Mr Greg Donovan
School of Art and Design
College of Creative Arts, Design and Humanities
Eligible to supervise Masters and PhD - email supervisor to discuss availability.
Welcome to my homepage. I am a practising artist and lecturer. My studio work incorporates digital media, photography, painting and printmaking exploring concepts involving sites of fundamental change through critical analysis determining how particular historical and economic conditions for example, produce a culture of homelessness, a dislocation from traditional cultural sites and the evolution of a "homeless state of being." "The job....is....not to accept the politics of identity as given, but to show how all representations are constructed, for what purpose, by whom, and with what components." Edward Said, Culture and Imperialism, 1994, p380. img
More recently I have been exploring notions of whiteness, erasure, transparency, transience and the inherent nature of the cultural gaze linked to the generalized and descriptively meaningless “information age”. Exposing the underlying business of surveillance, a tool in creating distance rather than social intimacy, television monitor as a method of information transmission, collapsing time and space, dislocating and destabilizing reality. In essence: I wish to subvert the media image and in doing so, “break its silence, making it speak and resonate, and transforming its hollowness into an echo chamber for human thought.” (p 27., What do pictures want? The Lives and Loves of Images. Mitchell, W.J.T. The University Chicago Press, USA., 2007.) img border="0"
I am exploring the linkage between image, public space and cognitive distance and the practices related to image production and representation within digital media. I incorporate digital image production into a painting, drawing and printmaking practice.
“Within the context of visual imagery in the public space, I am interested in erasure as it necessarily involves levels of transience with one layer either being removed or replaced with another and as a consequence each layer providing a level of transparency and visual information hidden or exposed below or within another. These layers of information, while not providing a conclusive narrative, produce an assumed and culturally identifiable visual dialogue.”
Please visit my webpage for examples of artworks;
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2015 | Co-Supervisor | Picture making: towards an understanding of expertise in illustration practice | - | Doctorate | Part Time | Mr David Blaiklock |
| 2015 | Co-Supervisor | Picture making: towards an understanding of expertise in illustration practice | Doctor of Philosophy | Doctorate | Part Time | Mr David Blaiklock |
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2018 - 2022 | Co-Supervisor | Linear landscapes of the imagination: a studio-based enquiry into an ontology of line in a contemporary drawing practice. | Doctor of Philosophy | Doctorate | Full Time | Mrs Amanda Sefton Hogg |
| 2018 - 2023 | Co-Supervisor | Artefacts from the black box: understanding post-digital glitch aesthetics through intermedial practice | Doctor of Philosophy | Doctorate | Part Time | Mr Thomas Folber |
| 2017 - 2018 | Co-Supervisor | We have art in order not to die of the truth: a critique of the dominance of the conceptual model in visual art practice | Doctor of Philosophy | Doctorate | Part Time | Ms Michelle Nikou |
| 2017 - 2018 | Co-Supervisor | Mirroring echo: exploring the interface between communication and a sense of self through a contemporary visual arts practice | Master of Visual Arts | Master | Part Time | Ms Aleksandra Antic |
| 2016 - 2019 | Co-Supervisor | The eternal youths. Unnatural selection in the age of the anthropocene. | Master of Visual Arts | Master | Full Time | Ms Rebecca Hastings |
| 2014 - 2016 | Co-Supervisor | The Uprooted Tree: reflections on displacement, memory, journeying home and hazara experience | Master of Visual Arts | Master | Full Time | Mr Elyas Alavi |
| 2014 - 2022 | Principal Supervisor | Calaveras: ADL LAX MEX: interpreting the cross-cultural experience of Día de los Muertos | Doctor of Philosophy | Doctorate | Part Time | Ms Gretchen Gordon |
| 2013 - 2015 | Principal Supervisor | An Unconfirmed Number - A memory initiative of Indigenous massacres during 'The Killing Times' in the colonisation of N-E Western Australia | Master of Visual Arts | Master | Full Time | Mr David Kelly |
| 2012 - 2015 | Principal Supervisor | Follow any path from A until B: 'useless' gardens: gifted ecologies | Doctor of Philosophy | Doctorate | Full Time | Ms Elizabeth Bevan-Parrella |
| 2011 - 2014 | Co-Supervisor | Touching surfaces: a painting practice exploring loss and renewal | Master of Visual Arts | Master | Full Time | Ms Catherine Frawley |
| 2010 - 2014 | Co-Supervisor | Inside outside: the holding - a study of the holding capacities of (the hand-eye relationship in) visual arts practice | Doctor of Philosophy | Doctorate | Full Time | Miss Cherie Redwood |
| 2009 - 2011 | Principal Supervisor | Women in shadow; unfolding an individual experience | Master of Visual Arts | Master | Full Time | Miss Fatemeh Nasr |
| 2006 - 2008 | Principal Supervisor | Art practice and governmentality: the role modelling effects of contemporary art practice and its institutions | Doctor of Philosophy | Doctorate | Full Time | Mr Andrew Dearman |
Available For Media Comment.