Prof Jon Stratton
School of Communication, Media and Journalism
College of Creative Arts, Design and Humanities
Eligible to supervise Masters and PhD (as Co-Supervisor) - email supervisor to discuss availability.
Jon Stratton is an adjunct professor in the School of Humanities, Adelaide University. Jon has worked at universities in the UK and Australia including Essex University, Griffith University, University of Queensland, the Northern Territory University, Murdoch University and Curtin University. In 1998 Jon held a Rockefeller Fellowship at the University of Iowa in the USA and later that same year was a Research Scholar at the Center for Cultural Studies at the University of California, Santa Cruz. Between 1995 and 1997 Jon and Professor Ien Ang held an ARC Large Grant working on ‘Reimagining Asians in Multicultural Australia’. Between 2012 and 2014 Jon was the Chief Investigator on an ARC funded Discovery Grant on which he worked with Professor Mark Balnaves and Professor Niall Lucy. The project was entitled ‘A cultural history of West Australian popular music, 1945 to 2010’. Over various years in the 1990s and 2000s Jon was a regular weekly commentator on Perth ABC radio discussing topics from the point of view of Cultural Studies. In 2024 and 2025 Jon had a weekly spot on Perth ABC breakfast radio discussing popular music. Jon has also been quoted in many newspapers and magazines including the Adelaide Advertiser, The Sydney Morning Herald, the West Australian, and the Australian edition of Rolling Stone.
Having started out as a sociologist, Jon has taught and researched widely across Sociology, Cultural Studies, and Popular Music Studies. Jon’s publications span Cultural Studies, Popular Music Studies, Jewish Studies, Australian Studies, Media Studies, and race and multiculturalism. Jon is the sole author of twelve books including Spectacle, Fashion and the Dancing Experience in Britain 1960-1990, Palgrave Macmillan, 2023; When Music Migrates: Crossing British and European Racial Faultlines 1945-2010, Ashgate, 2014; Uncertain Lives: Culture, Race and Neoliberalism in Australia, Cambridge Scholars Publishing, 2011; Coming Out Jewish: Constructing Ambivalent Identities, Routledge, 2000; Race Daze: Australia in Identity Crisis, Pluto Australia, 1998, and The Desirable Body: Cultural Fetishism and the Erotics of Consumption, Manchester University Press, 1996. Jon has coedited four books, the most recent being with Andy Bennett Pub Rock in the UK and Australia, Routledge, 2025, and with Jon Dale with input from Tony Mitchell An Anthology of Australian Albums, Bloomsbury, 2020. Jon has also coedited three journal issues two in Continuum: Journal of Media and Cultural Studies and one in Thesis Eleven. Jon has published over eighty book chapters, some being republications of articles in edited collections, and well over a hundred articles in peer-reviewed journals. In 2020 Jon was the founding editor of the book series, 33 1/3 Oceania, published by Bloomsbury. He continues as that series' Senior Editor.
2019 'The Language of Leaving: Brexit, the Second World War, and Cultural Trauma’ Journal for Cultural Research,
| Year | Citation |
|---|---|
| 2025 | Stratton, J. (2025). Vanda and Young and the English Sound of Oz Rock in Sydney. In Pub Rock in the Uk and Australia from the 1970s to the Twenty First Century (pp. 95-107). Routledge. DOI |
| 2025 | Stratton, J., & Bennett, A. (2025). Introduction: Pub Rock in the UK and Australia. In Pub Rock in the Uk and Australia from the 1970s to the Twenty First Century (pp. 1-8). Routledge. DOI |
| 2024 | Stratton, J. (2024). Classed narratives of popular music history. In A. Grafe, & A. McKeown (Eds.), Source details - Title: Ink on the Tracks: Rock and Roll Writing (pp. 64-77). UK: Bloomsbury Publishing. |
| 2024 | Stratton, J. (2024). Class and race in popular music history. In A. McKeown, & A. Grafe (Eds.), Ink on the Tracks Rock and Roll Writing (pp. 64-77). BLOOMSBURY ACADEMIC. |
| 2023 | Stratton, J. (2023). Jews, Judaism and popular music. In C. Partridge, & M. Moberg (Eds.), Source details - Title: The Bloomsbury Handbook of Religion and Popular Music (2nd edition ed., pp. 153-164). Australia: Bloomsbury Publishing. Scopus1 |
| 2023 | Stratton, J. (2023). High Fidelity across twenty-five years: record shops, taste, and streaming. In G. Arnold (Ed.), Source details - Title: The Life, Death and Afterlife of the Record Store: A Global History (pp. 72-84). Australia: Bloomsbury Publishing. DOI |
| 2023 | Stratton, J. (2023). <i>High Fidelity</i> across Twenty-Five Years Record Shops, Taste, and Streaming. In G. Arnold, J. Dougan, C. Feldman-Barrett, & M. Worley (Eds.), LIFE, DEATH, AND AFTERLIFE OF THE RECORD STORE (pp. 72-84). BLOOMSBURY ACADEMIC. |
| 2022 | Stratton, J. (2022). Glam rock: youth culture, performativity and sexuality. In A. Bennett (Ed.), Source details - Title: The Bloomsbury Handbook of Popular Music and Youth Culture (pp. 217-234). UK: Bloomsbury Academic. DOI |
| 2022 | Stratton, J. (2022). Parodies for a Pandemic: coronavirus songs, creativity and lockdown. In J. N. Erni, & T. Striphas (Eds.), Source details - Title: The Cultural Politics of COVID-19 (Vol. 35, pp. 412-431). US: Routledge. |
| 2022 | Stratton, J. (2022). Learning to Rave: The Construction of Rave in the UK in the 1980s. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 187-223). Springer International Publishing. DOI |
| 2022 | Stratton, J. (2022). Music for Dancing in the 1960s. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 49-80). Springer International Publishing. DOI |
| 2022 | Stratton, J. (2022). Introduction: Those Dancing Years. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 1-16). Springer International Publishing. DOI |
| 2022 | Stratton, J. (2022). Dancing to Records in the 1960s. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 17-48). Springer International Publishing. DOI |
| 2022 | Stratton, J. (2022). The New Romantics: Dancing in the Society of the Spectacle. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 147-185). Springer International Publishing. DOI |
| 2022 | Stratton, J. (2022). Glam Rock: Sexuality, Performance and Spectacle. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 115-145). Springer International Publishing. DOI |
| 2022 | Stratton, J. (2022). Glam Rock and the Society of the Spectacle. In Palgrave Studies in the History of Subcultures and Popular Music (pp. 81-113). Springer International Publishing. DOI |
| 2020 | Stratton, J., & Dale, J. (2020). Introduction - An Anthology of Australian Albums: Critical Engagements. In J. Stratton, J. Dale, & T. Mitchell (Eds.), Source details - Title: An Anthology of Australian Albums: Critical Engagements (pp. 1-8). US: Bloomsbury. |
| 2020 | Stratton, J. (2020). Preamble. In J. Stratton, J. Dale, & T. Mitchell (Eds.), Source details - Title: An Anthology of Australian Albums: Critical Engagements (pp. ix-x). US: Bloomsbury. |
| 2020 | Stratton, J. (2020). The Scientists, Blood Red River. In J. Stratton, J. Dale, & T. Mitchell (Eds.), Source details - Title: An Anthology of Australian Albums: Critical Engagements (pp. 53-66). US: Bloomsbury. DOI Scopus2 |
| 2020 | Stratton, J. (2020). Race and racialism in rock. In A. Moore, & P. Carr (Eds.), Source details - Title: The Bloomsbury Handbook of Rock Music Research (pp. 445-458). US: Bloomsbury. DOI Scopus2 |
| 2020 | Stratton, J. (2020). The Missing Links, The Missing Links. In J. Stratton, J. Dale, & T. Mitchell (Eds.), Source details - Title: An Anthology of Australian Albums: Critical Engagements (pp. 9-22). US: Bloomsbury. DOI |
| 2020 | Stratton, J., & Dale, J. (2020). An Anthology of Australian Albums <i>Critical Engagements</i> Introduction. In J. Stratton, & J. Dale (Eds.), ANTHOLOGY OF AUSTRALIAN ALBUMS: CRITICAL ENGAGEMENTS (pp. 1-8). BLOOMSBURY ACADEMIC. |
| 2020 | Stratton, J. (2020). An Anthology of Australian Albums <i>Critical Engagements</i> Preamble. In J. Stratton, & J. Dale (Eds.), ANTHOLOGY OF AUSTRALIAN ALBUMS: CRITICAL ENGAGEMENTS (pp. IX-X). BLOOMSBURY ACADEMIC. |
| 2018 | Stratton, J., & Trainer, A. (2018). Singing about the city: the lyrical construction of Perth. In S. Brunt, & G. Stahl (Eds.), Source details - Title: Made in Australia and Aotearoa/New Zealand (Routledge Global Popular Music Series ed., pp. 19-29). UK: Taylor & Francis. DOI |
| 2017 | Stratton, J. (2017). The idol audience: judging, interactivity and entertainment. In G. Bloustien, M. Peters, & S. Luckman (Eds.), Source details - Title: Sonic Synergies: Music, Technology, Community, Identity (pp. 157-168). UK: Routledge. DOI Scopus1 |
| 2017 | Stratton, J. (2017). Trouble with zombies: Muselmänner, bare life and displaced people. In S. J. Lauro (Ed.), Source details - Title: Zombie theory: a reader (pp. 246-270). US: University of Minnesota Press. Scopus7 |
| 2017 | Stratton, J. (2017). Jews, Judaism and popular music. In C. Partridge, & M. Moberg (Eds.), Source details - Title: The Bloomsbury Handbook of Religion and Popular Music (pp. 121-130). UK: Bloomsbury Publishing. DOI Scopus1 WoS4 |
| 2016 | Bennett, A., & Stratton, J. (2016). Introduction. In Britpop and the English Music Tradition (pp. 1-7). DOI |
| 2016 | Stratton, J. (2016). Jewish Identity and Modernity. In Wiley Blackwell Encyclopedia of Race Ethnicity and Nationalism (pp. 1-3). Wiley. DOI |
| 2016 | Stratton, J. (2016). Punk und der holocaust/Punk and the Holocaust. In M. G. Patka, A. Stalzer, & J. M. Vienna (Eds.), Source details - Title: Stars of David: The Sound of the 20th Century/The sound of the 20th Century (pp. 226-235). German: Hentrich and Hentrich. |
| 2016 | Stratton, J. (2016). Singing from difference: Jewish singers-songwriters in the 1960s and 1970s. In A. Morad (Ed.), Source details - Title: Mazal Tov, Amigos! Jews and Popular Music in the Americas (Vol. 7, pp. 96-108). Netherlands: Brill. DOI |
| 2015 | Stratton, J. (2015). Popular music, race and identity. In A. Bennet, & S. Waksman (Eds.), Source details - Title: The SAGE Handbook of Popular Music (pp. 381-400). UK: Sage Publications. DOI Scopus6 |
| 2014 | Stratton, J. (2014). Television blackface: Jews, race, and comedy in the UK and Australia. In L. Roth, & N. Valman (Eds.), Source details - Title: The Routledge Handbook of Contemporary Jewish Cultures (pp. 224-235). US: Routledge. DOI |
| 2014 | Stratton, J. (2014). Television blackface: Jews, race, and comedy in the UK and Australia. In Routledge Handbook of Contemporary Jewish Cultures (pp. 224-235). Scopus1 |
| 2013 | Stratton, J. (2013). Jewish American Music and Musicians. In Music in American Life an Encyclopedia of the Songs Styles Stars and Stories that Shaped Our Culture Volumes 1 4 (Vol. 2, pp. 612-615). |
| 2013 | Stratton, J. (2013). CYBERSPACE AND THE GLOBALIZATION OF CULTURE. In Internet Culture (pp. 253-275). DOI Scopus25 |
| 2013 | Stratton, J., & Ang, I. (2013). Multicultural imagined communities: Cultural difference and national identity in the USA and Australia. In Multicultural States Rethinking Difference and Identity (pp. 135-162). Routledge. DOI Scopus66 |
| 2010 | Stratton, J. (2010). Skiffle, variety and Englishness. In Britpop and the English Music Tradition (pp. 27-40). Scopus13 |
| 2010 | Stratton, J. (2010). Seinfeld Is a Jewish Sitcom, Isnt It? Ethnicity and Assimilation in igyos American Television. In Seinfeld Master of Its Domain Revisiting Television S Greatest Sitcom (pp. 118-136). |
| 2010 | Stratton, J. (2010). Englishing popular music in the 1960s. In Britpop and the English Music Tradition (pp. 41-54). Scopus6 |
| 2010 | Stratton, J. (2010). Englishing popular music in the 1960s. In Source details - Title: Britpop and the English Music Tradition (pp. 41-ds)). UK: Ashgate. DOI WoS2 |
| 2010 | Stratton, J. (2010). Skiffle, variety and Englishness. In A. Bennett, & J. Stratton (Eds.), Source details - Title: Britpop and the English Music Tradition (pp. 27-40). UK: Ashgate. DOI WoS10 |
| 2008 | Stratton, J. (2008). THE BRILL BUILDING SONGWRITERS. In Encyclopedia of Jewish American Popular Culture (pp. 32-36). |
| 2008 | Stratton, J. (2008). Punk, Jews, and the Holocaust: The English Story. In JEWISH IDENTITY IN WESTERN POP CULTURE: THE HOLOCAUST AND TRAUMA THROUGH MODERNITY (pp. 193-+). PALGRAVE. |
| 2008 | Stratton, J. (2008). <i>Buffy the Vampire Slayer</i>: What Being Jewish Has to Do with It. In JEWISH IDENTITY IN WESTERN POP CULTURE: THE HOLOCAUST AND TRAUMA THROUGH MODERNITY (pp. 221-+). PALGRAVE. |
| 2008 | Stratton, J. (2008). Why Were the Sixties So Jewish?. In JEWISH IDENTITY IN WESTERN POP CULTURE: THE HOLOCAUST AND TRAUMA THROUGH MODERNITY (pp. 165-+). PALGRAVE. WoS1 |
| 2008 | Stratton, J. (2008). Before Holocaust Memory: Making Sense of Trauma between Postmemory and Cultural Memory. In JEWISH IDENTITY IN WESTERN POP CULTURE: THE HOLOCAUST AND TRAUMA THROUGH MODERNITY (pp. 141-+). PALGRAVE. WoS1 |
| 2008 | Stratton, J. (2008). Trauma and Memory in the Post-Holocaust West. In JEWISH IDENTITY IN WESTERN POP CULTURE: THE HOLOCAUST AND TRAUMA THROUGH MODERNITY (pp. 117-+). PALGRAVE. |
| 2008 | Stratton, J. (2008). The Banality of Representation: Generation, Holocaust, Signification, and <i>Empire of the Senseless</i>. In JEWISH IDENTITY IN WESTERN POP CULTURE: THE HOLOCAUST AND TRAUMA THROUGH MODERNITY (pp. 97-+). PALGRAVE. |
| 2008 | Stratton, J. (2008). The Wall at the End of the World: Zionism, Colonialism, Messianism. In JEWISH IDENTITY IN WESTERN POP CULTURE: THE HOLOCAUST AND TRAUMA THROUGH MODERNITY (pp. 77-+). PALGRAVE. |
| 2008 | Stratton, J. (2008). Life on the Edge: Liminality and the (European) Jews. In JEWISH IDENTITY IN WESTERN POP CULTURE: THE HOLOCAUST AND TRAUMA THROUGH MODERNITY (pp. 31-+). PALGRAVE. |
| 2008 | Stratton, J. (2008). Producing the "Jewish Problem": Othering the Jews and Homogenizing Europe. In JEWISH IDENTITY IN WESTERN POP CULTURE: THE HOLOCAUST AND TRAUMA THROUGH MODERNITY (pp. 9-+). PALGRAVE. |
| Year | Citation |
|---|---|
| 1999 | Stratton, J. (1999). Multiculturalism and the whitening machine, or how Australians become white. In G. Hage, & R. Couch (Eds.), FUTURE OF AUSTRALIAN MULTICULTURALISM (pp. 163-188). AUSTRALIA, Univ Sydney, Res Inst Humanities & Social Sci, Sydney: RESEARCH INST HUMANITIES SOCIAL SCIENCES. WoS24 |
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