Simon Biggs

Prof Simon Biggs

School of Communication, Media and Journalism

College of Creative Arts, Design and Humanities

Available For Media Comment.


Adjunct Research Professor
Artist's website: http://www.littlepig.org.uk/
Amazon author's page: http://amazon.com/author/simonbiggs
From 2014 to 2023 Simon Biggs was Professor of Art and Director of the South Australian School of Art at the University of South Australia.
Simon Biggs is a visual artist, writer and curator working with new media. He creates interactive immersive environments, electronic literature, machine-learning augmented performance environments, internet-based art and computer animation. Recognising the creative affordances offered by working across disciplines, but also aware of his own limitations, Biggs often collaborates with creative practitioners in dance and music, and experts in software engineering, physical sciences and social sciences.
Biggs’s work has been presented in over 40 countries, including at Tate Modern (London), Tate Liverpool, Centre for Contemporary Art (Glasgow), Centre Georges Pompidou (Paris), Academy de Kunste (Berlin), Rijksmuseum (Twenthe), Maxxi (Rome), Seoul Museum of Art, Macau Arts Museum, Walker Art Center (Minneapolis), Arizona State Art Museum, Art Gallery of New South Wales (Sydney) and Art Gallery of South Australia (Adelaide). His work is held in public collections in the UK, USA, France, Spain, Netherlands, New Zealand, Germany, Canada, Austria and Belgium. Publications include Remediating the Social (2012), Autopoiesis (with James Leach, 2004), Great Wall of China (1999), Halo (1998), Magnet (1997) and Book of Shadows (1996).
Principal Investigator: Developing a Network-Based Creative Community: Electronic Literature as a Model of Creativity and Innovation in Practice (2010-2013), funded by the Humanities in the European Research Area Joint Research Programme for Creativity and Innovation. Partners: University of Bergen (lead), University of Edinburgh (Biggs), Blekinge Institute of Technology, University of Amsterdam, University College Falmouth, University of Jyvaskyla and University of Ljubljana. Value 1 million Euros.
Principal Investigator: Moving Targets (2010-2013), funded by the Scottish Funding Council. Partners: University of Abertay (lead) and Edinburgh (Biggs). Value £1.2 million.
Co-Investigator: Design in Action (2012-2016, funded by the Arts and Humanities Research Council. Partners: University of Dundee (lead), Edinburgh (Biggs), Glasgow School of Art, Robert Gordon University, University of Abertay Dundee and St Andrews University. Value £5 million.
Chief Investigator: Collaborative Embodied Movement Design Network, (2017-2018) Australian Research Council LIEF funded project. Partners: Swinburne University (lead), UniSA (Biggs), UNSW, QUT and Melbourne University. Value $350,000.
Chief Investigator: The Australian Emulation Network: Born Digital Cultural Collections Access , (2023-2025) Australian Research Council LIEF funded project. Partners: Swinburne University (lead), UniSA (Biggs), and others. Value $751,723.

Year Citation
2024 Biggs, S., & Carvalho, A. (2024). All watched over by our data double. Leonardo, 57(3), 272-278.
DOI
2023 Biggs, S., Hawksley, S., & McDonnell, M. D. (2023). The dancer in the machine. Digital Culture and Society, 8(2), 67-84.
DOI
2020 Biggs, S., & Sowry, V. (2020). Introduction: abstracts from the Spectra 2018 symposium. Leonardo, 54(4), 453-455.
DOI
2019 Biggs, S. (2019). Exiting the comfort zone: from algorithm to interaction in the early work of Simon Biggs. Leonardo, 52(3), 309-313.
DOI
2019 Biggs, S. (2019). Can we measure the intrinsic value of the creative arts for research assessment?. NiTRO: non traditional research outcomes, (21), 1-6.
2018 Biggs, S. (2018). Co-reading as a generative ontology. Materialities of literature, 6(3), 151-163.
2017 Biggs, S. (2017). Big data: the panoptic medium of the information age. Artlink, 37(1), 26-33.
2014 Orviz Fernandez, A., & Biggs, S. (2014). A tool for audience design. Journal of design management and professional practice, 7(3), 1-14.
DOI
2014 Biggs, S. (2014). Public image unlimited : the transformative affects of interactive public screens. Screencity journal, (4), 1-6.
2012 Biggs, S., & Travlou, P. (2012). Distributed authorship and creative communities. Dichtung digital, 41, 1-16.
2011 Biggs, S. (2011). Twitter chip. SCRIPTed: a journal of law, technology & society, 8(2), 120-123.
DOI
2010 Biggs, S. (2010). Publish and Die. The preservation of digital literature within the UK. Spiel, 29(1-2), 343-354.
2006 Hawksley, S., & Biggs, S. (2006). Memory maps in interactive dance environments. International Journal of Performance Arts and Digital Media, 2(2), 123-137.
DOI Scopus3
2006 Blackwell, A., & Biggs, S. (2006). Making material culture. Leonardo, 39(5), 471-473.
DOI Scopus4 WoS3

Year Citation
2024 Biggs, S. (2024). Experimental media art. In P. Thomas (Ed.), Source details - Title: Bloomsbury Encyclopedia of New Media Art : Volume 2. UK: Bloomsbury.
DOI
2021 Biggs, S. (2021). Reading big data as the heterogenous subject. In N. Lushetich (Ed.), Source details - Title: Big data—a new medium? (pp. 191-205). UK: Routledge.
DOI
2016 Biggs, S., Hawksley, S., & Paine, G. (2016). Bodytext: somatic data as agency in interactive dance. In C. Fernandes (Ed.), Source details - Title: Multimodality and performance (pp. 179-186). Newcastle, UK: Cambridge Scholars Publishing.
2014 Biggs, S. (2014). High-end technology lab: balancing the technological and the human. In A. Williams, D. Jones, & J. Robertson (Eds.), Source details - Title: Bite: recipes for remarkable research (pp. 190-191). Netherlands: Sense Publishers.
DOI
2014 Biggs, S. (2014). High-end technology lab. In BITE: Recipes for Remarkable Research (pp. 190-191). BRILL.
DOI
2014 Biggs, S. (2014). The hyperstitial poetics of network media. In S. Rettberg, & S. Baldwin (Eds.), Source details - Title: Electronic literature as a model of creativity and innovation in practice: a report from the HERA joint research project (pp. 161-186). US: Center for Literary Computing.
2013 Biggs, S. (2013). The hyperstitial poetics in networked media. In Source details - Title: Electronic literature as a model of creativity and innovation in practice (pp. 1-21). US: West Virginia University Press.
2013 Biggs, S. (2013). An evolving apparatus. In F. Pessoa (Ed.), Event/exhibition information: Seminarios Internacionais Museu Vale: 8th: 2013 : Vila Velha, Espirito Santo, Brazil, Vila Velha, Espirito Santo, Brazil, 13/03/2013-17/03/2013
Source details - Title: Cyber arte cultura: a trama das redes (pp. 226-245). Brazil: Museu Vale Do Rio Doce.
2012 Biggs, S. (2012). Remediating the social: introduction. In S. Biggs (Ed.), Event/exhibition information: Electronic literature as a model for creativity and innovation in practice (ELMCIP) conference on remediating the social, Edinburgh, Scotland, 01/11/2012-03/11/2012
Source details - Title: Remediating the Social (pp. 11-14). Norway: University of Bergen.
2009 Biggs, S. (2009). New Media: the 'First Word' in Art?. In Source details - Title: Practice-led Research, Research-ed Practice in the Creative Arts (pp. 66-83). Edinburgh: Edinburgh University Press.
Scopus4

Year Citation
2020 Biggs, S. (2020). Speech to text: between the real and unreal. In B. Gervais, & S. Marcotte (Eds.), Mind the gap! Thinking electronic literature in a digital culture (pp. 45-62). Canada: Les Presses de l'Ecureuil.
2016 Biggs, S. (2016). Dark Matter: co-reading as a generative ontology. In T. Magnusson, C. Kiefer, & S. Duffy (Eds.), Proceedings of the International Conference on Live Interfaces (pp. 14-21). UK: University of Sussex.
2014 Biggs, S., Hawksley, S., & Paine, G. (2014). Crosstalk: making people in interactive spaces. In MOCO '14: proceedings of the 2014 International Workshop on Movement and Computing (pp. 61-65). New York, United States: ACM.
DOI Scopus1
2013 Fernandez Orviz, A., & Biggs, S. (2013). Adapting Service Design tools for the media industries. In L. M. CamarinhaMatos, & R. J. Scherer (Eds.), Working Conference on Virtual Enterprises: PRO-VE 2013: Collaborative Systems for Reindustrialization Vol. 408 (pp. 423-430). Germany: New University of Lisbon.
DOI
2013 Biggs, S., Hawksley, S., & Paine, G. (2013). Bodytext: Somatic data as agency in interactive dance. In K. Cleland, L. Fisher, & R. Harley (Eds.), Proceedings of the 19th International Symposium on Electronic Art, ISEA2013 (pp. 1-3). Sydney, Australia: University of Sydney.
2012 Biggs, S. (2012). Make or break? Concerning the value of redundancy as a creative strategy. In D. Anderson, J. Delve, & M. Dobreva (Eds.), The preservation of complex objects. Vol. 2, Software art (pp. 12-17). UK: JISC.
2009 Biggs, S., Dima, M., Ekeus, H., Hawksley, S., Timmons, M., & Wright, M. (2009). The 'H' in HCI: Enhancing perception of interaction through the performance. In R. Shumaker (Ed.), Virtual and Mixed Reality, LNCS 5622 Vol. 5622 LNCS (pp. 3-12). Germany: Springer.
DOI
2008 Biggs, S. (2008). Transculturation, transliteracy and generative poetics. In Electronic Literature in Europe 2008 (pp. 1-9). UK.

Year Citation
2025 Authors: Biggs S. Title: Babel (2025). Extent: N/A.
2024 Authors: Biggs S. Title: Correlates. Description: Link to a related website: https://www.littlepig.org.uk/correlates/index.htm, URL of visual art work. Extent: digital video.
2021 Authors: Biggs S. Title: Autography. Description: First Showing. Extent: Interactive 3D generative software-based artwork.
2018 Authors: Biggs S. Title: Mnemo. Description: First Showing. Extent: application.
2018 Authors: Biggs S. Title: Double agent. Description: First Showing. Extent: Interactive immersive installation with machine learning.
2015 Authors: Williams SL. Title: The Dark Matters. Description: First Showing. Extent: online.
2014 Authors: Biggs S, Hawksley S, Paine G. Title: Crosstalk. Description: First Showing. Extent: 1 live performance.
2013 Authors: Biggs S, Hawksley S, Paine G. Title: Crosstalk in progress. Extent: N/A.
2013 Authors: Biggs S. Title: Polymorph. Extent: N/A.
2013 Authors: Biggs S. Title: Tate 25. Extent: N/A.
2011 Authors: Biggs S, Shovman M. Title: Tower. Extent: N/A.
2011 Authors: Biggs S. Title: Conjunction and Prepositions. Extent: N/A.
2010 Authors: Biggs S. Title: Authorship and agency in networked environments. Extent: N/A.
2010 Authors: Biggs S. Title: Between zero and one : on the unknown knowns. Extent: N/A.
2010 Authors: Biggs S, Hawksley S, Paine G. Title: Bodytext. Extent: N/A.
2009 Authors: Biggs S. Title: Utter. Extent: N/A.
2009 Authors: Biggs S. Title: Oracle. Extent: N/A.
2009 Authors: Biggs S. Title: reRead. Extent: N/A.
2009 Authors: Biggs S. Title: A New Life. Extent: N/A.
2008 Authors: Biggs S, Hawksley S. Title: Blowup. Extent: N/A.

Programs I'm associated with

  • DBCX - Bachelor of Contemporary Art