Dr Eduardo de la Fuente
School of Society and Culture
College of Education, Behavioural and Social Sciences
Peri-metropolitan writer and researcher specialising in culture, economy, space and place, and the ‘textures’ of everyday life. In addition to his role as Adjunct Senior Lecturer in Justice and Society, Eduardo is a Fellow of the Institute for Place Management (Manchester Metropolitan) and a Faculty Fellow of the Yale Centre for Cultural Sociology. In 2020, he and Ariella Van Luyn (UNE) published the co-edited volume Regional Cultures, Economies and Creativity: Innovating through Place in Australia and Beyond. Current writing projects include a monograph on texture as a guiding metaphor in the social sciences; and empirical projects on landscape and place, spatial and sensory atmospheres, and novel forms of entrepreneurship emerging in outer-urban, rural and regional Australia.
| Year | Citation |
|---|---|
| 2025 | Scott, M., Szili, G., & de la Fuente, E. (2025). Re-enchanting sustainable consumption: Cultural intermediaries, charisma, and fashion. Journal of Consumer Culture, 24(1), 65-82. |
| 2022 | de la Fuente, E., & Walsh, M. J. (2022). The sonic framing of place: microsociology, urban atmospheres and quiet hour shopping. Thesis Eleven, 172(1), 131-149. WoS2 |
| 2022 | de la Fuente, E., Gibson, M., Walsh, M. J., & Szypielewicz, M. (2022). Introduction to thinking place: materiality, atmospheres and spaces of belonging. Thesis Eleven, 172(1), 3-15. WoS2 |
| 2021 | de la Fuente, E., & Walsh, M. J. (2021). Framing Atmospheres: Goffman, Space, and Music in Everyday Life. Symbolic Interaction, 44(1), 211-234. Scopus15 |
| 2020 | Walsh, M. J., & de la Fuente, E. (2020). Sonic Havens: Towards a Goffmanesque Account of Homely Listening. Housing Theory and Society, 37(5), 615-631. Scopus5 |
| 2019 | de la Fuente, E. (2019). After the cultural turn: For a textural sociology. Sociological Review, 67(3), 552-567. Scopus23 |
| 2019 | de la Fuente, E. (2019). BOTH-AND: On the need for a ‘textural’ sociology of art. Caderno Crh, 32(87), 475-490. Scopus5 |
| 2019 | de la Fuente, E. (2019). Place management for nonrepresentationalists: Using landscape theory to rethink creativity, economy and place. Axon, 9(2), 1-12. |
| 2014 | De la Fuente, E. (2014). Why aesthetic patterns matter: Art and a "qualitative" social theory. Journal for the Theory of Social Behaviour, 44(2), 168-185. Scopus11 WoS9 |
| 2014 | Murphy, P., & de la Fuente, E. (2014). Introduction: Aesthetic Capitalism. Social and Critical Theory, 15, 1-9. Scopus3 |
| 2013 | de la Fuente, E. (2013). ‘Profane’ rather than ‘secular’: Daniel Bell as cultural sociologist and critic of modern culture. Thesis Eleven, 118(1), 105-115. Scopus1 WoS2 |
| 2012 | de la Fuente, E., Budarick, J., & Walsh, M. (2012). Altered states: an essay on communication and movement. Continuum: Journal of Media and Cultural Studies, 26(1), 39-49. Scopus2 WoS1 |
| 2010 | de la Fuente, E. (2010). The Artwork Made Me Do It: Introduction to the New Sociology of Art. Thesis Eleven, 103(1), 3-9. Scopus29 |
| 2010 | de la Fuente, E. (2010). In defence of theoretical and methodological pluralism in the sociology of art: A critique of georgina born's programmatic essay. Cultural Sociology, 4(2), 217-230. Scopus18 |
| 2009 | de la Fuente, E. (2009). Exemplary stories: On the uses of biography in recent sociology. Thesis Eleven, 97(1), 115-129. Scopus1 |
| 2008 | De, L. F. E., & West, B. D. (2008). Cultural sociology in the Australian context. Journal of sociology, 44(4), 315-319. Scopus4 WoS2 |
| 2008 | De La Fuente, E. (2008). The art of social forms and the social forms of art: The sociology-aesthetics nexus in Georg Simmel's thought. Sociological Theory, 26(4), 344-362. Scopus31 |
| 2007 | De La Fuente, E. (2007). The place of culture in sociology: Romanticism and debates about the 'cultural turn'. Journal of Sociology, 43(2), 115-130. Scopus7 |
| 2007 | de la Fuente, E. (2007). The 'new sociology of art': Putting art back into social science approaches to the arts. Cultural Sociology, 1(3), 409-425. Scopus118 |
| 2004 | de la Fuente, E. (2004). Max Weber and Charles Ives: The Puritan as Cultural Modernist. Journal of Classical Sociology, 4(2), 191-214. Scopus9 |
| 2001 | De La Fuente, E. (2001). La filosofia weberiana del profeta e il compositore d'avanguardia. Rassegna Italiana Di Sociologia, 42(4), 513-540. |
| 2000 | de la Fuente, E. (2000). Sociology and Aesthetics. European Journal of Social Theory, 3(2), 235-247. Scopus18 |
| Year | Citation |
|---|---|
| 2017 | De la Fuente, E. (2017). Cosmopolitan and non-cosmopolitan surfaces. In Cosmopolitanism Markets and Consumption A Critical Global Perspective (pp. 157-181). Springer International Publishing. DOI Scopus2 |
| 2015 | de la Fuente, E. (2015). THINKING CONTRADICTORY THOUGHTS: On the Convergence of Aesthetic and Social Factors in Recent Sociologies of Art. In Routledge Companion to Art and Politics (pp. 53-66). Routledge. DOI Scopus2 |
| 2014 | de la Fuente, E. (2014). Neo-Modernism: Architecture in the Age of Aesthetic Capitalism. In Social and Critical Theory (Vol. 15, pp. 128-148). BRILL. DOI |
| 2010 | De La Fuente, E. (2010). Prophet and priest, ascetic and mystic: Towards a cultural sociology of the twentieth century composer. In Social and Critical Theory (Vol. 8, pp. 87-105). |
| 2010 | De La Fuente, E., & Murphy, P. (2010). Introduction: Philosophical and cultural theories of music. In Social and Critical Theory (Vol. 8, pp. 1-11). Scopus1 |
