Ms Jennifer Rutherford
School of Humanities
College of Creative Arts, Design and Humanities
Eligible to supervise Masters and PhD - email supervisor to discuss availability.
I am an interdisciplinary scholar trained in sociology and literature. My research experiments with writing, representation and performance to provide new ways of communicating academic knowledge in the humanities and the social sciences. I am interested in narrative, memory and place-making; in the slowness and inertia of cultures and subjects in times of great change; in the way individuals and communities dwell in, and through, the traumas that shape them, and in the role that artists and writers play as conduits for change. Psychoanalysis informs much of what I do, as does the troubled history of colonial race–relations. My most recent work explores melancholia in Australian culture. A novella 'Méren: Me, My Brothers and I' (under review) re-imagines the myth of Saturn unfolding in a dystopic Australian colony; 'Melancholy Migrations: Travelling with the Negative' (forthcoming Giramondo) is a provocative study of the cultural politics of melancholia in Australia, and 'The Encyclopedia of Lost Things' (in progress) uses the affordances of life-writing to explore the trauma of past losses against a horizon of future crisis.In another recent project I led a creative team to produce a mobile app 'Traverses: J.M. Coetzee in the World', (Itunes) creating a new mode of literary criticism integrating, video, textual and photographic archival material, and critical commentary, in a highly accessible and interactive digital platform. I welcome inquiries from Masters and Ph.D. candidates interested in: creative research, interdisciplinary scholarship, creative criticism, and trans-disciplinary poetics. I am happy to supervise theses in the fields of psychoanalysis, spatial poetics, trauma studies, colonial and post-colonial studies, race-relations and Australian literature and cultural studies.
My projects include:
- The Encyclopedia of Lost Things
"The Encyclopedia of Lost Things", a writing project, explores the affordances of life-writing to illuminate the inter-relationship between an intimate self (and its crises) and a larger collective condition/crisis. Interlacing theoretical, philosophical and psycho-social reflection with literary and personal narration it explores the interdependence of nature/culture in narrativising the self. Conceived as an "an experiment in attention" (Dillon 2018), it contributes to the “new essaysim” through the crafting of a work of 26 essays, each constructed around a letter of the alphabet and using digression, segue, and glissade to move fluidly between different registers (past present and future; intimate recollection; critical thought, self and nature/society).
Essays from “The Encyclopedia of Lost Things” have been published in Best Australian Essays (2017); long-listed for the Calibre Prize (2016) and recognized by the award of a Vermont Studio Writing Residence (2018); A Dartmouth College Visiting Fellowship, Leslie College of the Humanities( 2018); and an ANU Humanities Research Centre Fellowship, 2019)
- Tjungu Pakani- Together We Rise
This project Tjungu Pakani- Together We Rise was a cross-cultural creative collaboration between the JM Coetzee Centre for Creative Practice, Sound Stream, The National Trust of Australia (Ayers House), the City of Adelaide, Renewal SA, Arts South Australia, The Centre for Aboriginal Studies in Music (University of Adelaide) and the Titjikala Women’s Choir. The project brought the Norther Territory Indigenous choir (Titjikala) to Adelaide for a series of workshops and exchanges with local musicians and artists culminating in an exhibition and concert featuring the choir singing songs from the Lutheran tradition in Pitjantjajara. The project was funded with a City of Adelaide Arts and Cultural – Community Programs & Events Grant 2018/19
- Méren: Me, My Brothers and I
Méren: Me, My Brothers and I, is a fictional exploration of colonial melancholy extending and deepening understanding of the traumatic foundations of colonization. Melancholia has been understood as an affect underpinning dominant cultural fantasy particularly in relation to colonial and post-colonial racial imaginaries. Méren, Me My Brothers and I explores this traumatic/ affective legacy in the context of colonial South Australia imagined through the narrative conceit of Saturn as a colonial "founding father.” This poetic evocation deepens available ways of understanding key colonial tropes of the fantastic, the uncanny and the gothic reinterpreted though the long history of melancholy scholarship and textualisation. Méren: Me, My Brothers and I, is currently under-review with Giramondo Press.
| Date | Position | Institution name |
|---|---|---|
| 2015 - ongoing | Professor (Sociology and Literature), Director, JMCCCP | Adelaide University |
| 2014 - 2015 | Director, Hawke EU Centre for Mobilities, Migrations, and Cultural Transformations | University of South Australia |
| 2013 - 2015 | Deputy Director, Hawke Research Institute | University of South Australia |
| 2010 - 2013 | Head of Department (Sociology) and Associate Professor (Social Theory) | Flinders University |
| 2006 - 2010 | Senior Lecturer (English Literary Studies) | Melbourne University |
| 2003 - 2005 | Senior Lecturer (Cultural Studies) | Macquarie University |
| 1998 - 2000 | Macquarie University Research Fellow (Cultural Studies) | Macquarie University |
| Date | Type | Title | Institution Name | Country | Amount |
|---|---|---|---|---|---|
| 2019 | Fellowship | Visiting Fellow Humanities Research Centre | Australian National University | Australia | 12,000 |
| 2018 | Fellowship | Visiting Fellow, Leslie Centre for the Humanities | Dartmouth College | United States | accommodation expenses and honorarium |
| 2018 | Fellowship | Writer in residence | Vermont Studio centre, Johnson | United States | 1000 |
| 2014 | Award | Lead Researcher/Director | University of South Australia | - | 1,5million |
| 2014 | Distinction | Public Lecture | Trinity College Dublin | Ireland | - |
| 2014 | Invitation | Visiting Fellowship | Trinity College Dublin | Ireland | - |
| 2013 | Achievement | Director, National Asylum Summit | University of South Australia | Australia | - |
| Language | Competency |
|---|---|
| French | Can read, speak, understand spoken and peer review |
| Date | Institution name | Country | Title |
|---|---|---|---|
| 1988 - 1997 | University of New South Wales | Australia | PhD |
| 1977 | Newcastle University | Australia | BA |
| ÉHÉSS | France | D.E.A | |
| Macquarie Universitity | Australia | Hons First Class |
| Date | Title | Institution | Country |
|---|---|---|---|
| 1989 - 1992 | Psychoanalytic Training: | École de la Cause Freudienne/Institut du Champ freudien, Paris | France |
| Year | Citation |
|---|---|
| 2021 | Rutherford, J. (2021). 100 years of Freud's The Uncanny. Westerly. |
| 2021 | Rutherford, J. (2021). 100 years of Freud's The Uncanny. Westerly. |
| 2020 | Rutherford, J. (2020). 'Dreaming the Critical University: The Mirror or the Algorithm?". Sydney Review of Books, (February 2020). |
| 2015 | Rutherford, J. (2015). Modernism and Melancholia: Writing as Countermourning.. MLN, 130(5), 1250-+. |
| 2015 | Rutherford, J. (2015). Sanja Bahun: Modernism and Melancholia: Writing as Counter Mourning. MLN, 130(5). |
| 2015 | Rutherford, J. (2015). (Post)apartheid conditions: psychoanalysis and social formation: slip-side of the good: Derek Hook's post-apartheid conditions. African Identities, 13(1), 92-94. |
| 2014 | Rutherford, J. (2014). "Uncertain States". |
| 2014 | Rutherford, J. (2014). The Inside Outsiders. Sydney Review of Books. |
| 2010 | Rutherford, J. (2010). The 'After-Silence of the Son/g'. The Australian Feminist Law Journal, 33(1), 3-18. |
| 2008 | Rutherford, J. (2008). Hansonella: The Morphology of a Modern Folk Tale. Transtext(e)s Transcultures: Journal of Global Cultural Studies, 4(4), 114-129. |
| 2008 | Rutherford, J. (2008). Flaubert in the garden: Brian Castro's melancholy encryptions. Heat, 18, 79-96. |
| 2008 | Rutherford, J. (2008). Melancholy and the Magpie: Coetzee's Amoro-Dolorous Duo. Kunapipi, 30(2), 171-183. |
| 2007 | Rutherford, J. (2007). Melancholy Secrets: Rosa Praed's Encrypted Father. Double Dialogues, (8). |
| 2006 | Rutherford, J. (2006). Clay, Cloth, Corps. Double Dialogues, (6). |
| 2006 | Rutherford, J. (2006). 'It is forbidden...'. AUSTRALIAN UNIVERSITIES REVIEW, 48(2), 12-13. |
| 2005 | Rutherford, J. (2005). The Unusable F Word: Fascism and the Australian Media. Social Alternatives, 24(1), 33-36. |
| 2005 | Rutherford, J. (2005). 'The I, the Eye and the Orifice'. HEAT, 9, 105-115. |
| 2003 | Rutherford, J. (2003). Cutting Ordinary: An ABC True Story: The 2002 Caroline Chisolm Lecture. Australian Humanities Review, (28). |
| 2001 | Rutherford, J. (2001). One love too many: The undoing of Pauline Hanson. Australian Journal of Politics and History, 47(2), 192-208. Scopus8 WoS4 |
| 1998 | Rutherford, J. (1998). 'Being for the Nation: Masculine Sacrifice in My Brother Jack'. Meridian The La Trobe University English Review, 17(1), 109-127. |
| 1997 | Rutherford, J. (1997). 'Thursa, Turtle, Myrtle, Tortoise: The Good Self Tells a Story'. Meridian, 16(2), 271-279. |
| 1997 | Rutherford, J. (1997). Identifying the Australian Gaze/Identifying an Australian perversion: Rereading The Fortunes of Richard Mahony. Meridian The La TRobe University English Review, 16(2), 281-303. |
| - | Rutherford, J. (2005). Writing the Square: Paul Carter's Nearamnew and the Art of Federation. PORTAL Journal of Multidisciplinary International Studies, 2(2). |
| Year | Citation |
|---|---|
| 2017 | Rutherford, J., & Uhlman, A. (Eds.) (2017). J.M.Coetzee The Childhood of Jesus: the Ethics of Words and Things. New York: Bloomsbury Academic. Scopus9 |
| 2013 | Rutherford, J. (2013). Zombies. United Kingdom: Routledge. DOI Scopus28 |
| 2010 | Rutherford, J., & Holloway, B. (Eds.) (2010). Halfway house: the poetics of Australian spaces. Crawley, Western Australia: UWA Publishing. |
| 2006 | Rutherford, J. (Ed.) (2006). Shared Space; Brokered Time: The Work of Paul Carter (Vol. 2). |
| 2000 | Rutherford, J. (2000). The Gauche Intruder Freud, Lacan and the White Australian Fantasy. Melbourne University. |
| Year | Citation |
|---|---|
| 2021 | Rutherford, J. (2021). Curating Coetzee from Austin to Adelaide. In M. Farrant, K. Easton, & H. Wittenberg (Eds.), J.M Coetzee and the Archive: Fiction, Theory and Auto/biography (pp. 219-224). London, United Kingdom: Bloomsbury Academic. DOI Scopus1 |
| 2017 | Rutherford, J. (2017). 'The House of Flowers'. In A. Goldsworthy (Ed.), The Best Australian Essays 2017 (pp. 204-214). Carlton: Black Inc.. |
| 2017 | Rutherford, J., & Uhlmann, A. (2017). Introduction. In J. Rutherford, & A. Uhlmann (Eds.), J.M. Coetzee's The Childhood of Jesus: The Ethics of Ideas and Things (Vol. 244, pp. 1-5). London; New York: Bloomsbury Academic. DOI Scopus1 |
| 2017 | Rutherford, J. (2017). Thinking Through Shit in The Childhood of Jesus. In J. Rutherford, & A. Uhlman (Eds.), J.M. Coetzee's The Childhood of Jesus: The Ethics of Ideas and Things (pp. 59-81). New York: Bloomsbury. Scopus8 |
| 2016 | Rutherford, J. (2016). "Washed clean": The forgotten journeys of future maritime arrivals in J.M. Coetzee's Estralia. In L. Mannik (Ed.), Migration By Boat: Discourses of Trauma, Exclusion, and Survival (1 ed., pp. 101-115). New York, USA: Berghahn Books. |
| 2014 | Crouch, D., & Rutherford, J. (2014). Social and cultural theory and literature. In A. Elliott (Ed.), The Routledge Handbook of Social and Cultural Theory (pp. 278-298). London, United Kingdom: Routledge. DOI |
| 2014 | Crouch, D., & Rutherford, J. (2014). Reading and reception. In A. Elliott (Ed.), The Routledge Handbook of Social and Cultural Theory (pp. 358-374). London, United Kingdom: Routledge. DOI |
| 2011 | Rutherford, J. (2011). The secret of the father in the colonial secret: Rosa Praed's 'weird melancholy'. In M. Middeke, & C. Wald (Eds.), The Literature of Melancholia: Early Modern to Postmodern (pp. 160-172). Houndmills, Basingstoke: Palgrave Macmillan. DOI |
| 2011 | Rutherford, J. (2011). The secret of the father in the colonial secret: Rosa Praed’s ‘weird melancholy’. In M. Middeke, & C. Wald (Eds.), The Literature of Melancholia: Early Modern to Postmodern (pp. 160-172). Palgrave Macmillan UK. DOI Scopus1 |
| 2010 | Rutherford, J. (2010). "Kairos for a Wounded Country". In J. Rutherford, & B. Holloway (Eds.), Halfway House: The Poetics of Australian Spaces (pp. 1-11). Perth: University of Western Australia Press. |
| 2010 | Rutherford, J. (2010). Undwelling: or Reading Bachelard in Australia. In J. Rutherford, & B. Holloway (Eds.), Source details - Title: Halfway House: The Poetics of Australian Spaces (pp. 113-125). Australia: UWA Press. |
| 2010 | Rutherford, J. (2010). Homo nullius: the politics of pessimism in Patrick White's Tree of Man. In E. McMahon, & B. Olubas (Eds.), Source details - Title: Remembering Patrick White: contemporary critical essays (pp. 47-64). Netherlands: Rodopi. |
| 2001 | Rutherford, J. (2001). The Colonising Victim: Tim Winton's Irish Conceit. In A. Luyat (Ed.), Flight from Certainty The Dilemma of Identity and Exile (pp. 153-163). Amsterdam, New York: Rodopi. |
| 2000 | Rutherford, J. (2000). 'Staging Ireland: Ireland as Conceit in Contemporary Australian Narratives of Belonging'. In B. Philip, F. Devlin-Glass, & H. Doyle (Eds.), Ireland and Australia, 1798-1998 Studies in Culture, Identity, and Migration (pp. 196-207). Sydney: Crossing Press. |
| 1997 | Rutherford, J. (1997). Diana; The Hour of our Death. In I. Ang (Ed.), Planet Diana Cultural Studies and Global Mourning (pp. 57-60). Nepean: Research Centre in Intercommunal Studies. |
| Year | Citation |
|---|---|
| 2011 | Rutherford, J. (2011). Fauchery’s Ruins: A Story in Fragments (Keynote Lecture). Poster session presented at the meeting of Identités, Images, Représentations,. Université de la Rochelle, France. |
| 2010 | Rutherford, J. (2010). Future, Stories, Intimate Histories (Keynote Lecture). Poster session presented at the meeting of Australian Critical Race and Whiteness National conference. Adelaide. |
| 2010 | Rutherford, J. (2010). Keynote Lecture. Poster session presented at the meeting of Law, Psychoanalysis and the Question of Gender Symposium. Griffith University, Queensland, Australia. |
| Year | Citation |
|---|---|
| 2017 | Rutherford, J. (2017). April in Kumrovec (No. Of Pieces: 30 minutes) [Performance]. New York Opera Centre: Double Dialogues. |
| 2013 | Rutherford, J. (2013). The Zombie Century (No. Of Pieces: 30 minute performance) [Performance]. Performed University of South pacific, Suva. |
| Year | Citation |
|---|---|
| 2020 | Authors: Rutherford J. Title: Hunters and Collectors. Extent: 9 pages. |
| 2019 | Authors: Rutherford J. Title: Homeward Flight. Description: Part of a collaborative suite of essays published as a feature in Westerly (July 19). Extent: 11 pages. |
| 2019 | Authors: Rutherford J. Title: April in Kumrovec. Extent: 7 pages. |
| 2019 | Authors: Rutherford J. Title: The Bb Book. Extent: 3906 words. |
| 2018 | Authors: Rutherford J. Title: House of Flowers. Extent: 10 pages. |
| 2018 | Authors: Rutherford J. Title: The Analyst's Laugh. Extent: Forms part of "Why Do Things Break" project. (see events/projects). |
| 2018 | Authors: Rutherford J. Title: Greyson (excerpt from Mérencolye). Extent: 7 pages. |
| 2018 | Authors: Rutherford J. Title: House of Flowers. Extent: 4267 words. |
| 2017 | Authors: Rutherford J, Harms L, Jenkins A, Horanyi R. Title: Traverses: J.M Coetzee in the World Mobile App. Extent: 448 MB. |
| Year | Citation |
|---|---|
| 2002 | Authors: Rutherford J. Title: Ordinary People; Documentary Film (Film Australia). Extent: 55 minute documenatry. |
| Year | Citation |
|---|---|
| 2018 | Rutherford, J., & McCulloch, A. (2018). "Why Do Things Break?" (No. Of Pieces: TBA) [Exhibition]. Adelaide University, New York Opera Centre, Double Dialogues: JMCCCP Double Dialogues. |
| 2014 | Rutherford, J. (2014). Traverses: J.M. Coetzee in the World (No. Of Pieces: Catalogue Essay - two pages. 26 day exhibition.) [Exhibition]. South Australia: University of South Australia. |
| 2014 | Rutherford, J., & Chafee, D. (2014). The Future of the Book (No. Of Pieces: Catalogue Essay - two pages) [Exhibition]. Adelaide, South Australia: SASA Gallery - University of South Australia. |
| 2014 | Rutherford, J. (2014). Traverses:J.M Coetzee in the World (No. Of Pieces: Exhibition of JM Coetzee Papers on loan from the Harry Ranson Center, The University of Austin at Texas with original art works, video and catalogue essay) [exhibition]. Kerry Packer Civic Gallery. |
| 2013 | Rutherford, J. (2013). National Asylum Summit (No. Of Pieces: 15) [Exhibition]. Adelaide, Australia: University of South Australia. |
| 2013 | Rutherford, J. (2013). National Asylum Summit (No. Of Pieces: 15) [Exhibition]. Adelaide, Australia: University of South Australia. |
| 2010 | Rutherford, J. (2010). Halfway House: A Poetics of Australian Space (No. Of Pieces: Two exhibitions and catalogue essay) [Exhibition]. Sydney and Melbourne. |
| Date | Project Name | Investigators | Funding Body | Amount |
|---|---|---|---|---|
| 2018 | Tjungu Pakanai: Together we Rise | Jennifer Rutherford & Rita Horanyi | City of Adelaide | $7,500 |
| 2017 | H2O: Life & Death | Jennifer Rutherford & Camille Rouliere | EU Centre for Global Affairs | $4,500 |
| 2017 | Macau Days | Brian Castro, John Young, Luke Harrald and the JMCCCP (Jennifer Rutherford co-ordinator) | EU Centre for Global Affairs | $23,000 |
| 2017 | Myth and Its Migrations | Jennifer Rutherford & Peter Arnds | EU Centre for Global Affairs | $2,500 |
| 2015 | EU Centre for Mobilities, Migrations and Cultural Transformations Jean Monnet Erasmus Plus European Union grant |
Jennifer Rutherford |
Jean Monnet Erasmus Plus European Union | $1,500,000 |
| 2014 | Traverses: J.M. Coetzee in the World Mobile App | Jennifer Rutherford, Rita Horanyi, Lisa Harms &Adam Jenkins | EASS Division grant, UniSA, | $13,200 |
| 2012 | The Paradox of Melancholia: Paralysis and Agency Symposium | Jennifer Rutherford, Brian Castro & Anthony Elliott | Ian Potter Foundation Grant | $8,600 |
| 2012 | The Paradox of Melancholia: Paralysis and Agency | Jennifer Rutherford | The Australian Academy of Social Sciences Workshop Program Grant | $2,000 |
| 2009 | Black Art and Black Bile: Melancholy Genealogies in Colonial Victoria | Jennifer Rutherford | Arts Faculty Research Grant, Melbourne University | $18,500 |
| 2009 | Provost innovative Teacher’s Award | Jennifer Rutherford | Melbourne University | $15,000 |
| 2006 |
Love’s Labour’s Lost: The Writing of Melancholia in Australian Literature, Arts Faculty Research Grant, Melbourne University, 2006 |
Jennifer Rutherford | Melbourne University | $3,500 |
| 2005 | The Poetics of Australian Space Conference, in collaboration with the Art Gallery of New South | Jennifer Rutherford | Sydney University | $10,000 |
| 2004 | The New Nationalism: a psychosocial analysis of the Australian far right”, Sydney University, Sesqui Centenary Grant | Jennifer Rutherford | Sydney University | $25,000 |
| 2001 | Ordinary People (with M. Ansara), Film finance for a National Interest Documentary, Film Australia and the ABC, 2001, | Jennifer Rutherford & Martha Ansara | Film Australia and the ABC | $250,000 |
| 2000 | Ordinary People, Australian Film Commission | Jennifer Rutherford & Martha Ansara | Australian Film Commission | $100,000 |
| 2000 | Ordinary People, Search Foundation Grant | Jennifer Rutherford & Martha Ansara | Search Foundation | $10,000 |
| 1999 | Ordinary People, NSW National Film and Television Office Grant | Jennifer Rutherford & Martha Ansara | NSW National Film and Television Office | $20,000 |
| 1999 | The Rhetoric, Eros and Morality of Extreme Nationalism | Jennifer Rutherford | Macquarie University | $14,500 |
| 1998 | Seeding Grant to establish a Graduate Program in Australian Studies |
Ian McCalman & Jennifer Rutherford |
National Priority Reserve Fund |
$92,000 |
| 1994 | Encore or Pas Encore, Lacan’s Purloined Seminar | Jennifer Rutherford | Australian National University | $3,600 |
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2019 - 2020 | Principal Supervisor | Lawson, Stow, Prescott and the Mythos of the Outback Town | Doctor of Philosophy | Doctorate | Full Time | Peter Hugh Court |
| 2018 - 2023 | Co-Supervisor | The Migration of Souls: Towards the Creation of an Immersive, Music-based, Socio-politically Themed Production | Doctor of Philosophy | Doctorate | Full Time | Ms Cheryl Kaye Pickering |
| 2017 - 2021 | Principal Supervisor | A Passage through Sin: Life and Poetry of Forugh Farrokhzad Volume 1: Only Sound Remains Volume 2: Forugh Farrokhzad: Of 'Sin' and her Demons |
Doctor of Philosophy | Doctorate | Full Time | Mr Hossein Asgari |
| 2016 - 2017 | Co-Supervisor | Confronting the Dark: Representations of Death in Australian Fiction and 'The Art of Dying' | Doctor of Philosophy | Doctorate | Full Time | Ms Karen Maree Rees |
| 2015 - 2018 | Principal Supervisor | Visions of Water in Lower Murray Country | Doctor of Philosophy under a Jointly-awarded Degree Agreement with | Doctorate | Full Time | Dr Camille Marie Eugenie Rouliere |
| 2015 - 2018 | Principal Supervisor | The Necrophile Self: Contemporary Attitudes Towards Death and Its New Visibility | Doctor of Philosophy | Doctorate | Part Time | Mrs Tamara Tatjana Waraschinski |
| 2009 - 2011 | External Supervisor | Desire and Its Disastrous Results: Re-Examining Morality and Ambivalence in the Literature of Feminine Masochism | Doctor of Philosophy | Doctorate | Full Time | Ms Maya Linden |
| Date | Role | Board name | Institution name | Country |
|---|---|---|---|---|
| 2015 - 2015 | Advisory Board Member | Samstag | University of South Australia | Australia |
| Date | Role | Committee | Institution | Country |
|---|---|---|---|---|
| 2015 - 2016 | Advisory Board Member | Scientific Committee research team IDEA (interdisciplinary english studies) | Nancy University | France |
| 2015 - ongoing | Member | French Consortium: France in SA | Alliance Francaise | Australia |
| 2015 - ongoing | Member | SAMSTAG Mangement Committee | Samstag/ University of South Australia | Australia |
| 2015 - ongoing | Member | JMCCCP Management Committee | University of Adelaide | Australia |
| 2014 - ongoing | Member | DIASPO Links Management Committee | ERIBIA | United Kingdom |
| 2012 - 2015 | Representative | EASS Research Management Committee | University of South Australia | Australia |
| 2010 - 2012 | Member | Pro-VC Research Advisory Group, School of Social Sciences Research Committee | Flinders University | Australia |
| 2006 - 2008 | Chair | School of Culture and Communications, Human Ethics Advisory Group | Melbourne University | Australia |
| 2003 - 2005 | Director | Media and Cultural Studies program | Macquarie University | Australia |
| Date | Role | Membership | Country |
|---|---|---|---|
| 2017 - ongoing | Member | International Sociological Association/ Sociology of Arts Research Group/ Sociology of Emotions Research Group | Australia |
| 2015 - ongoing | Member | Postcolonial Studies Association | Australia |
| 2015 - ongoing | Member | Psychosocial Studies Association | United Kingdom |
| 2015 - ongoing | Board Member | Creative France SA | Australia |
| 2010 - ongoing | - | International visual Sociology Association | - |
| Date | Role | Editorial Board Name | Institution | Country |
|---|---|---|---|---|
| 2014 - ongoing | Editor | Antinomies | Routledge | United Kingdom |
| 2010 - 2018 | Associate Editor | Double Dialogues | Independent | Australia |
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