APrf Bronwyn Law Viljoen
Associate Professor
School of Humanities
College of Creative Arts, Design and Humanities
Eligible to supervise Masters and PhD - email supervisor to discuss availability.
Bronwyn Law-Viljoen is a writer, editor and publisher. She is an Associate Professor and the Head of the Department of English, Creative Writing and Film at the University of Adelaide. She has a doctorate in Literature from New York University and a doctorate in Creative Writing from the University of the Witwatersrand (Wits). She was Head of the Department of Creative Writing at Wits from 2011 to 2023.She is co-founder and editor of the publishing company Fourthwall Books http://fourthwallbooks.com/, the former managing editor of David Krut Publishing https://davidkrut.com/ and a former editor-in-chief of the premier South African arts quarterly, Art Africa https://artafricamagazine.org/.Her first novel, The Printmaker, was published in 2016 (Umuzi/Penguin Random House). It was shortlisted for the Sunday Times Barry Ronge Fiction Award and won the 2018 Olive Schreiner Prize. It appeared in French in 2019 (Editions Zoé) and in German in 2021 (Akono Verlag). Her second novel, Notes on Falling, was published by Umuzi/Penguin Random House in 2022. She has published essays and short stories in local and international journals, books and magazines. She is currently at work on a collection of short stories.
My research areas include the relationship between image and text, writing and visual art, contemporary poetry, and contemporary literary fiction. My creative writing (fiction and non-fiction) often explores the meaning and practice of various art forms (in particular photography and printmaking). I am also interested in book arts, experimental printmaking and avant-garde visual art practices.
| Year | Citation |
|---|---|
| 2023 | Law Viljoen, B. (2023). Nguni: A Genetic-Cultural Parallel Text. PARSE. |
| 2022 | Law Viljoen, B. (2022). Call-and-Response. Printmaking Today. |
| 2022 | Law Viljoen, B. (2022). Up is Down, Left is Right. Printmaking Today. |
| 2019 | Law-Viljoen, B. (2019). Gideon Mendel. APERTURE, (234), 84-89. |
| 2018 | Law-Viljoen, B. (2018). Albert Adams and the Deposition of Christ. de arte, 53(1), 27-48. |
| 2018 | Law-Viljoen, B. (2018). The Caretaker of Wounds. Image and Text. |
| 2016 | Law-Viljoen, B. (2016). Samuel Gratacap Empire. APERTURE, (222), 58-67. |
| 2013 | Law-Viljoen, B. (2013). Ricardo rangel. Aperture, (213), 110-115. Scopus1 WoS3 |
| 2012 | Law-Viljoen, B. (2012). The Cambridge companion to creative writing. SCRUTINY2-ISSUES IN ENGLISH STUDIES IN SOUTHERN AFRICA, 17(2), 132-137. |
| 2011 | Law-Viljoen, B., Goldblatt, D., & Vladislavic, I. (2011). ABOUT THOSE PHOTOGRAPHS ... <i>TJ</i> AND <i>DOUBLE NEGATIVE</i>. APERTURE, (205), 34-42. WoS1 |
| 2010 | Law-Viljoen, B. (2010). 'Bang-Bang Has Been Good to Us': Photography and Violence in South Africa. Theory Culture and Society, 27(7), 214-237. Scopus6 |
| 2010 | Law-Viljoen, B. (2010). The intimate violence of diane victor's disasters of peace. Critical Arts, 24(3), 418-437. Scopus2 WoS2 |
| 2008 | Law-Viljoen, B. (2008). South Africans in the global art market. Scrutiny2, 13(1), 68-81. Scopus1 |
| 2007 | Law-Viljoen, B. (2007). Pieter Hugo: The critical zone of engagement. Aperture, (186). Scopus2 |
| 1997 | Law-Viljoen, B. (1997). Midrash, myth, and prophecy: George Eliot's reinterpretation of biblical stories. Literature and Theology, 11(1), 80-92. Scopus8 |
| - | Law-Viljoen, B., de Villiers, P. Y., & Zerbst, F. (2023). How Poetic Language Enacts Agency. Image & Text, (37), 1-17. |
| Year | Citation |
|---|---|
| 2022 | Law Viljoen, B. (2022). Notes on Falling. Cape Town, South Africa: Penguin Random House South Africa. |
| 2017 | Law-Viljoen, B., & Law-Viljoen, B. (2017). Andrew Tshabangu’s City in transition. |
| 2016 | Law-Viljoen, B. (2016). The Printmaker. Penguin Random House South Africa. |
| 2015 | Law Viljoen, B., & Schneider, G. (2015). Portrait of the Artist as a Left Hand. |
| Year | Citation |
|---|---|
| 2024 | Alghadi, S., Li, S., Withayachumnankul, W., & Wang, K. (2024). Performance Analysis of Single Carrier Modulation Schemes in Terahertz Communications. In Unknown Book (pp. 2 pages). IEEE. DOI WoS2 |
| 2023 | Law Viljoen, B. (2023). Notes from an Archive of the Body in Movement. In K. Moolman, D. Brown, & N. Sithole (Eds.), Notes from the Body: Health, Illness, Trauma. Durban: University of KwaZulu-Natal Press. |
| 2021 | Law Viljoen, B., & Yaa de Villiers, P. (2021). Ukhubhukudu: Not Sinking in Language but Swimming. In M. Moore, & S. Meekings (Eds.), The Place and the Writer: International Instersections of Teacher Lore and Creative Writing Pedagogy (pp. 13-30). Great Britain: Bloomsbury Academic. DOI |
| 2021 | Law-Viljoen, B., & De Villiers, P. Y. (2021). Ukubhukuda: Not Sinking in Language but Swimming. In The Place and the Writer: International Intersections of Teacher Lore and Creative Writing Pedagogy (pp. 13-30). Bloomsbury Publishing Plc. DOI |
| 2012 | Law Viljoen, B. (2012). Sailing a Smaller Ship. In A. van der Vlies (Ed.), Print, Text and Book Cultures in South Africa. Johannesburg: Wits University Press. |
Mellon residency funding at the University of the Witwatersrand, 2018–2023 (enabled the installation of writers-in-residence in the department of Creative Writing).
Currently teaching Creative Writing for first year, third year and Honours. I am engaged in curriculum design for the new Adelaide University.
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2025 | Principal Supervisor | Rethinking diasporic identities through the gathering of maternal storylines in Maryse Condes Segu and Namwali Serpell's The Old Drift. | Master of Philosophy | Master | Part Time | Miss Letitia Rajamma McNamara |
| 2025 | Principal Supervisor | Queering the Australian Pastoral Novel | Master of Philosophy | Master | Full Time | Mr Rene Pierre Hooft |
| 2025 | Principal Supervisor | Queering the Australian Pastoral Novel | Master of Philosophy | Master | Full Time | Mr Rene Pierre Hooft |
| 2025 | Principal Supervisor | Rethinking diasporic identities through the gathering of maternal storylines in Maryse Condes Segu and Namwali Serpell's The Old Drift. | Master of Philosophy | Master | Full Time | Miss Letitia Rajamma McNamara |
| 2024 | Principal Supervisor | 36 Questions | Master of Philosophy | Master | Part Time | Mr Thomas Russell Simpson |
| 2024 | Co-Supervisor | The Legacy of White Shame in Postapartheid South African Writing | Doctor of Philosophy | Doctorate | Full Time | Miss Yin Gao |
| 2024 | Principal Supervisor | 36 Questions | Master of Philosophy | Master | Full Time | Mr Thomas Russell Simpson |
| 2024 | Co-Supervisor | The Legacy of White Shame in Postapartheid South African Writing | Doctor of Philosophy | Doctorate | Full Time | Miss Yin Gao |
| 2023 | Co-Supervisor | Silicon Nursery Rhymes: Human–A.I. Relationships of A Speculative Future | Master of Philosophy | Master | Full Time | Mr Nicholas Garwood Dawes |
| 2023 | Principal Supervisor | Instructions for Life: A novella manuscript and companion exegesis | Master of Philosophy | Master | Full Time | Dr Thea Williams |
| 2023 | Principal Supervisor | Instructions for Life: A novella manuscript and companion exegesis | Master of Philosophy | Master | Full Time | Dr Thea Williams |
| 2023 | Co-Supervisor | Silicon Nursery Rhymes: HumanA.I. Relationships of A Speculative Future | Master of Philosophy | Master | Full Time | Mr Nicholas Garwood Dawes |
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2024 - 2024 | Principal Supervisor | Volume 1: Scheherazade Volume 2: Unveiling the Carnal Feminine |
Master of Philosophy | Master | Full Time | Miss Victoria Tomaszczyk |
| Date | Role | Research Topic | Location | Program | Supervision Type | Student Load | Student Name |
|---|---|---|---|---|---|---|---|
| 2019 - ongoing | Principal Supervisor | Poetry and the Writing of Violence in South Africa | University of the Witwatersrand | PhD program | Doctorate | Full Time | Vonani Bila |
| 2018 - 2023 | Co-Supervisor | Poetry and the writing of Black exile and adoption. | University of the Witwatersrand | PhD programme | Doctorate | Full Time | Phillippa Yaa de Villiers |
| 2017 - 2023 | Principal Supervisor | Black Theatre and Ritual Performance | University of the Witwatersrand | PhD programme | Doctorate | Full Time | Kgafela oa Magogodi |
| 2014 - ongoing | Principal Supervisor | Zimbabwean sex workers and Creative Non-Fiction | University of the Witwatersrand | PhD program | Doctorate | Part Time | Greta Schuler |