Research Interests
Aboriginal and Torres Strait Islander Archaeology Aboriginal and Torres Strait Islander History Aboriginal and Torres Strait Islander Knowledge Management Aboriginal and Torres Strait Islander Languages Aboriginal and Torres Strait Islander Performing Arts Art History Museum StudiesProf John Carty
Professor
School of Humanities
College of Creative Arts, Design and Humanities
Eligible to supervise Masters and PhD - email supervisor to discuss availability.
John Carty is a Professor of Museum and Curatorial Studies at Adelaide University. His career bridges academia, cultural institutions and cultural diplomacy. He has worked with the National Museum of Australia, The British Museum, UNESCO and spent 9 years as Head of Humanities at the South Australian Museum. His movement between academia and cultural institutions focusses on connecting the collections and contemporary politics of Museums with innovative research and partnerships with Aboriginal artists, thinkers and communities. His major focus in recent years has been around the repatriation and reburial of Aboriginal Australian ancestors from both Australian and international institutions. He has worked extensively with Aboriginal artists and custodians throughout Australia on books, exhibitions and repatriation programs. In recent years that work has grown to focus on the cultural and cross-cultural histories encompassed by objects in museum collections. His projects explore new methodologies and models for bringing Aboriginal voices and values further into mainstream narratives of Australian history, Australian research, and contemporary Australian culture. His creative engagement with public debate and events is broad, spanning the Adelaide Festival of Ideas, Adelaide Festival, Illuminate Adelaide and Tasting Australia, amongst others.
| Year | Citation |
|---|---|
| 2021 | Carty, J. (2021). Ceremony Men: Making Ethnography and the Return of the Strehlow Collection. ABORIGINAL HISTORY, 45, 191-193. |
| 2019 | Carty, J. R. (2019). To imagine an Australian museum. Anthropological Forum, 29(4), 384-396. Scopus2 WoS2 |
| 2013 | Carty, J. (2013). The limits of criticism. Artlink: Australian contemporary art quarterly, 33(2), 56-61. |
| 2012 | Carty, J. (2012). Purnu, Tjanpi, Canvas: Art history in the Ngaanyatjarra Lands. Art Monthly Australia, 256, 64-68. |
| 2008 | Carty, J., & Musharbash, Y. (2008). You've got to be joking: Asserting the analytical value of humour and laughter in contemporary anthropology. Anthropological Forum, 18(3), 209-217. Scopus68 |
| - | Carty, J., & Dorion-Coupal, K. (2015). Yiwarra Kuju, ou comment l’espace a été transformé en lieu au National Museum of Australia. Anthropologie et Sociétés, 38(3), 207-230. |
| Year | Citation |
|---|---|
| 2025 | Carty, J., Gibson, J., Paterson, A., Scholes, L., Hutchens, J., & Gilchrist, S. (2025). Birrundudu Drawings. Upswell Publishing. |
| 2023 | Carty, J., & Scholes, L. (2023). Sun and Shadow: Art of the Spinifex People. Perth, Western Australia: Upswell Publishing. |
| 2021 | Carty, J. (2021). Balgo: Creating Country. Crawley, Western Australia: UWA Publishing. |
| 2015 | Carty, J. (Ed.) (2015). Patrick Tjungurrayi: Beyond Borders. UWA Publishing. |
| 2015 | Carty, J. (Ed.) (2015). Patrick Tjungurrayi: Beyond Borders. UWA Publishing. |
| 2015 | Sculthorpe, G., Carty, D. J., Morphy, H., Nugent, M., Coates, I., Bolton, L. M., & Jones, J. (2015). Indigenous Australia Enduring Civilisation. |
| 2012 | Carty, J., & Acker, T. (Eds.) (2012). Ngaanyatjarra Art of the Lands. Australia: Uwa Pub. |
| 2012 | Carty, J., & Acker, T. (Eds.) (2012). Ngaanyatjarra Art of the Lands. Australia: Uwa Pub. |
| 2011 | Fontaine, M., & Carty, J. (Eds.) (2011). Ngurra Kuju Walyja One Country, One People : Stories from the Canning Stock Route. Australia: Macmillan Art Pub. |
| 2011 | Fontaine, M., & Carty, J. (Eds.) (2011). Ngurra Kuju Walyja One Country, One People : Stories from the Canning Stock Route. Australia: Macmillan Art Pub. |
| 2010 | Carty, J. R. (2010). Prettyone: the art of Billy Atkins. Newman: Martumili Artists. |
| 2010 | Carty, J., Davenport, C., & Lafontaine, M. (2010). Yiwarra Kuju The Canning Stock Route. |
| Year | Citation |
|---|---|
| 2021 | Carty, J. (2021). Djalu's Yidaki: bridge of sound. In G. Petitjean (Ed.), Breath of Life (pp. 31-55). Milan, Italy: 5 Continents Editions. |
| 2019 | Carty, J., & Musharbash, Y. (2019). You've got to be joking: asserting the analytical value of humour and laughter in contemporary anthropology. In J. Rehak, & S. Trnka (Eds.), The Politics of Joking Anthropological Engagements (pp. 12-20). Routledge. |
| 2017 | Carty, J. (2017). After lightning. In B. Bradley (Ed.), Painting on Country (pp. 2-13). Alice Springs, NT; Australia: Tjungu Palya Aboriginal Corporation. |
| 2016 | Carty, J. R. (2016). Carlene West: The End of Exploring. In H. Skerritt (Ed.), Marking the Infinite Contemporary Women Artists from Aboriginal Australia (pp. 92-105). New York, USA: Prestel. |
| 2016 | Underwood, R., Hallett, B., & Carty, J. (2016). Wati pilanguru : the man from spinifex. In Unknown Book (pp. 20 pages). Alice Springs NT: RAFT Artspace. |
| 2015 | Carty, J., & Morphy, H. (2015). Understanding Country. In . (Ed.), Indigenous Australia Enduring Civilisations (pp. 20-119). United Kingdom: British Museum Press. |
| 2015 | Carty, J. (2015). Boxer Milner Tjampitjin: Portraits of water. In H. Skerritt (Ed.), No Boundaries Aboriginal Australian Contemporary Abstract Painting (pp. 118-131). Germany: Prestel Publishing. |
| 2014 | Carty, J., & Taylor, N. (2014). You Don’t go out in Country by Yourself: collaborative Creativity in Martu Art. In Martu Art from the Far Western Desert (pp. 30-37). Australia: Museum of Contemporary Art. |
| 2014 | Carty, J. R., & Taylor, N. (2014). You Don't go out in Country by Yourself. In A. Davis (Ed.), Martu Art from the Far Western Desert (pp. 30-39). Sydney: Museum of Contemporary Art. |
| 2013 | Mahood, K., & Carty, J. (2013). A lake in time: histories of Paruku. In M. Morton, M. Martin, K. Mahood, & J. Carty (Eds.), Desert Lake Art, Science and Stories from Paruku (pp. 57-67). Collingwood, Vic.: CSIRO Publishing. |
| 2013 | Mahood, K., & Carty, J. (2013). A lake in time: histories of Paruku. In M. Morton, M. Martin, K. Mahood, & J. Carty (Eds.), Desert Lake Art, Science and Stories from Paruku (pp. 57-67). Collingwood, Vic.: CSIRO Publishing. |
| 2013 | Carty, J. (2013). The Shape of the Lake. In K. Mahood, S. Morton, & J. Carty (Eds.), Desert Lake Art, Science and Stories from Paruku (pp. 203-213). CSIRO PUBLISHING. |
| 2011 | Carty, J. (2011). West Side Story: Aboriginal art history in the Canning Stock Route Country. In J. Carty,, & L. Fontaine (Eds.), Ngurra Kuju Walyja One Country, One People : Stories from the Canning Stock Route (pp. 179-195). Macmillan Art Pub. |
| 2011 | Carty, J., & French, A. (2011). Art of Central Australia: refigured ground. In J. Anderson (Ed.), The Cambridge companion to Australian art (pp. 122-142). Cambridge: Cambridge University Press. |
| 2010 | Carty, J. R. (2010). Drawing a Line in the Sand: the Canning Stock Route and Contemporary Art. In J. Carty (Ed.), Yiwarra Kuju The Canning Stock Route (pp. 23-32). National Museum of Australia. |
| 2010 | Carty, J. R. (2010). Drawing a Line in the Sand: the Canning Stock Route and Contemporary Art. In J. Carty (Ed.), Yiwarra Kuju The Canning Stock Route (pp. 23-32). National Museum of Australia. |
| Year | Citation |
|---|---|
| 2024 | Chadwick, R., & Carty, J. (2024). Spinifex People: art and stories from Pila Nguru (No. Of Pieces: 3 months duration) [Exhibition]. Western Australian Museum: Western Australian Museum. |
| 2024 | Chadwick, R., & Carty, J. (2024). Spinifex People: art and stories from Pila Nguru (No. Of Pieces: 3 months duration) [Exhibition]. Western Australian Museum: Western Australian Museum. |
| 2021 | Carty, J. (2021). Balgo Beginnings (No. Of Pieces: 3 Months) [Museum Exhibition]. South Australian Museum: South Australian Museum. |
| 2021 | Carty, J., Parker, K., & Marshall, I. (2021). Adelaide Festival of Ideas (No. Of Pieces: 4 days) [Curated Festival]. Adelaide University: University of Adelaide /Illuminate Adelaide. |
| 2021 | Carty, J. (2021). Before and Now: Arrkurla nakala, kurunga lyaata-ntama (No. Of Pieces: 200 square meters) [Exhibition]. South Australian Museum: South Australian Museum. |
| 2017 | Carty, J., & Gurruwiwi, D. (2017). Yidaki: Didjeridu and the Sound of Australia (Exhibition Curator) (No. Of Pieces: The exhibtion last for 4 months in Adelaide, toured Japan in 2018, and is now touring nationally.) [Exhibition]. Adelaide. |
| 2010 | Carty, J. (2010). Yiwarra Kuju: The Canning Stock Route (No. Of Pieces: 6 months) [Exhibition]. Canberra: National Museum of Australia. |
| 2010 | Carty, J. (2010). Yiwarra Kuju: The Canning Stock Route (No. Of Pieces: 6 months) [Exhibition]. Canberra: National Museum of Australia. |
| Year | Citation |
|---|---|
| 2012 | Carty, J. R. (2012). Creating Country: Abstraction, economics and the social life of style in Balgo Art. (PhD Thesis, Australian National University). |
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2025 | Co-Supervisor | Repatriation of Aboriginal ancestral remains from the South Australian Museum: analysing a cultural model of governance with sector-wide significance | Doctor of Philosophy | Doctorate | Full Time | Ms Annamaria Russo |
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2017 - 2024 | Co-Supervisor | Muda is bigger than the archive: Analysing Adnyamathanha use of archival photographs in communicating and negotiating Adnyamathanha Aboriginal identities | Doctor of Philosophy | Doctorate | Part Time | Ms Rebecca Grace Richards |
| Date | Role | Board name | Institution name | Country |
|---|---|---|---|---|
| 2021 - ongoing | Board Member | Council of Museum Anthropology | American Anthropological Association | Australia |
| 2017 - 2025 | Board Member | Australian National Commission for UNESCO | UNESCO | Australia |