Dr Ari Chand
Lecturer, Illustration and Animation
School of Art and Design
College of Creative Arts, Design and Humanities
Eligible to supervise Masters and PhD - email supervisor to discuss availability.
Dr Ari Chand is a Illustrator/Visual Designer, Design Researcher and Senior Lecturer in Illustration and Animation at the School of Art and Design (College of Humanities, Ddesign and Arts), Adelaide, South Australia.
His expertise encompasses Illustration and Design (Visual Communication Design), Art Education and Creative Industries. With a focus on visual communication and illustration and how the two can help transform and communicate across biodiversity and science, education, histories and heritage, social work and health. His research evaluates sociological frameworks for design and illustration practice. His illustration practice comprises both traditional and digital techniques.
In 2019 his work was selected as a finalist in the #21 Dobell Drawing Prize (National Art School). In 2022 he was awarded an Emerging Scholar Award at the 16th Conference on Design Practices and Principles. Ari's qualifications inlude a PhD (Design), Bachelor of Natural History Illustration (Hons Class1), and Bachelor of Fine Art/Bachelor of Teaching (Secondary) from the University of Newcastle, and Certificate in Screen and Media: Animation, Qantm College (SAE).
Project:
- Howells, A, Killen, C, Chand, A, McGrath, J. Activating Artifacts: Reviving, reintroducing and recontextualising the illustrated work of Margaret Senior
- Calvert, J & Chand, A. AI and Animation Production.
- Bryant, L; Chand, A; Ellison, L; Barrie; H. Thriving Whyalla: Community Transitions and Storytelling. Whyalla City Council & Country Arts SA.
Education Committee Member Illustrators Australia
| Date | Position | Institution name |
|---|---|---|
| 2026 - ongoing | Senior Lecturer in Illustration and Animation | Adelaide University |
| 2023 - ongoing | Conjoint Lecturer in Visual Communication Design | The University of Newcastle |
| 2023 - 2025 | Lecturer in Illustration and Animation | University of South Australia |
| 2022 - 2023 | Lecturer in Visual Communication Design | University of Newcastle Australia |
| 2018 - 2022 | Lecturer in Visual Communication Design | University of Newcastle Australia |
| 2017 - 2018 | Casual Academic in Art Education | University of Newcastle Australia |
| 2017 - 2017 | Research Officer | University of Newcastle Australia |
| 2015 - 2018 | Casual Academic in Visual Communication Design | University of Newcastle Australia |
| Date | Type | Title | Institution Name | Country | Amount |
|---|---|---|---|---|---|
| 2025 | Teaching Award | Commendation, Mid-Career Teaching Award, 2025 Unstoppable Teaching and Learning Awards | The University of South Australia | Australia | - |
| 2022 | Award | Industry Engagement Award, FASTLAB Team, The University of Newcastle Excellence Awards 2022 | The University of Newcastle | Australia | - |
| 2022 | Research Award | Emerging Scholar Award, The 16th International Conference on Design Principles and Practices | Design Principals and Practices Network. | Australia | - |
| Language | Competency |
|---|---|
| English | Can read, write, speak, understand spoken and peer review |
| Date | Institution name | Country | Title |
|---|---|---|---|
| 2013 - 2018 | University of Newcastle Australia | Australia | Doctor of Philosophy (Design) |
| 2012 - 2012 | University of Newcastle Australia | Australia | Bachelor of Natural History Illustration (Honours) |
| 2008 - 2011 | University of Newcastle Australia | Australia | Bachelor of Fine Art/Bachelor of Teaching (Secondary) |
| Date | Title | Institution name | Country |
|---|---|---|---|
| 2025 | Fellow | Advance HE | United Kingdom |
| 2024 | Certificate in Arts and Management | University of Bocconi | Italy |
| 2012 | Screen and Media: Animation | QANTM COLLEGE/SAE UNIVERSITY COLLEGE, AUS | Australia |
| 2009 | Quality Teaching Certificate | The University of Newcastle | Australia |
| Year | Citation |
|---|---|
| 2026 | Chand, A. (2026). The Pout-Pout Fish visually exemplifies contemporary animation – but something is lost in translation. DOI |
| 2025 | Chand, A. (2025). The Lost Tiger: first animated film by an Indigenous woman explores heritage and identity through a thylacine. DOI |
| 2024 | Chand, A. (2024). 200% Wolf is a visual triumph – and a reminder that Australian animators could lead on the world stage. DOI |
| 2023 | Chand, A. (2023). Scarygirl: the richly built world of this new Aussie film tells a story of human-nature connection. The Conversation. DOI |
| 2021 | Chand, A., & McGrath, J. (2021). Big Mouth, an animated series about periods, masturbation and anxiety. What’s not to like?. DOI |
| 2020 | Chand, A. (2020). Explainer: what is storyboarding for film?. DOI |
| 2020 | Chand, A. (2020). Great time to try: learning to draw. DOI |
| 2020 | Chand, A. (2020). Dobell Biennial showcases drawing today as we consider its future in the real world. DOI |
| 2016 | Chand, A. (2016). Why is teaching kids to draw not a more important part of the curriculum?. DOI |
| 2015 | Chand, A. (2015). 21st-century character designs reflect our concerns, as always. DOI |
- AI and Animation Production: Intersections of Generative AI and Human Authorship - Run Koala Run, ASIFA Hollywood - Animation Educators Forum Faculty Grant, 01/07/2025 - 30/06/2026
Courses I teach
- CREA 3013 Illustration Studio 3 (2027)
- CREA3015 Visual Narrative (2026)
- GRAP 2007 Illustration Studio 2 (2026)
- GRAP 1008 Illustration Studio 1 (2026)
- GRAP 3025 Illustration Animation Studio 4 (2026)
- GRAP 1029 Illustration Animation Studio 1 (2025)
- GRAP 2009 Illustration Animation Studio 2 (2025)
- GRAP 2010 Illustration Animation Studio 3 (2025)
- GRAP 3017 Illustration Animation Studio 4 (2025)
- GRAP 2009 Illustration Animation Studio 2 (2024)
- GRAP 2010 Illustration Animation Studio 3 (2024)
- GRAP 3017 Illustration Animation Studio 4 (2024)
Programs I'm associated with
- BILLA - Bachelor Illustration and Animation
- DHAD - Bachelor of Creative Arts (Honours)
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2024 | Co-Supervisor | Type Speaks: An Exploratory Study of Vietnamese Typography | - | Doctorate | Full Time | Ms Anh Do |
| 2023 | Principal Supervisor | Fostering pro-environmental attitudes: environmental education through botanical illustration of South Australian native flora | - | Doctorate | Part Time | Ms Maria Ppiros |
| Date | Role | Research Topic | Location | Program | Supervision Type | Student Load | Student Name |
|---|---|---|---|---|---|---|---|
| 2025 - 2025 | Principal Supervisor | Storying silence: How intersections of illustration, writing and metaphor can communicate traumatic impacts of domestic abuse and family court outcomes | The University of South Australia | Bachelor of Creative Arts (Honours) | Honours | Full Time | Azalea Rose |
| 2024 - 2025 | Principal Supervisor | A practice-based exploration of extinction stories in the form of a picture book | The University of South Australia | Bachelor of Creative Arts (Honours) | Honours | Part Time | Gemma Mason |
| 2023 - ongoing | External Supervisor | Inclusive Design: Making Accessibility Guidelines Accessible | The University of Newcastle | Doctor of Philosophy (Design) | Doctorate | Full Time | Elisabeth Arnold |
| 2023 - 2023 | Principal Supervisor | Visualising Gender Euphoria: Investigating transgender experience though illustration practice | The University of South Australia | - | Honours | Full Time | Eddie Normington |
| 2023 - 2023 | Principal Supervisor | Authentic Animation: Incorporating Indonesian Narrative through Practice-based Research | The University of South Australia | Bachelor of Creative Arts (Honours) | Honours | Full Time | Carryn Virginia |
| 2022 - 2022 | Principal Supervisor | Home is where the mind is: Drawing from memory as a form of visual ethnography. | The University of Newcastle | Bachelor of Visual Communication Design (Honours) | Honours | Full Time | Clarissa Chawner |
| 2021 - 2024 | Co-Supervisor | New China: The Historical Contexts of Brand Design Development (1912 - 2023) | The University of Newcastle | Doctor of Philosophy (Design) | Doctorate | Full Time | Yangfei Gao |
| 2021 - 2021 | Principal Supervisor | Uniquely Me: An investigation into designing for accessibility, inclusivity & dyslexia in Children’s Books | The University of Newcastle | Bachelor of Visual Communication Design (Honours) | Honours | Full Time | Elisabeth Arnold |
| 2021 - 2021 | Principal Supervisor | Catfish: Encouraging social play through character design and anthropomorphism | The University of Newcastle | Bachelor of Visual Communication Design (Honours) | Honours | Full Time | Cassidy Young |
| 2019 - 2019 | Principal Supervisor | Pandora's Box: An exploration of purposeful integration of technology in children's book literature | The University of Newcastle | Bachelor of Visual Communication Design (Honours) | Honours | Full Time | Hannah Inwood |
| 2018 - 2020 | Co-Supervisor | Losing control of comics: new narrative function in comic book design | The University of Newcastle | Master of Design | Master | Full Time | Ben Mitchell |
| Date | Role | Committee | Institution | Country |
|---|---|---|---|---|
| 2025 - ongoing | Board Member | Illustrators Australia | Illustrators Australia | Australia |
| 2024 - 2026 | Board Member | Illustration Research Network | Illustration Research Network | United Kingdom |
| Date | Role | Editorial Board Name | Institution | Country |
|---|---|---|---|---|
| 2024 - 2026 | Associate Editor | Journal of Illustration | Journal of Illustration | United Kingdom |
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