Prof David Lockett
Elder Conservatorium of Music and School of Performing Arts
College of Creative Arts, Design and Humanities
1. Recitals throughout Australia over a period of forty-five years with repertoire ranging from Bach through to the most recent contemporary works. Many of these performances have been broadcast nationally (some live-to-air) on ABC Classic FM.2. Performances with orchestra of works by Mozart, Beethoven, Liszt, Rachmaninoff, Tchaikowsky, Weber, Messiaen, Danckops, Bloch, Górecki, Ravel, Sutherland. Conductors include Nicholas Braithwaite, Willem van Otterloo, Arthur Fiedler, Elyakum Shapirra, Henry Krips, Ezra Rachlin, Patrick Thomas, Sir Bernard Heinze, David Porcelijn, Thomas Mayer, and John Hopkins.3. Performances throughout Australia and in New Zealand, the United Kingdom, the United States, China, Japan, Korea, Brunei, Singapore, Hong Kong, Malaysia, Canada, Taiwan, Serbia.4. Performances at national and international festivals, including the Adelaide Festival (1982, 1984, 1986, 1992, 1994, 2010), the Barossa International Music Festival (1994, 1995, 1996, 1997), Okayama Festival, Japan (1989) and the Adelaide Composing Women Festival (1991). 5. Duo performances with distinguished musicians including Barry Tuckwell (French horn), Mark Lubotsky (violin), Sherry Kloss (violin), John Wion (flute), Peter Lloyd (flute), Jeffrey Crellin (oboe), Janis Laurs (cello), Geoffrey Collins (flute), Daniel Blumenthal (piano), Michel Strauss (cello), Martine Bailly (cello).6. More than thirty première performances of new works by Australian composers.7. Membership of the “Lights” new music ensemble.8. First Australian performance of the Harpsichord Concerto by Górecki and Spring Music by Pēteris Vasks.9. CD recording of the solo piano works of Margaret Sutherland.10. Studio recordings for the Australian Broadcasting Corporation, Radio New Zealand, Radio Television Hong Kong and the Singapore Broadcasting Corporation.11. Adjudicator of prestigious competitions in Australia, Japan and the United Kingdom.12. Publications include journal articles and a performing edition of the piano music by Margaret Sutherland.13. Compiler and editor of Piano Series 17, published by the Australian Music Examinations Board.
| Date | Position | Institution name |
|---|---|---|
| 2015 - ongoing | Federal practical examiner | Australian Music Examinations Board |
| 2013 - 2014 | Syllabus Consultant (Repertoire) | Australian Music Examinations Board |
| 2010 - ongoing | Emeritus Professor | University of Adelaide |
| 2007 - 2009 | Director | University of Adelaide |
| 2005 - 2006 | Associate Dean and Head of Keyboard | University of Adelaide |
| 2003 - 2006 | Federal practical examiner | Australian Music Examinations Board |
| 1999 - 2004 | Associate Dean and Head, Bachelor of Music | University of Adelaide |
| 1998 - 1999 | Federal practical examiner | Australian Music Examinations Board |
| 1997 - 1998 | Associate Professor | University of Adelaide |
| 1993 - 1996 | Director | University of Adelaide |
| 1991 - 1992 | Senior Lecturer in Piano | University of Adelaide |
| 1984 - 1990 | Senior Lecturer in Piano | South Australian College of Advanced Education |
| 1981 - 1983 | Senior Lecturer in Piano and Head | South Australian College of Advanced Education, Magill Campus |
| 1975 - 1980 | Lecturer in Music (Keyboard) | Hartley/Murray Park College of Advanced Education |
| 1973 - 1974 | Teaching Fellow (Music) | University of New England |
| Date | Type | Title | Institution Name | Country | Amount |
|---|---|---|---|---|---|
| 2010 | Award | Member of the Order of Australia (AM) | Australian Government | Australia | - |
| 2010 | Honour | Emeritus Professor | University of Adelaide | Australia | - |
| 1998 | Teaching Award | Stephen Cole the Elder Prize | University of Adelaide | Australia | - |
| 1998 | Nomination | ABC Classic FM/24 Hours “Recording of the Year Awards” | ABC Classic FM | Australia | - |
| 1981 | Honour | Honorary Life Membership, Piano Teachers' National Association of Japan | Piano Teachers' National Association | Japan | - |
| Language | Competency |
|---|---|
| German | Can read |
| Date | Institution name | Country | Title |
|---|---|---|---|
| 2003 - 2004 | University of Adelaide | Australia | DMus |
| 1976 - 1981 | University of Adelaide | Australia | MMus |
| 1971 - 1971 | University of Adelaide | Australia | BMus Honours Performance First Class |
| 1968 - 1970 | University of Adelaide | Australia | BMus |
| Date | Title | Institution | Country |
|---|---|---|---|
| 1972 - 1973 | Postgraduate training in piano performance | Royal College of Music | United Kingdom |
| Year | Citation |
|---|---|
| 2014 | Lockett, D. R. (Ed.) (2014). Piano Series 17 Grade 1 (Vol. Grade 1). Melbourne: Australian Music Examinations Board. |
| 2014 | Lockett, D. R. (Ed.) (2014). Piano Series 17 Grade 2 (Vol. Grade 2). Melbourne: Australian Music Examinations Board. |
| 2014 | Lockett, D. R. (Ed.) (2014). Piano Series 17 Grade 3 (Vol. Grade 3). Melbourne: Australian Music Examinations Board. |
| 2014 | Lockett, D. R. (Ed.) (2014). Piano Series 17 Grade 4 (Vol. Grade 4). Melbourne: Australian Music Examinations Board. |
| 2014 | Lockett, D. R. (Ed.) (2014). Piano Series 17 Grade 5 (Vol. Grade 5). Melbourne: Australian Music Examinations Board. |
| 2014 | Lockett, D. R. (Ed.) (2014). Piano Series 17 Grade 6 (Vol. Grade 6). Melbourne: Australian Music Examinations Board. |
| 2014 | Lockett, D. R. (Ed.) (2014). Piano Series 17 Grade 7 (Vol. Grade 7). Melbourne: Australian Music Examinations Board. |
| 2014 | Lockett, D. R. (Ed.) (2014). Piano Series 17 Grade 8 (Vol. Grade 8). Melbourne: Australian Music Examinations Board. |
| 2014 | Lockett, D. R. (Ed.) (2014). Piano Series 17 Preliminary (Vol. Preliminary). Melbourne: Australian Music Examinations Board. |
| 2000 | Lockett, D. (2000). The Piano Works of Margaret Sutherland. Richmond, Victoria: Allans Publishing. |
| Date | Role | Research Topic | Program | Degree Type | Student Load | Student Name |
|---|---|---|---|---|---|---|
| 2010 - 2014 | Co-Supervisor | The debut recording of Leopold Kozeluch's 50 Solo Keyboard sonatas: portfolio of recorded performances and exegesis | Doctor of Philosophy | Doctorate | Full Time | Mr Kemp Theodore English |
| 2008 - 2013 | Principal Supervisor | Strategies to Enhance the Artistic Quality of Piano Recording | Doctor of Philosophy | Doctorate | Part Time | Mrs Marija Bajalica |
| 2007 - 2014 | Principal Supervisor | Fanny Hensel and Clara Schumann: a Study through Performance of their Selected Piano Works | Doctor of Philosophy | Doctorate | Part Time | Ms Sock Siang Thia |
| 2006 - 2009 | Principal Supervisor | Interpretative and Performance Principles Applied to the Works of C¿sar Franck: a Portfolio of Recorded Performances and Exegesis | Master of Music | Master | Full Time | Ms Larissa Schneider |
| 2006 - 2010 | Principal Supervisor | Technique as a Solution to Artistic Problems in Solo Classical Vibraphone Performance | Doctor of Philosophy | Doctorate | Full Time | Mr Nicholas Parnell |
| 2005 - 2008 | Principal Supervisor | Baroque Influences in Nineteenth and Twentieth Century Piano Repertoire: A Study of Interpretative Issues | Master of Music | Master | Full Time | Miss Wen Xu |
| 2005 - 2008 | Principal Supervisor | The Language of Enchantment: Childhood and Fairytale in the Music of Maurice Ravel | Doctor of Philosophy | Doctorate | Full Time | Ms Emily Kilpatrick |
| 2005 - 2008 | Principal Supervisor | The Evolution of the Bassoon and its Impact upon Solo Repertoire and Performance | Master of Music | Master | Full Time | Mrs Emily Stone |
| 2005 - 2010 | Principal Supervisor | Portfolio of Recorded Performances and Exegesis: The Late Piano Works of Robert Schumann | Doctor of Philosophy | Doctorate | Full Time | Mr Paul Rickard-Ford |
| 2005 - 2013 | Principal Supervisor | Best Since Barber: Contextualising The Piano Sonatas Of Robert Muczynski | Doctor of Philosophy | Doctorate | Full Time | Mr Leigh Harrold |
| 2004 - 2005 | Principal Supervisor | Voicing: Its Significance and Application in Different Styles and Genres of Piano Music | Master of Music | Master | Full Time | Ms Fiona Corston |
| 2004 - 2007 | Principal Supervisor | Folk Influences in Concert Repertoire for the Violin: A Performer's Perspective | Master of Music | Master | Part Time | Miss Melanie Elizabeth Radke |
| 1996 - 2004 | Co-Supervisor | MOTION THROUGH TIME: KUJAWY VILLAGE MAZURKAS AS A KEY TO UNDERSTANDING RUBATO WITHIN THE TIME FRAME OF A BAR IN CHOPIN'S MAZURKAS | Doctor of Philosophy | Doctorate | Part Time | Ms Catherine Joy Steer |
| Date | Role | Membership | Country |
|---|---|---|---|
| 1980 - ongoing | Member | Australian Music Centre | Australia |
| Date | Office Name | Institution | Country |
|---|---|---|---|
| 2005 - ongoing | Vice-Patron, Adelaide Eisteddfod Society | Adelaide Eisteddfod Society | Australia |
| 2002 - ongoing | Patron, Music Teachers' Association of South Australia | Music Teachers' Association of South Australia | Australia |