Research Interests
Film and Television Literary Theory Literatures in English North American LiteratureProf Julian Murphet
Professor
School of Humanities
College of Creative Arts, Design and Humanities
Eligible to supervise Masters and PhD - email supervisor to discuss availability.
I am a Marxist literary scholar specialising in modernism and North American literary history. I have interests in film studies, literary theory, and the uses and abuses of 'race'. I have written books on modern character, prison writing, William Faulkner, modernism, the literature of Los Angeles, Bret Ellis, and the filmmaker Todd Solondz; and edited several scholarly collections on various topics.I am currently working on a book on race, rioting, and poetry in the USA in 1919.I welcome prospective research students in any area covered by my competencies, but particularly on the political and economic dimensions of literary and cinematic practice in the USA.
I have a book project well underway on the terrible year of 1919 in the USA.
My research interests, broadly stated, are:
- Marxism, communism, and the radical imagination
- Cultural and literary theory
- American literature and culture
- Modernism in the arts and literature
- Film theory and history
- Riots in writing
- Race and racialization
- Character
Specific authors: William Faulkner, Gertrude Stein, Ezra Pound, Samuel Beckett, James Joyce, Ursula LeGuin, Thomas Pynchon, Keston Sutherland
| Date | Position | Institution name |
|---|---|---|
| 2020 - ongoing | Jury Professor of English Language and Literature | University of Adelaide |
| 2016 - 2020 | Scientia Professor | UNSW Australia |
| Date | Institution name | Country | Title |
|---|---|---|---|
| 1994 - 1998 | University of Cambridge | United Kingdom | PhD |
| 1993 - 1994 | University of Sydney | Australia | MPhil |
| 1989 | University of Sydney | Australia | BA (Hons) |
| Year | Citation |
|---|---|
| 2025 | Murphet, J. (2025). Mother Goose in Purgatory. Sydney Review of Books, (March). |
| 2023 | Bayeh, J., Groth, H., & Murphet, J. (2023). Introduction: Writing and Rioting: Literature in Times of Crisis. Writing the Global Riot Literature in A Time of Crisis, 1-17. |
| 2023 | Murphet, J. (2023). The Marcusian moment: sound, film, and the body of a woman. Screen, 64(3), 342-347. |
| 2022 | Howard, A., & Murphet, J. (2022). Transferring Suspiria: Historicism and Philosophies of Psychoanalytic Transference. Film-Philosophy, 26(1), 63-85. Scopus3 WoS4 |
| 2022 | Murphet, J. (2022). John Cage and <i>4'33"</i>. AUSTRALIAN HUMANITIES REVIEW, (70), 112-119. |
| 2021 | Murphet, J. (2021). Allegory, Allegoresis, and Suspiria. Affirmations: of the modern, 7(1), 84-103. |
| 2020 | Murphet, J. (2020). block/supply/chain. Australian Humanities Review, 66(May), 181-187. |
| 2020 | Murphet, J. (2020). Astonied: the mineral poetics of Robinson Jeffers, Hugh MacDiarmid, Francis Ponge and Muriel Rukeyser. Textual Practice, 34(9), 1501-1517. |
| 2019 | Murphet, J. (2019). An oasis of horror: Affirming the affect of the portrait of a lady. Henry James Review, 40(3), 194-203. Scopus2 WoS1 |
| 2018 | Murphet, J. (2018). Poetical Works 1999-2015. CHICAGO REVIEW, 62(1-3), 346-353. |
| 2017 | Murphet, J. (2017). On the mortification of novelistic discourse in Three novels. Journal of Beckett Studies, 26(1), 39-52. WoS3 |
| 2016 | Murphet, J. (2016). Godard's Stereopticon. Screening the Past, 41. |
| 2016 | Murphet, J. (2016). Rosa Plus Emma: Political Pleasure and the Enjoyment of Reason. Filozofski Vestnik, 37(2), 201-212. |
| 2016 | Murphet, J. (2016). A modest proposal for the Inhuman. Modernism - Modernity, 23(3), 651-670. Scopus14 WoS15 |
| 2016 | Murphet, J., & Hellyer, G. (2016). Introduction: Rancière and literature. Ranciere and Literature, 1-21. |
| 2015 | Murphet, J. (2015). Aesthetic perception and "the flaw": Towards a jamesonian account of Late James. Henry James Review, 36(3), 226-233. Scopus3 WoS2 |
| 2014 | Murphet, J. (2014). Postcolonial Theory and the Specter of Capital. CAMBRIDGE JOURNAL OF POSTCOLONIAL LITERARY INQUIRY, 1(1), 157-163. WoS2 |
| 2014 | Murphet, J. (2014). Steven connor from down under. Critical Quarterly, 56(2), 14-16. |
| 2012 | Murphet, J. (2012). Events listening to their own tremors: Zukofsky and objective anachrony. Textual Practice, 26(4), 707-727. Scopus1 WoS3 |
| 2011 | Murphet, J. (2011). The mole and the multiple: A chiasmus of character. New Literary History, 42(2), 255-276. Scopus11 WoS6 |
| 2011 | Murphet, J. (2011). Coetzee and late style: Exile within the form. Twentieth Century Literature, 57(1), 86-104. Scopus11 WoS11 |
| 2011 | Murphet, J. (2011). Coetzee's lateness and the detours of globalization. Twentieth Century Literature, 57(1), 1-8. Scopus6 |
| 2011 | Murphet, J. (2011). Coetzee's Lateness and the Detours of Globalization Introduction. TWENTIETH CENTURY LITERATURE, 57(1), 1-8. WoS5 |
| 2011 | Murphet, J. (2011). Enduring Words: Literary Narrative in a Changing Media Ecology. REVIEW OF ENGLISH STUDIES, 62(253), 154-156. |
| 2009 | Murphet, J. (2009). Cultural studies: An anthology. CONTINUUM-JOURNAL OF MEDIA & CULTURAL STUDIES, 23(3), 416-422. |
| 2009 | Murphet, J. (2009). Beckett's televisual modernism. Critical Quarterly, 51(2), 60-78. Scopus4 WoS4 |
| 2008 | Murphet, J. (2008). Pitiable or political animals?. Sub Stance, 37(3), 97-116. Scopus7 WoS2 |
| 2007 | Murphet, J. (2007). Character and event. Sub-Stance, 36(2), 106-125. Scopus5 |
| 1998 | Murphet, J. (1998). Film noir and the racial unconscious. Screen, 39(1), 22-34. Scopus30 |
| 1998 | Murphet, J. (1998). Identity and difference in Anna Deavere Smith's performance art. Wasafiri, 13(27), 29-33. Scopus1 |
| Year | Citation |
|---|---|
| 2024 | Groth, H., & Murphet, J. (2024). The Edinburgh Companion to Literature and Sound Studies. Edinburgh Companions to Litera. Scopus4 |
| 2024 | Groth, H., & Murphet, J. (2024). The Edinburgh Companion to Literature and Sound Studies. Edinburgh Companions to Litera. Scopus4 |
| 2024 | Murphet, J. (2024). Modern Character 1888-1905. Oxford University Press. DOI Scopus1 |
| 2023 | Murphet, J. (2023). Prison Writing in the Twentieth Century A Literary Guide. EUP. Scopus1 |
| 2023 | Bayeh, J., Groth, H., & Murphet, J. (Eds.) (2023). Writing the Global Riot: Literature in a Time of Crisis (1st ed.). Oxford, UK: Oxford University Press. DOI |
| 2019 | Wutz, M., & Murphet, J. (Eds.) (2019). E. L. Doctorow A Reconsideration. Edinburgh; United Kingdom: Edinburgh University Press. |
| 2019 | Wutz, M., & Murphet, J. (Eds.) (2019). E. L. Doctorow A Reconsideration. Edinburgh; United Kingdom: Edinburgh University Press. |
| 2019 | Murphet, J. (2019). Todd Solondz. Chicago, Illinois; USA: University of Illinois Press. |
| 2017 | Murphet, J. (2017). Faulkner’s media romance. New York, NY; USA: Oxford University Press. DOI Scopus19 |
| 2017 | Murphet, J., Groth, H., & Hone, P. (2017). Sounding Modernism: Rhythm and Sonic Mediation in Modern Literature and Film. Edinburgh University Press. Scopus12 |
| 2016 | Hellyer, G., & Murphet, J. (2016). Rancière and Literature. Edinburgh University Press. Scopus5 |
| 2015 | Murphet, J., & Solomon, S. (2015). William Faulkner in the media ecology. Scopus7 |
| 2014 | Murphet, J., McDonald, R., & Morrell, S. (2014). Flann O'Brien & Modernism. Bloomsbury Publishing USA. Scopus6 |
| 2012 | Murphet, J., & Steven, M. (2012). Styles of Extinction: Cormac McCarthy’s The Road. A&C Black. Scopus12 |
| 2012 | Lusty, N., & Murphet, J. (2012). Modernism and masculinity. N. Lusty, & J. Murphet (Eds.), Cambridge University Press. DOI Scopus9 |
| 2011 | Danta, C., Kossew, S., & Murphet, J. (2011). STRONG OPINIONS: J. M. Coetzee and the Authority of Contemporary Fiction. Scopus6 |
| 2009 | Murphet, J. (2009). Multimedia Modernism Literature and the Anglo-American Avant-garde. Cambridge University Press. |
| 2005 | Fulton, H., Huisman, R., Murphet, J., & Dunn, A. (2005). Narrative and media. Cambridge University Press. DOI Scopus67 |
| 2003 | Murphet, J., & Rainford, L. (2003). Literature and Visual Technologies Writing After Cinema. Springer. |
| 2002 | Murphet, J. (2002). Bret Easton Ellis's American Psycho A Reader's Guide. A&C Black. |
| 2001 | Murphet, J. (2001). Literature and Race in Los Angeles. Cambridge University Press. |
| Year | Citation |
|---|---|
| 2025 | Murphet, J. (2025). Kubrick’s Barry Lyndon: Between Race and Nation. In J. McEntee (Ed.), Kubrick and Race. Liverpool University Press. |
| 2025 | Murphet, J. (2025). The Character of Gertrude Stein’s Geography and Plays in 1922. In Modern and Contemporary Poetry and Poetics (Vol. Part F1097, pp. 95-114). Springer Nature Switzerland. DOI |
| 2024 | Murphet, J. (2024). The Acousmatics of Prison Writing. In H. Groth, & J. Murphet (Eds.), The Edinburgh Companion to Literature and Sound Studies (pp. 167-181). Edinburgh University Press. |
| 2024 | Murphet, J. (2024). The Birds (1963): Trauma and the right of reply. In One Shot Hitchcock: A Contemporary Approach to the Screen (pp. 228-243). Oxford University PressNew York. DOI |
| 2023 | Murphet, J. (2023). The Crowd in This Moment: Troubling the Immanence of Riots in Contemporary US Literature. In J. Bayeh, H. Groth, & J. Murphet (Eds.), Writing the Global Riot: Literature in a Time of Crisis (pp. 153-169). Oxford University Press. DOI |
| 2023 | Murphet, J. (2023). New Visual Media. In M. Whalan (Ed.), The Cambridge History of American Modernism (Vol. 43, pp. 20 pages). BMC. DOI WoS26 Europe PMC28 |
| 2022 | Murphet, J. (2022). Understanding Quad. In B. Rapcsak, M. Nixon, & P. Schweighauser (Eds.), Beckett and Media. Manchester, United Kingdom: University of Manchester Press. |
| 2022 | Murphet, J. (2022). Violence and Power in Kubrick’s Later Cinema. In K. A. Ritzenhoff, D. Metlić, & J. Szaniawski (Eds.), Gender, Power, and Identity in The Films of Stanley Kubrick. Taylor & Francis. |
| 2021 | Murphet, J. (2021). Globalism’s Pre-History: Technologies of Modernism. In D. Ganguly (Ed.), The Cambridge History of World Literature (pp. 148-162). Cambridge, United Kingdom: Cambridge University Press. DOI |
| 2021 | Murphet, J. (2021). Marx in the Modernist Novel. In M. Steven (Ed.), Understanding Marx, Understanding Modernism (pp. 115-123). New York, New York, United States of America: Bloomsbury Academic. Scopus2 |
| 2020 | Murphet, J. (2020). "A Rearrangement of Molecules": On Doctorow’s Perpetual Motion Machines. In J. Murphet, & M. Wutz (Eds.), E.L. Doctorow: A Reconsideration (pp. 132-147). Edinburgh, Scotland; Great Britain: Edinburgh University Press. |
| 2019 | Murphet, J. (2019). "Wide as targes let them be," or, How a poem is a barricade. In R. Jennison, & J. Murphet (Eds.), Communism and Poetry: Writing Against Capital (pp. 185-207). Cham, Switzerland: Palgrave Macmillan. DOI |
| 2019 | Murphet, J. (2019). "Wide as targes let them be," or, How a poem is a barricade. In R. Jennison, & J. Murphet (Eds.), Communism and Poetry: Writing Against Capital (pp. 185-207). Cham, Switzerland: Palgrave Macmillan. DOI |
| 2019 | Murphet, J. (2019). King Kong Capitalism. In Animal Life and the Moving Image (pp. 153-170). Scopus1 |
| 2019 | Murphet, J. (2019). GROUNDING THEORY: Literary Theory and the New Geography. In Post Theory New Directions in Criticism (pp. 200-208). Scopus4 |
| 2018 | Murphet, J. (2018). Modernism and Technology. In U. Maude, & M. Nixon (Eds.), The Bloomsbury Companion to Modernist Literature (pp. 307-326). London, United Kingdom: Bloomsbury Academic. |
| 2017 | Murphet, J. (2017). "Character". In P. Rabinowitz (Ed.), Oxford Research Encyclopedia of Literature. Online: Oxford University Press. DOI |
| 2017 | Murphet, J. (2017). Projecting the Sixties: mediation and characterology in The Catherine Wheel. In E. McMahon, & B. Olubas (Eds.), Elizabeth Harrower: Critical Essays. Sydney, Australia: Sydney University Press. |
| 2017 | Murphet, J. (2017). On Not Listening To Modernism. In J. Murphet, H. Groth, & P. Hone (Eds.), Sounding Modernism: Rhythm and Sonic Mediation in Modern Literature and Film (pp. 19-34). Edinburgh: Edinburgh University Press. Scopus1 |
| 2017 | Murphet, J. (2017). On Not Listening To Modernism. In J. Murphet, H. Groth, & P. Hone (Eds.), Sounding Modernism: Rhythm and Sonic Mediation in Modern Literature and Film (pp. 19-34). Edinburgh: Edinburgh University Press. Scopus1 |
| 2017 | Groth, H., Murphet, J., & Hone, P. (2017). Introduction: Sounding Modernism 1890–1950. In Sounding Modernism Rhythm and Sonic Mediation in Modern Literature and Film (pp. 1-15). Scopus4 |
| 2016 | Murphet, J. (2016). Ineluctable Modality of the Sensible: Poverty and Form in Ulysses. In J. Murphet, & G. Hellyer (Eds.), Rancière and Literature (pp. 207-225). Edinburgh: Edinburgh University Press. Scopus2 |
| 2016 | Murphet, J. (2016). Ineluctable Modality of the Sensible: Poverty and Form in Ulysses. In J. Murphet, & G. Hellyer (Eds.), Rancière and Literature (pp. 207-225). Edinburgh: Edinburgh University Press. Scopus2 |
| 2016 | Murphet, J. (2016). A Desire Named Streetcar. In L. Marcus, D. Bradshaw, & R. Roach (Eds.), Moving Modernisms (pp. 275-288). New York, United States of America: Oxford University Press. DOI |
| 2016 | Murphet, J. (2016). Poetry in the Medium of Life: Text, Code, Organism. In S. Pryor, & D. Trotter (Eds.), Writing, Medium, Machine: Modern Technographies (pp. 208-223). Online: Open Humanities Press. |
| 2016 | Murphet, J. (2016). Medium. In S. Bru, B. De Bruyn, & M. Delville (Eds.), Literature Now: Key Terms and Methods for Literary History (Vol. Sascha Bru, Ben De Bruyn and Michel Delville, pp. 46-58). Edinburgh, Scotland; UK: Edinburgh University Press. |
| 2016 | Murphet, J. (2016). Short story futures. In D. Head (Ed.), The Cambridge History of the English Short Story (pp. 598-614). Cambridge, United Kingdom: Cambridge University Press. DOI Scopus3 |
| 2016 | Murphet, J. (2016). Lewis and media. In T. Miller (Ed.), The Cambridge Companion to Wyndham Lewis (pp. 160-171). New York, NY; USA: Cambridge University Press. DOI Scopus1 |
| 2015 | Murphet, J. (2015). Cinematography of the group: Angelopoulos and the collective subject of cinema. In Cinema of Theo Angelopoulos (pp. 263-287). Scopus1 |
| 2015 | Murphet, J. (2015). New media ecology. In New Cambridge Companion to William Faulkner (pp. 14-28). Cambridge University Press. DOI Scopus3 |
| 2015 | Murphet, J. (2015). In Theory: Stein and Film Philosophy. In Gertrude Stein in Europe Reconfigurations Across Media Disciplines and Traditions (pp. 165-184). Scopus1 |
| 2014 | Murphet, J. (2014). Flann O'Brien and Modern Character. In Flann O Brien and Modernism (pp. 149-162). Scopus1 |
| 2014 | Murphet, J. (2014). Faulkner in the histories of film: “Where memory is the slave”. In Faulkner and Film Faulkner and Yoknapatawpha 2010 (pp. 197-219). Scopus4 |
| 2013 | Murphet, J. (2013). Communication and media studies. In A Companion to Diaspora and Transnationalism (pp. 54-67). Wiley. DOI Scopus3 |
| 2013 | Murphet, J. (2013). A Loose Democracy in the Skull: Characterology and Neuroscience. In Mindful Aesthetics Literature and the Science of Mind (pp. 189-205). Scopus1 |
| 2012 | Murphet, J. (2012). The cave and The Road: Styles of forgotten dreams. In Styles of Extinction Cormac Mccarthys the Road (pp. 109-130). Scopus3 |
| 2012 | Steven, M., & Murphet, J. (2012). Introduction: “The charred ruins of a library”. In Styles of Extinction Cormac Mccarthys the Road (pp. 1-8). Scopus2 |
| 2012 | Murphet, J. (2012). Postcolonial writing in Australia and New Zealand. In Cambridge History of Postcolonial Literature (Vol. 1, pp. 446-483). Cambridge University Press. DOI Scopus4 |
| 2012 | Murphet, J. (2012). The novel amid new technology and media. In Cambridge History of the English Novel (pp. 774-790). Cambridge University Press. DOI |
| 2012 | Murphet, J. (2012). Towards a gendered media ecology. In Modernism and Masculinity (pp. 53-68). Cambridge University Press. DOI |
| 2011 | McCann, B., & Sorfa, D. (2011). Introduction. In B. McCann, & D. Sorfa (Eds.), The Cinema of Michael Haneke: Europe Utopia (1 ed., pp. 1-9). New York: Wallflower Press. DOI Scopus2 |
| 2011 | Murphet, J. (2011). Diary of a Bad Year: Parrhesia, Opinion and Novelistic Form. In Strong Opinions J M Coetzee and the Authority of Contemporary Fiction (pp. 63-80). Scopus10 |
| 2010 | Murphet, J. (2010). The literature of urban rebellion. In Cambridge Companion to the Literature of Los Angeles (pp. 101-110). Cambridge University Press. DOI Scopus2 |
| 2008 | Murphet, J. (2008). Film and (as) modernity. In Sage Handbook of Film Studies (pp. 343-360). SAGE Publications Ltd. DOI Scopus2 |
| 2005 | Murphet, J. (2005). Narrative voice. In Narrative and Media (pp. 73-85). Cambridge University Press. DOI Scopus1 |
| 2005 | Murphet, J. (2005). Point of view. In Narrative and Media (pp. 86-95). Cambridge University Press. DOI Scopus2 |
| 2005 | Murphet, J. (2005). Stories and plots. In Narrative and Media (pp. 47-59). Cambridge University Press. DOI Scopus4 |
| 2005 | Murphet, J. (2005). Fiction and postmodernity. In The Cambridge History of Twentieth-Century English Literature (pp. 716-735). Cambridge University Press. DOI Scopus4 |
| 2005 | Murphet, J. (2005). Narrative time. In Narrative and Media (pp. 60-72). DOI Scopus5 |
| 2004 | Murphet, J. (2004). Postmodernism and space. In Cambridge Companion to Postmodernism (pp. 116-135). Cambridge University Press. DOI Scopus22 |
| 2003 | Murphet, J. (2003). Gertrude Stein's machinery of perception. In Literature and Visual Technologies: Writing After Cinema (pp. 67-81). DOI Scopus8 |
| 1999 | Magarey, S. (1999). Introduction. In S. Magarey (Ed.), Human rights and reconciliation, 1999 (pp. 1-9). University of Queensland Press. DOI Scopus1 |
| 1998 | McNiven, I., Schaffer, K., & Russell, L. (1998). Introduction. In I. McNiven, K. Schaffer, & L. Russell (Eds.), Constructions of colonialism : perspectives on Eliza Fraser's shipwreck (pp. 1-12). Leicester University Press. DOI Scopus1 |
| Year | Citation |
|---|---|
| 2020 | Authors: Murphet J. Title: Named and Nameless Others. Extent: webpage. |
ARC Discovery Grant, ‘Rioting and the Literary Archive’, 2019-21 ($199,000)
ARC Discovery Grant, ‘William Faulkner Between Cinema and Literature’, 2009-2011 ($165,000)
Research-only Professorship, UNSW, 2007-2010
ARC Discovery Grant, ‘Cinematic Imaginations’, 2004-2005 ($75,000)
Junior Research Fellow, St John’s College, Oxford, 1998-2002
Senior Rouse Ball Scholar, Trinity College, Cambridge, 1997-98
I teach broadly in Anglophone literary history, especially modern and contemporary, as well as on film and literary cultural theory.
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2025 | Principal Supervisor | American Film (in the Context of World Cinema) | Doctor of Philosophy | Doctorate | Full Time | Miss Sarah Karin Huefner |
| 2025 | Principal Supervisor | The Maximalist Novel and the Neoliberal Economic Transition | Doctor of Philosophy | Doctorate | Full Time | Mr Jack Douglas Patterson |
| 2024 | Principal Supervisor | Literary Modernism and Conservative Politics | Doctor of Philosophy | Doctorate | Full Time | Ms Charlotte Grace Minney |
| 2024 | Principal Supervisor | A Rising Class-Consciousness: The Evolution of the 'Eat the Rich' Phenomenon in Contemporary Cinema | Doctor of Philosophy | Doctorate | Full Time | Miss Eva Nicolaou |
| 2023 | Principal Supervisor | The Philosophical ‘Subject’ and Literary ‘Character’: Negotiating Identity in Modernist Texts by Women Authors | Doctor of Philosophy | Doctorate | Full Time | Miss Sophie Elinor Zadow |
| 2023 | Principal Supervisor | A Cinematic Reading of Faulkner's Novel | Doctor of Philosophy | Doctorate | Full Time | Miss Xinru Ma |
| 2020 | Principal Supervisor | Fishing in Moby-Dick, Omeros, and Carpentaria | Doctor of Philosophy | Doctorate | Part Time | Mr Matthew Hunter Couper |
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2024 - 2025 | Co-Supervisor | Volume 1 - After the Track: Stories Volume 2 - Flat Form, Affect, and Space: Reading Flatness in the Contemporary Short Story |
Master of Philosophy | Master | Full Time | Mr Morgan Wesley Nunan |
| 2023 - 2024 | Co-Supervisor | Pretty Much a Saga of a Certain Type of Person: Charles Bukowski and Postmodern Humanism | Doctor of Philosophy | Doctorate | Full Time | Dr Benjamin Thomas Sorby Adams |
| 2021 - 2025 | Principal Supervisor | Revising the Verbal Mood: A Study of Epigenetic Revision, Affect, and Artistry in the Works of Willa Cather | Doctor of Philosophy | Doctorate | Full Time | Miss Clare Lesley Charlesworth |
| 2021 - 2024 | Principal Supervisor | Columbining: Mass Murder & Cinema | Master of Philosophy | Master | Part Time | Mr Taylor Earl Westmacott |
| 2021 - 2024 | Co-Supervisor | Not Promising: An Extract from a Novel With an Exegesis on Debt and the Bildungsroman Volume One Volume Two | Master of Philosophy | Master | Part Time | Mr Alex William Sutcliffe |
| 2021 - 2024 | Co-Supervisor | Homeric and Virgilian Justice in Milton’s Paradise Lost | Doctor of Philosophy | Doctorate | Full Time | Mr Darryl Do |
| 2020 - 2022 | Principal Supervisor | Deleuze, Simondon, and Disability: A Transcendental-Empirical Approach to Disability and Disability Studies | Doctor of Philosophy | Doctorate | Full Time | Mr Benjamin Wayne Kearvell |
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