian working class and the practice of abortion 1880–1939. Journal of Australian Studies, 12(23), 45-64. DOI Scopus19 |
| 1985 |
Stratton, J. (1985). Youth subcultures and their cultural contexts. Journal of Sociology, 21(2), 194-218. DOI Scopus22 |
| 1984 |
Stratton, J. (1984). Bodgies and Widgies Youth Cultures in the 1950s. Journal of Australian Studies, 8(15), 10-24. DOI Scopus23 |
| 1983 |
Stratton, J. (1983). Capitalism and Romantic Ideology in the Record Business. Popular Music, 3, 143-156. DOI Scopus51 |
| 1983 |
Stratton, J. (1983). What is ‘popular music’?. Sociological Review, 31(2), 293-309. DOI Scopus15 |
| 1982 |
Stratton, J. (1982). Between two worlds: art and commercialism in the record industry. Sociological Review, 30(2), 267-285. DOI Scopus29 |
| 1982 |
Stratton, J. (1982). Reconciling contradictions: The role of the artist and repertoire person in the British music industry. Popular Music and Society, 8(2), 90-100. DOI Scopus11 |
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