| 2023 |
Batty, C. (2023). Screenwriters in the academy: The opportunities of research-led practice. In Palgrave Handbook of Screenwriting Studies (pp. 759-775). DOI Scopus2 |
| 2023 |
Batty, C. (2023). Screenwriters in the Academy: the opportunities of research-led practice. In R. Davies, P. Russo, & C. Tieber (Eds.), Source details - Title: The Palgrave Handbook of Screenwriting Studies (pp. 759-775). Switzerland: Palgrave Macmillan. DOI |
| 2022 |
Taylor, S., & Batty, C. (2022). Introduction - The Palgrave Handbook of Script Development. In S. Taylor, & C. Batty (Eds.), Source details - Title: The Palgrave Handbook of Script Development (pp. 1-6). Switzerland: Palgrave Macmillan. DOI |
| 2022 |
Haslop, C., & Batty, C. (2022). From boys to men via Cell Block H: Prisoner, queer identities and productive fan nostalgia. In R. O’Meara (Ed.), Source details - Title: TV Transformations & Transgressive Women From Prisoner: Cell Block H to Wentworth (pp. 339-361). UK: Peter Lang AG. DOI Scopus1 |
| 2022 |
O'Meara, R., Dwyer, T., Taylor, S., & Batty, C. (2022). Breakout women: Introduction to TV transformations, gender and transgression. In R. O'Meara (Ed.), Source details - Title: TV Transformations and Transgressive Women: From Prisoner: Cell Block H to Wentworth (pp. 1-18). UK: Peter Lang AG. Scopus1 |
| 2022 |
Taylor, S., & Batty, C. (2022). Introduction. In Palgrave Handbook of Script Development (pp. 1-6). DOI |
| 2022 |
Taylor, S., & Batty, C. (2022). The business of script development: Insights from industry practitioners. In Palgrave Handbook of Script Development (pp. 147-159). Springer International Publishing. DOI Scopus2 |
| 2021 |
Batty, C., & Taylor, S. (2021). Introduction. In Script Development Critical Approaches Creative Practices International Perspectives (pp. 1-6). DOI Scopus1 |
| 2021 |
Taylor, S., & Batty, C. (2021). Introduction. In The Palgrave Handbook of Script Development (pp. 1-6). Springer International Publishing. DOI |
| 2021 |
Batty, C., & Taylor, S. (2021). Introduction. In Script Development (pp. 1-6). Springer International Publishing. DOI |
| 2021 |
Batty, C., & Taylor, S. (2021). Introduction - Script Development: Critical Approaches, Creative Practices, International Perspectives. In C. Batty, & S. Taylor (Eds.), Source details - Title: Script Development: Critical Approaches, Creative Practices, International Perspectives (pp. 1-6). Switzerland: Palgrave Macmillan. DOI |
| 2021 |
Batty, C., & Waldeback, Z. (2021). Screenwriting beyond the paradigms: creative thinking and script development. In A. D, & A. S (Eds.), Source details - Title: Creative Writing Practice: Reflections on Form and Process (pp. 51-64). Switzerland: Springer. DOI Scopus1 |
| 2021 |
Batty, C., & Taylor, S. (2021). Room for improvement: discourses of quality and betterment in script development. In C. Taylor (Ed.), Source details - Title: Script Development Critical Approaches, Creative Practices,International Perspectives (pp. 271-292). Germany: Springer International Publishing. DOI Scopus14 |
| 2021 |
Berry, M., & Batty, C. (2021). Using fiction in and for research: embodied experiences, performative data, engagement and impact. In J. Crossman, & S. Bordia (Eds.), Source details - Title: Handbook of Qualitative Research Methodologies in Workplace Contexts (pp. 99-113). UK: Edward Elgar. DOI |
| 2020 |
Brien, D. L., Batty, C., Ellison, E., & Owens, A. (2020). Taking ownership of the doctoral experience: introduction to part. In D. L. Brien (Ed.), Source details - Title: The Doctoral Experience: Student Stories from the Creative Arts and Humanities (pp. 103-106). Switzerland: Springer. |
| 2020 |
Brien, D. L., Batty, C., Ellison, E., & Owens, A. (2020). Orienting towards the doctoral journey: introduction to part. In D. L. Brien (Ed.), Source details - Title: The Doctoral Experience: Student Stories from the Creative Arts and Humanities (pp. 11-14). Switzerland: Springer. |
| 2020 |
Batty, C., & Taylor, S. (2020). The role of the script editor, revised. In G. Harper, & J. Kroll (Eds.), Source details - Title: Creative writing: drafting, revising and editing (1 ed.). UK: Red Globe Press. |
| 2020 |
Batty, C., Burne, P., & Gaunson, S. (2020). Screenwriting the beach: conflict, catharsis and the character arc in Australian film. In E. Ellison, & D. L. Brien (Eds.), Source details - Title: Writing the Australian Beach: Local Site, Global Idea (pp. 39-56). Switzerland: Palgrave Macmillan. DOI |
| 2020 |
Brien, D. L., Batty, C., Ellison, E., & Owens, A. (2020). Completing the doctoral journey: introduction to part. In D. L. Brien (Ed.), Source details - Title: The Doctoral Experience: Student Stories from the Creative Arts and Humanities (pp. 183-186). Switzerland: Springer. |
| 2020 |
Brien, D. L., Batty, C., Ellison, E., & Owens, A. (2020). Staying on the doctoral path: introduction to part. In D. L. Brien (Ed.), Source details - Title: The Doctoral Experience: Student Stories from the Creative Arts and Humanities (pp. 143-145). Switzerland: Springer. |
| 2020 |
Brien, D. L., Batty, C., Ellison, E., & Owens, A. (2020). Setting out on the doctoral degree: introduction to part. In D. L. Brien (Ed.), Source details - Title: The Doctoral Experience: Student Stories from the Creative Arts and Humanities (pp. 53-54). Switzerland: Springer. |
| 2020 |
Brien, D. L., Batty, C., Ellison, E., & Owens, A. (2020). Introduction - The doctoral experience: student stories from the creative arts and humanities. In D. L. Brien (Ed.), Source details - Title: The doctoral experience: student stories from the creative arts and humanities (pp. 1-10). Switzerland: Springer. DOI |
| 2020 |
Taylor, S., Dwyer, T., O'Meara, R., & Batty, C. (2020). From the stony ground up: the unique affordances of the gaol as 'hub' for transgressive female representations in women-in-prison dramas. In M. Harmes, M. Harmes, & B. Harmes (Eds.), Source details - Title: The Palgrave handbook of incarceration in popular culture (pp. 671-684). Switzerland: Springer. DOI Scopus2 |
| 2020 |
Brien, D. L., Batty, C., Ellison, E., & Owens, A. (2020). Introduction. In Doctoral Experience Student Stories from the Creative Arts and Humanities (pp. 1-10). DOI |
| 2019 |
Brien, D. L., Batty, C., Ellison, E., & Owens, A. (2019). Conclusion to volume. In D. L. Brien (Ed.), Source details - Title: The Doctoral Experience: Student Stories from the Creative Arts and Humanities (pp. 223-230). Switzerland: Springer. DOI |
| 2019 |
Berry, M., & Batty, C. (2019). What could possibly go wrong? The role of supervisors in ethics training for creative practice researchers. In K. MacNeil, & B. Bolt (Eds.), Source details - Title: The Meeting of Aesthetics and Ethics in the Academy: Challenges for Creative Practice Researchers in Higher Education (pp. 87-100). UK: Routledge. DOI |
| 2019 |
Batty, C., & Taylor, S. (2019). Teaching screenwriting through script development: looking beyond the screenplay. In C. Batty (Ed.), Source details - Title: The Palgrave handbook of screen production (pp. 459-472). Switzerland: Palgrave Macmillan. DOI |
| 2019 |
Sergi, M., & Batty, C. (2019). Understanding the underlying principles of the short film. In C. Batty (Ed.), Source details - Title: The Palgrave Handbook of Screen Production (pp. 49-60). Switzerland: Palgrave Macmillan. DOI |
| 2019 |
Brien, D. L., Batty, C., Ellison, E., & Owens, A. (2019). Introduction. In The Doctoral Experience (pp. 1-10). Springer International Publishing. DOI |
| 2018 |
Batty, C., & Taylor, S. (2018). Digital development: using the Smartphone to enhance screenwriting practice. In M. Schleser, & M. Berry (Eds.), Source details - Title: Mobile story making in an age of Smartphones (pp. 21-29). Switzerland: Palgrave Macmillan. DOI Scopus1 |
| 2018 |
Batty, C., & Kerrigan, S. (2018). Introduction. In Screen Production Research (pp. 1-10). Springer International Publishing. DOI |
| 2017 |
Batty, C., & Kerrigan, S. (2017). Introduction. In Screen Production Research Creative Practice as A Mode of Enquiry (pp. 1-10). DOI Scopus7 |
| 2017 |
Batty, C., & Hashimi, W. (2017). Look who’s talking. In Dialogue Studies (pp. 55-76). John Benjamins Publishing Company. DOI |
| 2017 |
Batty, C., & Baker, D. J. (2017). Screenwriting as a mode of research, and the screenplay as a research artefact. In C. Batty, & S. Kerrigan (Eds.), Source details - Title: Screen production research: creative practice as a mode of enquiry (pp. 67-83). Switzerland: Springer. DOI Scopus9 |
| 2017 |
Batty, C., & Hashimi, W. (2017). Look who's talking: using transactional analysis in the writing of effective screenplay dialogue. In J. Mildorf, & B. Thomas (Eds.), Source details - Title: Dialogue Across Media (pp. 55-76). Netherlands: John Benjamins. DOI |
| 2017 |
Batty, C., & Kerrigan, S. (2017). Introduction - Screen production research: creative practice as a mode of enquiry. In C. Batty, & S. Kerrigan (Eds.), Source details - Title: Screen production research: creative practice as a mode of enquiry (pp. 1-10). Switzerland: Springer. DOI |
| 2016 |
Batty, C., Dyer, A., Perkins, C., & Sita, J. (2016). Seeing animated worlds: eye tracking and the spectator's experience of narrative. In C. D. Reinard, & C. J. Olson (Eds.), Source details - Title: Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship (1 ed., pp. 165-186). UK: Bloomsbury. DOI |
| 2016 |
Batty, C. (2016). You are what you eat: film narratives and the transformational function of food. In P. Bradley (Ed.), Source details - Title: Food, media and contemporary culture: the edible image (pp. 27-43). UK: Palgrave Macmillan. DOI |
| 2016 |
Batty, C., & Cain, S. (2016). Writing for Public Relations. In Media Writing (pp. 116-155). Macmillan Education UK. DOI |
| 2016 |
Batty, C., & Cain, S. (2016). Writing Copy for Advertising. In Media Writing (pp. 156-191). Macmillan Education UK. DOI |
| 2016 |
Batty, C. (2016). You are what you eat: Film narratives and the transformational function of food. In Food Media and Contemporary Culture the Edible Image (pp. 27-43). DOI |
| 2016 |
Batty, C., & Cain, S. (2016). Writing News: Broadcast. In Media Writing (pp. 55-85). Macmillan Education UK. DOI |
| 2016 |
Batty, C., & Cain, S. (2016). Introduction. In Media Writing (pp. 1-3). Macmillan Education UK. DOI |
| 2016 |
Batty, C., & Cain, S. (2016). Screenwriting: Factual Formats. In Media Writing (pp. 230-261). Macmillan Education UK. DOI |
| 2016 |
Batty, C., & Cain, S. (2016). Writing for Magazines. In Media Writing (pp. 86-115). Macmillan Education UK. DOI |
| 2016 |
Batty, C., & Cain, S. (2016). Screenwriting: Fictional Formats. In Media Writing (pp. 192-229). Macmillan Education UK. DOI |
| 2016 |
Batty, C., & Cain, S. (2016). Writing News: Print and Online. In Media Writing (pp. 17-54). Macmillan Education UK. DOI |
| 2016 |
Batty, C., & Cain, S. (2016). Approaches to Writing for the Media. In Media Writing (pp. 4-16). Macmillan Education UK. DOI |
| 2015 |
Batty, C., Holloway, S., James, G., & Harper, G. (2015). Questions and answers: responding to creative writing teaching and learning. In G. Harper (Ed.), Source details - Title: Creative Writing and Education (1 ed., pp. 87-99). UK: Multilingual Matters. |
| 2014 |
Batty, C. (2014). Costume as character arc: how emotional transformation is written into the dressed body. In C. Batty (Ed.), Source details - Title: Screenwriters and screenwriting: putting practice into context (pp. 80-94). UK: Palgrave Macmillan. DOI |
| 2014 |
Batty, C. (2014). Me and you and everyone we know: the centrality of character in understanding media texts. In B. Thomas, & J. Round (Eds.), Source details - Title: Real Lives, Celebrity Stories: Narratives of Ordinary and Extraordinary People Across Media (pp. 35-56). UK: Bloomsbury. DOI |
| 2014 |
Batty, C. (2014). Smartphone screenwriting: creativity, technology, and screenplays-on-the-go. In M. Berry, & M. Schleser (Eds.), Source details - Title: Mobile media making in an age of smartphones (pp. 104-114). UK: Palgrave Macmillan. DOI |
| 2014 |
Batty, C. (2014). Introduction. In Screenwriters and Screenwriting (pp. 1-7). Palgrave Macmillan UK. DOI |
| 2013 |
Batty, C. (2013). Writing the screenplay. In G. Harper (Ed.), Source details - Title: A companion to creative writing (pp. 98-114). UK: Wiley. DOI Scopus1 |
| 2012 |
Batty, C. (2012). Describing with feeling: evoking style, tone and emotion in script scene directions. In E. Walker (Ed.), Source details - Title: Teaching Creative Writing: Practical Approaches (1 ed., pp. 151-154). UK: The Professional and Higher Partnership Ltd. |
| 2011 |
Batty, C. (2011). Up. In Movies That Move Us (pp. 180-195). Palgrave Macmillan UK. DOI |
| 2011 |
Batty, C. (2011). Exploring the Duality of a Screenplay Narrative. In Movies That Move Us (pp. 20-42). Palgrave Macmillan UK. DOI |
| 2011 |
Batty, C. (2011). Little Voice. In Movies That Move Us (pp. 116-130). Palgrave Macmillan UK. DOI |
| 2011 |
Batty, C. (2011). Redefining the Hero’s Journey into a New Model for Screenwriting. In Movies That Move Us (pp. 81-91). Palgrave Macmillan UK. DOI |
| 2011 |
Batty, C. (2011). Muriel’s Wedding. In Movies That Move Us (pp. 99-115). Palgrave Macmillan UK. DOI |
| 2011 |
Batty, C. (2011). Forgetting Sarah Marshall. In Movies That Move Us (pp. 146-163). Palgrave Macmillan UK. DOI |
| 2011 |
Batty, C. (2011). Sunshine Cleaning. In Movies That Move Us (pp. 164-179). Palgrave Macmillan UK. DOI |
| 2011 |
Batty, C. (2011). Conclusion. In Movies That Move Us (pp. 92-96). Palgrave Macmillan UK. DOI |
| 2011 |
Batty, C. (2011). Cars. In Movies That Move Us (pp. 131-145). Palgrave Macmillan UK. DOI |
| 2011 |
Batty, C. (2011). Introduction. In Movies That Move Us (pp. 3-19). Palgrave Macmillan UK. DOI |
| 2011 |
Batty, C. (2011). Exploring the Hero’s Journey. In Movies That Move Us (pp. 56-80). Palgrave Macmillan UK. DOI |
| 2011 |
Batty, C. (2011). Mythology and the Hero’s Journey. In Movies That Move Us (pp. 43-55). Palgrave Macmillan UK. DOI |
| 2009 |
Batty, C. (2009). Screenwriting. In R. Doughty, & D. Shaw (Eds.), Source details - Title: Film: The Essential Study Guide (1 ed., pp. 177-198). UK: Taylor & Francis. |
| 2009 |
Batty, C., & Waldeback, Z. (2009). The cultures of screenwriting. In B. Turner (Ed.), Source details - Title: The screenwriter's handbook 2010 (3 ed., pp. 3-6). US: Palgrave Macmillan. |
| 2008 |
Batty, C., & Waldeback, Z. (2008). Key Points and Speculations Exercises. In Writing for the Screen (pp. 175-186). Macmillan Education UK. DOI |
| 2008 |
Batty, C., & Waldeback, Z. (2008). Key Points and Foundations Exercises. In Writing for the Screen (pp. 89-100). Macmillan Education UK. DOI |
| 2008 |
Batty, C., & Waldeback, Z. (2008). Structures and Narratives. In Writing for the Screen (pp. 134-151). Macmillan Education UK. DOI |
| 2008 |
Batty, C., & Waldeback, Z. (2008). Dialogue and Voice. In Writing for the Screen (pp. 62-76). Macmillan Education UK. DOI |
| 2008 |
Batty, C., & Waldeback, Z. (2008). Dialogues and Voices. In Writing for the Screen (pp. 159-166). Macmillan Education UK. DOI |
| - |
Batty, C. (n.d.). Costume as Character Arc. In Screenwriters and Screenwriting. Palgrave Macmillan. DOI |
| - |
Batty, C. (n.d.). Smartphone Screenwriting. In Mobile Media Making in an Age of Smartphones. Palgrave Macmillan. DOI |
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