Dr Smiljana Glisovic
Research Associate
Office of Creative Arts, Design and Humanities
College of Creative Arts, Design and Humanities
| Year | Citation |
|---|---|
| 2019 | Glisovic, S. (2019). The gape at the gallery: Writing from flesh. Axon, 9(2), 1-12. |
| 2018 | Batty, C., Berkeley, L., & Glisovic, S. (2018). A morning coffee in Melbourne: discussing the contentious spaces of media practice research. Media Practice and Education, 19(1), 8-17. Scopus2 |
| 2016 | Glisovic, S., Berkeley, L., & Batty, C. (2016). The problem of peer review in screen production: exploring issues and proposing solutions. Studies in Australasian Cinema, 10(1), 5-19. Scopus8 WoS3 |
| 2016 | Glisovic, S. (2016). Conduits for transformation: Spatializing the essay, towards an embodied pensiveness. Journal of Writing in Creative Practice, 9(1-2), 105-126. Scopus2 |
| 2016 | Berkeley, L., Wood, M., & Glisovic, S. (2016). Creative destruction: Screen production research, theory and affect. Journal of Writing in Creative Practice, 9(1-2), 7-31. Scopus12 |
| 2016 | Wood, M., Glisovic, S., & Berkeley, L. (2016). The challenge of film to innovation and entrepreneurship studies. Prometheus Critical Studies in Innovation, 34(3-4), 225-230. Scopus2 |
| Year | Citation |
|---|---|
| 2017 | Glisovic, S. (2017). The naïve researcher resisting methodology: A Ph.D. experience. In Screen Production Research Creative Practice as A Mode of Enquiry (pp. 213-232). Springer International Publishing. DOI |
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