Mr Grayson Rotumah
Lecturer
Elder Conservatorium of Music and School of Performing Arts
College of Creative Arts, Design and Humanities
My research investigates ways to strengthen, celebrate and promote Aboriginal and Torres Strait Islander cultures through focused curatorial efforts that give voice to the diversity of living, dynamic and growing Indigenous traditions in a global context. I am currently undertaking Phd studies in practice led research, which will incorporate a portfolio of compositions and exegesis that draws on the histories of Bundjalung Country.
Most recently I have been involved in performances of programs of Indigenous songs in Indigenous languages and performed in collaboration with award-winning Indigenous artists; Emily Warrimurra, Marlon X Rulla, Electric Fields and Dem Mob. These cultural performances and presentations have been presented in Barcelona Spain, Bandung Indonesia, Womad UK, Commonwealth Games Brisbane, ZigetFestival Budapest, Tsingtao Beer Festival China, European Championships Glasgow, Speigel tent Edinburgh.
| Date | Position | Institution name |
|---|---|---|
| 2023 - ongoing | Co-Director | University of Adelaide |
| 1996 - ongoing | Lecturer | University of Adelaide |
| Date | Type | Title | Institution Name | Country | Amount |
|---|---|---|---|---|---|
| 2023 | Award | 2023 Interdisciplinary Team Award | The University of Adelaide | Australia | - |
| 2023 | Award | A connected and Enriched Community | The University of Adelaide | Australia | - |
| 2019 | Award | Wirtlu Yarlu Aboriginal Education | Universtity Of Adelaide | Australia | - |
| Date | Institution name | Country | Title |
|---|---|---|---|
| 2021 | University of Adelaide | Australia | PhD |
| 1993 - 1995 | Southern Cross University | Australia | Bachelor of Arts - Contemporary Music |
| Year | Citation |
|---|---|
| 2023 | Rotumah, G., & Crismani, D. (2023). Keynote panelist for the 46th National Conference of the Musicological Society of Australia. Poster session presented at the meeting of National Conference of the Musicological Society of Australia. The University of Adelaide, Hughes Lecture Theatre. |
| 2023 | Rotumah, G., & Crismani, D. (2023). Keynote panelist for the 46th National Conference of the Musicological Society of Australia. Poster session presented at the meeting of National Conference of the Musicological Society of Australia. The University of Adelaide, Hughes Lecture Theatre. |
| Year | Citation |
|---|---|
| 2023 | Dollman, L., & Rotumah, G. (2023). World Premiere of Creation by Grayson Rotumah with the ASO (No. Of Pieces: 50 minutes) [Musical direction]. Grainger Studio, Adelaide. |
| 2022 | Rotumah, G. (2022). Treaty -A Series of indigenous performances Treaty Bendigo Victoria,Treaty Sheparton Victoria, (No. Of Pieces: 2 x 1 Hour Performances) [Performance]. Bendigo Victoria,, Sheparton Victoria. |
| 2022 | Rotumah, G. (2022). Treaty -A Series of indigenous performances Treaty Bendigo Victoria,Treaty Sheparton Victoria, (No. Of Pieces: 2 x 1 Hour Performances) [Performance]. Bendigo Victoria,, Sheparton Victoria. |
| 2022 | Rotumah, G. (2022). Indigenous Performances -Emily Warrimurra Adelaide Oval -Support for Iconic Australian Band -Ice House (No. Of Pieces: 2 x 1 Hour performances) [Performance]. Byron Bay- Adelaide Oval. |
| 2022 | Rotumah, G. (2022). Indigenous Performances -Emily Warrimurra Adelaide Oval -Support for Iconic Australian Band -Ice House (No. Of Pieces: 2 x 1 Hour performances) [Performance]. Byron Bay- Adelaide Oval. |
| 2022 | Rotumah, G. (2022). Emily Warrimurra-Byron Bluesfest (No. Of Pieces: 2 x 1hour Pereformances) [Performance]. Byron Bay. |
| 2022 | Rotumah, G. (2022). Emily Warrimurra-Byron Bluesfest (No. Of Pieces: 2 x 1hour Pereformances) [Performance]. Byron Bay. |
| 2022 | Rotumah, G. (2022). Stadium Performances Adelaide Oval-Adelaide Marvel Stadium-Melbourne (No. Of Pieces: 40 min) [Performance]. Adelaide Oval and Marvel Stadium-Melbourne. |
| 2022 | Rotumah, G. (2022). Stadium Performances Adelaide Oval-Adelaide Marvel Stadium-Melbourne (No. Of Pieces: 40 min) [Performance]. Adelaide Oval and Marvel Stadium-Melbourne. |
| 2022 | Rotumah, G. (2022). Indigenous Performance-Marlon X Rulla- Adelaide 500 (No. Of Pieces: 1 Hour performance) [Performance]. Adelaide-SA. |
| 2022 | Rotumah, G. (2022). Indigenous Performance-Marlon X Rulla- Adelaide 500 (No. Of Pieces: 1 Hour performance) [Performance]. Adelaide-SA. |
| 2022 | Rotumah, G. (2022). Indigenous Performance-Electric Fields-Womad (No. Of Pieces: 1 Hour Performance) [Performance]. Adelaide. |
| 2022 | Rotumah, G. (2022). Indigenous Performance-Electric Fields-Womad (No. Of Pieces: 1 Hour Performance) [Performance]. Adelaide. |
| 2022 | Rotumah, G. (2022). Series of Cultural Performances-Marlon X Rulla The Long Walk-Federation Square Melbourne - Party in the Apocolypse Hobart- Port Fairy Folk Festival Victoria Purrampa Adelaide Convention Centre Adelaide (No. Of Pieces: 5x 1 hour sets) [Performance]. Convention Centre Adelaide, Port Fairy -Victoria, Hobart- Tasmania-Federation Square-Melbourne. |
| 2022 | Rotumah, G. (2022). Series of Cultural Performances-Marlon X Rulla The Long Walk-Federation Square Melbourne - Party in the Apocolypse Hobart- Port Fairy Folk Festival Victoria Purrampa Adelaide Convention Centre Adelaide (No. Of Pieces: 5x 1 hour sets) [Performance]. Convention Centre Adelaide, Port Fairy -Victoria, Hobart- Tasmania-Federation Square-Melbourne. |
| 2021 | Rotumah, G. (2021). Marlon X Rulla - Womadelaide (No. Of Pieces: 60 Min Performance) [Performance]. Botanic Gardens -Adelaide. |
| 2021 | Rotumah, G. (2021). Marlon X Rulla - Womadelaide (No. Of Pieces: 60 Min Performance) [Performance]. Botanic Gardens -Adelaide. |
| 2019 | Fielding, Z., Ross, M., Rotumah, G., & Goldsmith, J. (2019). Electric Fields - 2000 and Whatever Tour 2019 (No. Of Pieces: Portfolio of 8 performances) [Music Performance]. Lion Arts Factory, Adelaide, SA, Australia: Sony Music. |
| 2019 | Fielding, Z., Ross, M., Rotumah, G., & Goldsmith, J. (2019). Electric Fields - 2000 and Whatever Tour 2019 (No. Of Pieces: Portfolio of 8 performances) [Music Performance]. Lion Arts Factory, Adelaide, SA, Australia: Sony Music. |
| 2018 | Rotumah, G. E. (2018). Electric Fields - Indigenous Music Performance WOMAD UK (No. Of Pieces: Performance) [Musical Performance]. Charlton Park, Malmesbury, Wiltshire, UK. |
| 2018 | Rotumah, G. E. (2018). Electric Fields - Indigenous Music Performance WOMAD UK (No. Of Pieces: Performance) [Musical Performance]. Charlton Park, Malmesbury, Wiltshire, UK. |
| 2018 | Feilding, Z., Ross, M., Goldsmith, J., & Rotumah, G. (2018). European Tour (No. Of Pieces: 6 Performances including workshop and panel) [Performance]. Europe and Uk. |
| 2018 | Fielding, Z., Ross, M., & Rotumah, G. (2018). Electric Fields - Commonwealth Games Performance (No. Of Pieces: 1 hour Performance) [Musical Performance]. Brisbane, Queensland; Australia: 2018 Gold Coast 2018 Commonwealth Games Corporation. |
| 2018 | Rotumah, G. E., Fielding, Z., Ross, M., & Goldsmith, J. (2018). National NAIDOC Ball and tour (No. Of Pieces: 3 performances) [Performance]. Sydney,Brisbane,Cairns. |
| 2018 | Rotumah, G. E., Fielding, Z., Ross, M., & Goldsmith, J. (2018). National NAIDOC Ball and tour (No. Of Pieces: 3 performances) [Performance]. Sydney,Brisbane,Cairns. |
| 2018 | Rotumah, G. E. (2018). Mona Foma - Hobart (No. Of Pieces: Performance) [Performances and songs]. Hobart: https://monafoma.net.au/information#previous-festivals. |
| 2018 | Rotumah, G. E. (2018). Mona Foma - Hobart (No. Of Pieces: Performance) [Performances and songs]. Hobart: https://monafoma.net.au/information#previous-festivals. |
| 2017 | Rotumah, G. E., Fielding, Z., Goldsmith, J., & Ross, M. (2017). Matasora World Music Festival (MWMF) 2017 - performance by Electric Fields. (No. Of Pieces: 1 Peformance) [Musical performance]. Bandung Indonesia: HTH Studio. |
| 2017 | Rotumah, G. E., Fielding, Z., Goldsmith, J., & Ross, M. (2017). Matasora World Music Festival (MWMF) 2017 - performance by Electric Fields. (No. Of Pieces: 1 Peformance) [Musical performance]. Bandung Indonesia: HTH Studio. |
| 2017 | Rotumah, G. E. (2017). WOMAD 2017 Performance: Electric Fields (No. Of Pieces: 1 performance) [Performance]. Adelaide. |
| 2017 | Rotumah, G. E. (2017). WOMAD 2017 Performance: Electric Fields (No. Of Pieces: 1 performance) [Performance]. Adelaide. |
| 2017 | Rotumah, G. E. (2017). 2017 Adelaide New Year's Celebration: Performance by Electric Fields (No. Of Pieces: 1 Performance) [Performance]. Adelaide, South Australia: Adelaide City Council. |
| 2017 | Rotumah, G. E. (2017). 2017 Adelaide New Year's Celebration: Performance by Electric Fields (No. Of Pieces: 1 Performance) [Performance]. Adelaide, South Australia: Adelaide City Council. |
| 2017 | Rotumah, G. E. (2017). Sydney-2017 National Indigenous Digital Excellence Award:performance:Electric Fields (No. Of Pieces: 1 performance) [Performance]. Redfern, Sydney. |
| 2017 | Rotumah, G. E. (2017). Sydney-2017 National Indigenous Digital Excellence Award:performance:Electric Fields (No. Of Pieces: 1 performance) [Performance]. Redfern, Sydney. |
| 2017 | Rotumah, G. (2017). Electric Fields HomeGround Festival Sydney Opera House (No. Of Pieces: Live performance on National Cultural event) [Performance]. Sydney. |
| 2017 | Rotumah, G. (2017). Electric Fields HomeGround Festival Sydney Opera House (No. Of Pieces: Live performance on National Cultural event) [Performance]. Sydney. |
| 2016 | Rotumah, G. E. (2016). South Australian Music Awards - event Norwood Town Hall (No. Of Pieces: 1 night) [Performance]. Norwood Town Hall. |
| 2014 | Rotumah, G. (2014). Byron Bay Blues Festival , Part of a national tour & promotion by Indigenous singer-songwriter Glenn Skuthorpe (No. Of Pieces: 1 performance) [Performance]. Byron Bay. |
| 2014 | Rotumah, G. (2014). Performance by Indigenous Reggae Band Kineman Karma for Survival Day, Adelaide 26th January 2014 (No. Of Pieces: .) [Performance]. Semaphore Foreshore. |
| 2013 | Rotumah, G. (2013). Performance by Indigenous Reggae Band Kineman Karma for The Spirit Festival, Adelaide 16 – 17 February 2013 (No. Of Pieces: 16 -17 February 2013) [Performance]. Tarndanyunga. |
| 2013 | Pak Poy, A., Petherick, D., & Rotumah, G. (2013). Great Beyonder (No. Of Pieces: 13 Songs) [Performance]. Adelaide: Glenn Skuthorpe. |
| 2012 | Petherick, D., Newsome, J., Pak Poy, A., Peters, E., Rotumah, G., & Turner, A. (2012). Curated performances of Indigenous music for the Kaurna Heritage Day Festival 2012 (No. Of Pieces: 5 hours) [Performance]. Warriparinga Living Kaurna Cultural Centre: Centre for Aboriginal Studies in Music, University of Adelaide / Warripanga Living Kuarna Cultural Centre / Kaurna Aboriginal Community and Heritage Association (KACHA). |
| 2012 | Turner, A., Newsome., Pak Poy., Peters., Petherick., & Rotumah. (2012). Reconciliation Down Rundle 2012 – Pathways to Opportunities (No. Of Pieces: 6 hours) [Performance]. Rundle Mall, Adelaide, Australia: Reconciliation South Australia Inc. / State Government of South Australia / Adealide City Council / Drug & Alcohol Services South Australia. |
| 2012 | Rotumah, G. (2012). Commissioned curated performance of Indigenous music for the National MATSITI Conference 2012 (No. Of Pieces: 9-11 July, 2012) [Performance]. Intercontinental Hotel, Adelaide. |
| 2011 | Petherick, D., pak poy, A., Rotumah, G., Turner, A., & Peters, E. (2011). Curated program of performances by Indigenous musicians from the Centre for Aboriginal Studies in Music (CASM) for The Spirit Festival, Adelaide 19 – 20 February 2011 (No. Of Pieces: 2 days) [Performance]. Rymill Park / Mullawirraburka: Tandanya National Aboriginal Cultural Institute Inc. / Adelaide Fringe Festival. |
| 2011 | Petherick, D., Newsome, J., Pak Poy, A., Rotumah, G., Turner, A., & Peters, E. (2011). Performance and historic re-creation by CASM Choir Keriba Wakai of 1967 Referendum anthem 'We Are Going to Freedom' for the Lowitja O’Donoghue Oration 2011 (No. Of Pieces: 6 performances) [Performance]. Bonython Hall, University of Adelaide: Don Dunstan Foundation / Flinders University / University of Adelaide / Centre for Aboriginal Studies in Music (CASM). |
| 2011 | Petherick, D., Newsome, J., Pak Poy, A., Peters, E., Rotumah, G., & Turner, A. (2011). Curated performances for National Reconciliation Week 2011 (‘Let’s Talk Recognition’): The University of Adelaide Official Reconciliation Conversation & Celebrations, Fri 27 May 2011, and Reconciliation Down Rundle – Healthy Land, Living and Culture together with Mabo Day National Celebration, 3 June 2011 (No. Of Pieces: 5 hours) [Performance]. Rundle Mall, Adelaide: Reconciliation South Australia Inc. / State Government of South Australia / Adealide City Council / Drug & Alcohol Services South Australia. |
| 2009 | Rotumah, G., & Kiwat, J. (2009). Indigenous Initiative Screening Project 2010 - 'Send the Cameras Out': World Premiere Performances of Original Compositions (2) for 6th ReelDance International Dance on Screen Festival, composed by Grayson Rotumah and Jardine Kiwat (No. Of Pieces: 15 minutes) [Performance]. Performance Space Carriageworks, Redfern NSW. |
| 2005 | Kiwat, J., Newsome, J., Pak Poy, A., Peters, E., Petherick, D., & Rotumah, G. (2005). Keriba Wakai-Keriba Sagul, commissioned traditional Torres Strait Islander performance for the Opening Ceremony of the Elder School of Music New Facilities (No. Of Pieces: 10 minutes) [Performance]. Adelaide, South Australia. |
| Year | Citation |
|---|---|
| 2024 | Authors: Ferraretto J, Harrald L, Kleinig H, Liang Z, Page A, Rotumah G. Title: Floods of Fire Symphony. Extent: 50 minutes. |
| 2023 | Authors: Rotumah G, Harrald L, Dollman L. Title: Creation-Performance. Extent: 50 mins. |
| 2023 | Authors: Rotumah G, Harrald L. Title: Creation. Extent: 55 minutes. |
| 2023 | Authors: Rotumah G. Title: National Native Information Compensation Campaign. Extent: Two compositions for National Advertisement. |
| 2021 | Authors: Rotumah G, Harrald L. Title: Bula Yabru Banam. Extent: 13 minutes. |
| 2013 | Authors: Rotumah G, Petherick D, Sumner D, Stanley J. Title: Commissioned music production for the Aboriginal Health Council of South Australia health campaign Stickin’ it up the smokes. Extent: 2 mins 18 seconds. |
Arts and Health Alliance - Collaborative Research Grant Scheme: Creating resources for Music Therapists to use when engaging with Aboriginal and Torres Strait Islander patients and clients.
Kuarna Song Book Revival: Indigenous Languages and Arts (ILA)
Fine Tuning: A Reconciliation of Indigenous and Western Musical Traditions :ARC - Discovery Indigenous: Focusing on central Australian song lines, the project strengthens our knowledge, understanding and application of the intricate tuning systems that underpin traditional Indigenous musical practices.
Centre for Aboriginal Studies in Music
Community and Culture
Music Theory & Aural A & B
Performance A & B
Practical Music Study A & B
Bachelor of Music (Popular Music)
Contemporary Musicianship 1A, 1B
Song Writing and Performance 2A - Ensemble Mentor
Contemporary Music in Practice 1, 2 & 3
Music Education
Music Education Theory and Practice 2B
| Date | Role | Board name | Institution name | Country |
|---|---|---|---|---|
| 2019 - 2019 | Member | Governer's Aboriginal Youth Awards 2019 | Aboriginal Affairs and Reconciliation Department of Premier and Cabinet | Australia |
| 2018 - ongoing | Member | Nexus Cultural Arts Board | Nexus Arts | Australia |
| Date | Institution | Department | Organisation Type | Country |
|---|---|---|---|---|
| 2023 - ongoing | Unesco City of Music | Adelaide City of Music | Advocacy | Australia |